The dome of the Isaac Theatre Royal covered in sheeting and suspended in the backstage area. In the foreground, a small digger sits on the bed of a truck, and a crane is visible to the left. The photographer comments, "This is the 'dome' of the Isaac Theatre Royal's heritage stage. The front section of the theatre has stayed and so has the back, but the middle has been completely demolished. The best way to hide a secret is in plain sight. Could this really be an ancient UFO stored secretly in the old theatre for decades and now exposed by the earthquake? Is the waiting crane and transporter ready to whip it away to another secret location in the dead of night?".
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
A photograph of members of Crack'd for Christchurch working in their workshop. A number of mosaics of flowers and leaves have been laid out on the table in front of them. Boxes of broken china are organised on the shelf behind.Crack'd for Christchurch comments, "Back at the workshop, flower making continues. You can see a table covered with flower motifs, looking amazing. We had to make the flowers at home in the evenings as we all worked during the day. After much trial and error our flower experts (Helen, Sharon, and Jennie) came up with a clever way to attach the tiny pieces to mesh, so they could be transferred to the chair easily. From left: Sharon Wilson, Helen Campbell, and Shirley Walden."
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
Christchurch's historic Theatre Royal will reopen for business in November, with bookings about to open for the first show, the Royal New Zealand Ballet season of "A Christmas Carol" The 106-year old theatre has been closed for almost four years because of earthquake damage in the 2010 and 2011 earthquakes. The $40million rebuild and restoration project will be completed over the next five months and on 17 November 2014, the 'Grand Old Lady' of New Zealand theatre will reopen her doors for performances. With so few venues for performance left in the city, including the Town Hall out of commission indefinitely, the rebuild of the Theatre Royal is very good news for Christchurch audiences Chief executive Neil Cox explains the process of getting oldest Edwardian theatre in the country back in use and mounting the large scale theatrical productions it has been famous for.
Text reads 'ROCK STAR' and below is an image of a large rock named 'Rocky'. Context - When a 25-tonne boulder crashed through the garage roof of Phil Johnson's home and left it in ruins during the Christchurch earthquake of 22 February he sold it at an online auction for NZ$60,500 (#27,652). Mr Johnson dubbed it "Rocky". The money will be used to help quake victims. Quantity: 2 digital cartoon(s).
Text at top left reads 'Why Christchurch should have the World Cup' Following are four cameos that show tents representing 'Lots if low cost accommodation', 'Plenty of toilet facilities', 'aftershock home advantage' as the ball misses the goal post because it sways, and a 'free hard-hat with each ticket' Context - Anxiety about whether Christchurch can still hold the Rugby World Cup fixtures that are planned. A decision was made that it was not possible. Quantity: 1 digital cartoon(s).
The cartoon is headed 'Whitebait - How to spot the difference.' Below are two frames; the one on the left shows a brown fish wearing goggles and breathing apparatus, it is from the East Coast and is described as 'drab brown' and 'tastes like dung'; the one on the right is pink and wears a sun hat and sunglasses, it is from the West Coast and is described as 'lightly tanned' and 'tastes like coconut'. Context: The whitebait from the east coast has been contaminated by the Canterbury earthquakes. Quantity: 1 digital cartoon(s).
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Prime Minister Assurance. Let us remember the much-quoted assurance from the Prime Minister in 2011: 'On behalf of the Government, let me be clear that no one will be left to walk this journey alone. New Zealand will walk this journey with you. We will be there every step of the way. Christchurch; this is not your test; this is New Zealand's test. I promise we will meet this test.' We call on the authorities to live up to this promise. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable of its residents".
A video of Lianne Dalziel speaking to a public gathering about her reasons for standing for the mayoralty of Christchurch. Dalziel talks about starting her mayoralty where Share an Idea left off, making the Council a high performing team, and getting the community involved in the decisions about the future of the city. The video also includes footage of Dalziel taking a tour of the Christchurch central city. Dalziel visits the ChristChurch Cathedral, pointing out a sign which reads, "The earthquakes stopped us, but inept procedures are killing us". She also visits the new Westende Jewellers building, which she notes was the first rebuild in the Christchurch central city but will come down as part of CERA's Transport Plan. Dalziel is shown socialising with members of the public and watching the Christchurch Wizard bless New Regent Street.
An aerial photograph of the Christchurch central city. The photograph has been captioned by BeckerFraserPhotos, "This photograph shows nearly all of the CBD. The two streets which are prominent in this photograph are Manchester Street on the left and Colombo Street on the right of the photograph. This photograph is from the north, looking towards the southern part of the city. Cathedral Square is about half way up, towards the right. It shows the extent of demolition that has happened already close to the river and near the Manchester/Gloucester Street intersection where there is a lot of bare land surrounding Radio Network House".
An aerial photograph captioned by BeckerFraserPhotos, "Victoria Square is at the centre of this picture with its green lawns and trees. The bare patch of earth in front s the demolition sites of the Allan McLean building, the Oxford on Avon, and Plunket House. The contract to demolish the Crowne Plaza Hotel has been let, while the fate of the Town Hall is still undecided. The Convention Centre is coming down. On the very bottom, slightly to the right is the Medlab building which is also to be demolished. In the bottom left corner is the PWC building which is also to be demolished".
Shows a sick and damaged Christchurch Anglican Cathedral in a hospital bed with two attendants. The Cathedral asks 'Can ya just pull the plug and let me die peacefully?'. Context refers to recent comments by Bishop Victoria Matthews that the Christchurch Cathedral is 'being left to die with no dignity' because of ongoing legal battles about its future. There has been ongoing debate and controversy over whether the Cathedral should be demolished, reconstructed or restored following damage suffered in the February 2011 Earthquake. Quantity: 1 digital cartoon(s).
The cartoon shows a flag which looks rather like that of both Australia and New Zealand but not exactly like either; the Union Jack is half out of the top left corner and there are just three of New Zealand's four red stars and three of Australia's white stars. The cartoonist's title is 'Aust NZ united in tragedy'. Context - The Queensland floods of December 2010 to January 2011. Colour and black and white versions available. Quantity: 2 digital cartoon(s).
The recent earthquakes in Canterbury have left thousands of Christchurch residents’ homeless or facing the possibility of homelessness. The New Zealand Government, so far, have announced that 5,100 homes in Christchurch will have to be abandoned as a result of earthquake damaged land (Christchurch City Council, 2011). They have been zoned red on the Canterbury Earthquake Recovery Authority (CERA) map and there are another 10,000 that have been zoned orange, awaiting a decision (Christchurch City Council, 2011). This situation has placed pressures on land developers and local authorities to speed up the process associated with the development of proposed subdivisions in Christchurch to accommodate residents in this situation (Tarrant, 2011).
The cartoon shows Christchurch Cathedral shattered and with its steeple gone after the earthquake on 22 February 2011. The words 'The oSCARs' (wordplay on 'Oscars' and 'scars') are in the top left corner and the text 'The worst picture' are in the centre. A second version shows an 'Oscar' statuette with a crown on its head. Context - The Christchurch earthquake 22 February 2011 and the 2011 Oscars - annual film awards. Two versions of this cartoon are available Quantity: 1 digital cartoon(s).
The suburb of New Brighton in Christchurch Aotearoa was once a booming retail sector until the end of its exclusivity to Saturday shopping in 1980 and the aftermath of the devastating 2011 Christchurch earthquake. The suburb of New Brighton was hit particularly hard and fell into economic collapse, partly brought on by the nature of its economic structure. This implosion created an urban crisis where people and businesses abandoned the suburb and its once-booming commercial economy. As a result, New Brighton has been left with the residue of abandoned infrastructure and commercial propaganda such as billboards, ATM machines, commercial facades, and shopping trolleys that as abandoned fragments, no longer contribute to culture, society and the economy. This design-led research investigation proposes to repurpose the broken objects that were left behind. By strategically selecting objects that are symbols of the root cause of the economic devastation, the repurposed and re-contextualised fragments will seek to allegorically expose the city’s destructive economic narrative, while providing a renewed sense of place identity for the people. This design-led thesis investigation argues that the seemingly innocuous icons of commercial industry, such as billboards, ATM machines, commercial facades, and shopping trolleys, are intended to act as lures to encourage people to spend money; ultimately, these urban and architectural lures can contribute to economic devastation. The aim of this investigation is to repurpose abandoned fragments of capitalist infrastructure in ways that can help to unveil new possibilities for a disrupted community and enhance their awareness of what led to the urban disruption. The thesis proposes to achieve this research aim by exploring three principal research objectives: 1) to assimilate and re-contextualise disconnected urban fragments into new architectural interventions; 2) to anthropomorphise these new interventions so that they are recognisable as architectural ‘inhabitants’, the storytellers of the urban context; and 3) to curate these new architectural interventions in ways that enable a community-scale allegorical and didactic experience to be recognised.
Shows Minister for Christchurch Earthquake Recovery Gerry Brownlee as Pontius Pilate washing his hands of the rental crisis in Christchurch. In the background is Jesus burdened with the cross and representing the 'rental crisis'. Context: The rental housing situation in Christchurch is at crisis point and is causing huge stress for people unable to find suitable accommodation. Earthquake Recovery Minister Gerry Brownlee said last month that the rental housing crisis was best left to the market, but Gatonyi said his stance was "totally flawed". (Press 12 April 2012) Quantity: 1 digital cartoon(s).
Text at top left reads 'Where earthquakes come from' Below God and the devil stand on either side of a gaming board which shows a map of New Zealand placed on a numbered board. The croupier spins the numbers and says 'Faites vos jeux' while the devil furiously shakes the dice and God makes a peace sign and thinks 'Next move'..' Context - the apparently random nature of when and where earthquakes strike. Because of the Christchurch earthquakes of 4 September 2010 and 22 February 2011 many New Zealanders have been asking for more certainty about earthquake prediction which scientists cannot yet give them. Quantity: 1 digital cartoon(s).
The cartoon shows the word 'survivors' in very large print which fades out towards the end of the word. A second version is the same as the first but has the text 'Search called off' in the top left corner. A third version shows the word 'survivors' against a background of the ruined Christchurch Cathedral. Context - The moment when it was realized that no more people could have survived the Christchurch of 22 February 2011. To date there have been about 165 confirmed dead but there are more bodies still trapped in the rubble of collapsed buildings. Three versions of this cartoon are available Quantity: 3 digital cartoon(s).
At top left is text reading 'Christchurch pupils return to school...' The teacher has written the words 'Nosey', 'Bob', and 'Double' on the blackboard and says to the children 'Our first test today... Sort these into Parkers we love and Parkers we don't'... Context - the correct answers would be that we hate 'nosey parkers' and 'double parkers' but that we love 'Bob Parker'. Bob Parker is the Mayor of Christchurch and is generally considered to have done a remarkably good job of demonstrating calm and cheerfulness after the two earthquakes of 4 September 2010 and 22 February 2011, as well as having been able to chose fitting words to express grief and despair at so much loss. Quantity: 1 digital cartoon(s).
Text top left reads 'A tale of two quakes' In the first frame a man runs from 'radiation leaks' yelling 'The end of the world!' and in the second frame a man runs from the notion 'No World Cup?' yelling 'The end of the world!' Context - the terrible earthquake and tsunami in Japan 11 March 2011 that have led to the overheating of several nuclear power plants that are leaking radiation and threaten a nuclear catastrophe and the Christchurch earthquakes of 4 September 2010 and 22 February 2011 that have led to the decision that because of the amount of damage to the venue plus infrastructures and accommodation for visitors the Rugby World Cup will not be played in Christchurch. Quantity: 1 digital cartoon(s).
Text at top left reads 'Christchurch display portaloos' Four different styles of portaloo are shown; the "Merivale", the 'Sumner", the "Heritage" and the "Eastsider"; someone inside the 'Eastsider says 'At least I'm open plan AND mobile!' Context - After the tow Christchurch earthquakes and hundreds of aftershocks that have hit Christchurch one of the problems is lack of toilets because of damage to buildings and also damage to sewage systems so many portaloos and chemical toilets have been sent to Christchurch. However many people have resorted to the good old kiwi way and dug long-drops in the backyard. A website 'showusyourlongdrop.co.nz' has been developed by Christchurch man Jason Moore, who was inspired by photographs of Christchurch dunnies uploaded to Facebook. There has been a competition. Quantity: 1 digital cartoon(s).
Context of the project: On 4 September 2010, 22 February 2011, 13 June 2011 and 23 December 2011 Christchurch suffered major earthquakes and aftershocks (well over 10,000) that have left the central city in ruins and many of the eastern suburbs barely habitable even now. The earthquakes on 22 February caused catastrophic loss of life with 185 people killed. The toll this has taken on the residents of Christchurch has been considerable, not least of all for the significant psychological impact and disruption it has had on the children. As the process of rebuilding the city commenced, it became clear that the arts would play a key role in maintaining our quality of life during difficult times. For me, this started with the children and the most expressive of all the art forms – music.
Text at top left reads 'Earthquake... aftershock... or "new event"... one thing remains constant...' Below is a snail with 'EQC payments' printed on its shell. Context - This is a reference to the problems that Christchurch people are having in getting payments from the EQC (Earthquake Commission) Disgruntled tradespeople who are owed hundreds of thousands of dollars by EQC are considering legal action. Remaining unpaid can mean that companies may have to consider laying people off. The Amalgamated Workers Union says delays in EQC payments for housing repair work in quake-hit Christchurch are building to a crisis point. Two versions of this cartoon are available Quantity: 2 digital cartoon(s).
The Catholic Cathedral of the Blessed Sacrament is a category 1 listed heritage building constructed largely of unreinforced stone masonry, and was significantly damaged in the recent Canterbury earthquakes. The building experienced ground shaking in excess of its capacity leading to block failures and partial collapse of parts of the building, which left the building standing but still posing a significant hazard. In this paper we discuss the approach to securing the building, and the interaction of the structural, heritage and safety demands involved in a dynamic seismic risk environment. We briefly cover the types of failures observed and the behaviour of the structure, and investigate the performance of both strengthened and un-strengthened parts of the building. Seismic strengthening options are investigated at a conceptual level. We draw conclusions as to how the building performed in the earthquakes, comment on the effectiveness of the strengthening and securing work and discuss the potential seismic strengthening methods.
Text at top left reads 'Don't forget rubbish day' The cartoon is a large wheelie bin stacked high with debris from 'old dunger buildings'. Someone in a damaged house nearby says 'Good riddance!' Context - Two earthquakes and hundreds of aftershocks have hit Christchurch, the first on 4 September 2010 and a second more devastating one on 22 February 2011. Earthquake Recovery Minister Gerry Brownlee may or may not have actually used the words 'old dungers' to describe some of Christchurch's heritage buildings that are not worth keeping but he might as well have done because many people believe that this is the way he thinks. Debate about which heritage buildings should be kept and which demolished has begun along with debate about how the city should be rebuilt. Quantity: 1 digital cartoon(s).
Homeless earthquake victims arrive in Hobbiton with their bags when it seems that New Zealand is going to lose The Hobbit to another country. Refers to the dispute between Warner Brothers, represented by Peter Jackson, and NZ Actors Equity over a union demand for negotiations over the terms and conditions offered in the contracts for actors and others working on the film very nearly caused the film to be made somewhere else. The battle, which was eventually resolved successfully after meetings between PM John Key and Warner Brothers representatives, divided New Zealanders. Refers also to the Canterbury earthquake of 4th September and its aftershocks that have left many houses uninhabitable. Quantity: 1 digital cartoon(s).
Someone in a car full of passengers who represent '10,000 residents' says 'For Pete's sake... Are they ever going to change?' Spider webs have been spun between the car and the road as the car waits at a traffic light that represents the 'land report' and is stuck on orange. Context - Context - On Thursday 23 June Prime Minister John Key, Canterbury Earthquake Recovery Minister Gerry Brownlee and representatives from engineering consultants Tonkin & Taylor announced the first part of the Government's long-awaited land report that revealed the fate of up to 5000 quake-damaged homes. These homes were in the 'red zone'. But 10,500 owners in the orange zone were left in limbo, with their properties requiring further assessment. The areas included Kaiapoi, Pines Beach, Brooklands, Spencerville, Parklands and Queenspark (www.rebuildchristchurch.co.nz 6 July 2011)) Quantity: 1 digital cartoon(s).
Text reads 'Bad news for Christchurch playing fields'. On the left is a man wearing the Canterbury colours and carrying a flag; he looks most upset about the 'AMI Stadium' being red stickered. On the right is a woman of the night in fishnet stockings and a very short skirt who looks very upset as she hears that 'Manchester Street' has been red stickered. The little Evans man in the corner says 'Red light, red carded, from the red zone'. Context - The AMI Stadium was supposed to be the venue for the Rugby World Cup in Christchurch - a decision made on 16 March was made that Christchurch was not in a position to host the RWC. With Manchester St on the city side of Bealey Ave cordoned off, street workers have been working from the residential area between Bealey and Purchas St. and residents are furious. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).