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Research Papers, Lincoln University

When a tragedy occurs of local or national scale throughout the world a memorial is often built to remember the victims, and to keep the tragedy fresh in the minds of generations with the conviction that this must not be repeated. Memorials to commemorate natural disasters very to the objective of a human induced tragedy in that future catastrophic events that affect the lives and livelihood of many citizens are sure to reoccur in countries that are geographically pre-disposed to the ravages of nature. This thesis examines memorial sites as case studies in New Zealand and Japan to explore the differences in how these two countries memorialise earthquakes, and tsunamis in the case of Japan, and whether there are lessons that each could learn from each other. In so doing, it draws largely on scholarly literature written about memorials commemorating war as little is written on memorials that respond to natural disasters. Visited case sites in both countries are analysed through multiple qualitative research methods with a broad view of what constitutes a memorial when the landscape is changed by the devastation of a natural disaster. How communities prepare for future events through changes in planning legislation, large scale infrastructure, tourism and preparedness for personal safety are issues addressed from the perspective of landscape architecture through spatial commemorative places. The intentions and meanings of memorials may differ but in the case of a memorial of natural disaster there is a clear message that is common to all. To reduce the severity of the number of deaths and level of destruction, education and preparedness for future events is a key aim of memorials and museums.

Research papers, University of Canterbury Library

A Transitional Imaginary: Space, Network and Memory in Christchurch is the outcome and the record of a particular event: the coming together of eight artists and writers in Ōtautahi Christchurch in November 2015, with the ambitious aim to write a book collaboratively over five days. The collaborative process followed the generative ‘book sprint’ method founded by our facilitator for the event, Adam Hyde, who has long been immersed in digital practices in Aotearoa. A book sprint prioritises the collective voice of the participants and reflects the ideas and understandings that are produced at the time in which the book was written, in a plurality of perspectives. Over one hundred books have been completed using the sprint methodology, covering subjects from software documentation to reflections on collaboration and fiction. We chose to approach writing about Ōtautahi Christchurch through this collaborative process in order to reflect the complexity of the post-quake city and the multiple paths to understanding it. The city has itself been a space of intensive collaboration in the post-disaster period. A Transitional Imaginary is a raw and immediate record, as much felt expression as argued thesis. In many ways the process of writing had the character of endurance performance art. The process worked by honouring the different backgrounds of the participants, allowing that dialogue and intensity could be generative of different forms of text, creating a knowledge that eschews a position of authority, working instead to activate whatever anecdotes, opinions, resources and experiences are brought into discussion. This method enables a dynamic of voices that merge here, separate there and interrupt elsewhere again. As in the contested process of rebuilding and reimagining Christchurch itself, the dissonance and counterpoint of writing reflects the form of conversation itself. This book incorporates conflict, agreement and the activation of new ideas through cross-fertilisation to produce a new reading of the city and its transition. The transitional has been given a specific meaning in Christchurch. It is a product of local theorising that encompasses the need for new modes of action in a city that has been substantially demolished (Bennett & Parker, 2012). Transitional projects, such as those created by Gap Filler, take advantage of the physical and social spaces created by the earthquake through activating these as propositions for new ways of being in the city. The transitional is in motion, looking towards the future. A Transitional Imaginary explores the transitional as a way of thinking and how we understand the city through art practices, including the digital and in writing.

Images, Alexander Turnbull Library

Shows a helicopter spray painting Christchurch with the Canterbury colours of black and red. Someone in the helicopter yells that 'it's gotta be better than tint of TC3'. Context: Probably refers to the apology by Earthquake Recovery Minister Gerry Brownlee for offending Christchurch's TC3 residents after saying he was 'sick and tired' of their moaning. TC3 means 'technical category 3'. Land classified TC3 is the mostly badly quake-damaged considered economically repairable. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A Christchurch seismic monitor churns out reams of paper with wild fluctuations showing earthquakes and aftershocks. Nearby two men examine a second monitor and one of them says 'This one's connected to Gerry Brownlee!' The reams of paper show a perfectly straight line - it appears that nothing is going on in Gerry Brownlee's head. Context - A sense that the Minister for Earthquake Recovery is being less than effective. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Canterbury Museum

One green and yellow soft sculpture kakapo with wire feet, stuffed body and black plastic eyes. Has an attached card naming the bird Little Ra and explaining it is part of the 'Journey - The Kakapo of Christchurch' project by artist Sayraphim Lothian.

Images, Canterbury Museum

One model of the Temple for Christchurch with a rectangular base of Jarrah and solid silver conical shapes and wave like walls representing the movement of the 22 February 2011 earthquake. Based on the Temple for Christchurch sculpture that was designed by Hippathy Valentine.

Images, Alexander Turnbull Library

A rather overweight and unattractive man has dressed up as a lady of the night and is pulling on a yellow wig in her Rachel Hunter disguise. She says 'Maybe NOW they'll let me into the Red Zone!' and the woman who has given her the disguise says 'It won't happen overnight... but it WILL happen!' Context - Businessmen and shopkeepers are becoming frustrated at not being allowed into the Red Zone to take up the businesses again. Pretending to be a prostitute might solve the problem. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A female bartender chats with a customer as she pours his beer. She asks him about his jersey, saying 'That's not one of those expensive Adidas jerseys is it?' and he replies 'No - it's a Christchurch "After the quake" jersey!' The jersey has on the front three rectangular shapes that are tipping over. Context: Adidas has been at the centre of a jersey-pricing storm since it was revealed the replica tops could be bought much cheaper overseas. The jersey had been listed for sale at $US79.99 ($NZ92.68) on the US website worldrugbyshop.com and could also be found cheaper on British websites. It was retailing for $220 in New Zealand, but retailers have dropped the price as the debate has raged. Adidas has refused to drop the wholesale price. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Text reads 'Earthquake survivors' and amongst the rubble of a collapsed building is a man representing 'courage' who is trapped by a concrete slab and a woman with severed legs who is reaching out to help him and who represents 'compassion'. Context - The very severe Christchurch earthquake of 22 February 2011 in which probably more than 200 people died and an enormous amount of structural damage has been done. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Several volunteers work amongst the ruins of a building. A woman nearby weeps and the man comforting her comments 'and to think we believed sports stars were our national heroes'. Context - on 22 February 2011 a 6.3 magnitude earthquake struck in Christchurch which has probably killed more than 200 people (at this point the number is still not known) and caused very severe damage. There has been enormous praise for the efforts of many ordinary people who have shown courage in the catastrophe. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

In the top two frames a man discovers a pile of stinking bones and scratches his head in puzzlement; he is pleased when a second man rushes towards him with another bone which, in the lower frame, he proceeds to try to fit together with a bone from the original stack. The second man then realizes that the dinosaur from which he took the bone is starting to shudder and quake. Context - This is a metaphor about the rebuilding the city of Christchurch after the earthquake of 22 February 2011. Debates are beginning about the preserving or knocking down of historic buildings as well as the rebuilding or repairing of houses. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Research papers, Victoria University of Wellington

We estimate the causal effects of a large unanticipated natural disaster on high schoolers’ university enrolment decisions and subsequent medium-term labour market outcomes. Using national administrative data after a destructive earthquake in New Zealand, we estimate that the disaster raises tertiary education enrolment of recent high school graduates by 6.1 percentage points. The effects are most pronounced for males, students who are academically weak relative to their peers, and students from schools directly damaged by the disaster. As relatively low ability males are overrepresented in sectors of the labour market helped by the earthquake, greater demand for university may stem from permanent changes in deeper behavioural parameters such as risk aversion or time preference, rather than as a coping response to poor economic opportunities.

Images, Alexander Turnbull Library

The cartoon's title is 'Life in the South Island'. A man wonders aloud to his wife when the 'plague of locusts' will arrive as they have had 'collapsing finance companies, earthquakes' and 'heavy snow damage'. Refers to the collapse of South Canterbury Finance, the earthquake of 4th September, and more recently, heavy snow in Southland that has caused roofs to collapse. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Text at top left reads 'Christchurch display portaloos' Four different styles of portaloo are shown; the "Merivale", the 'Sumner", the "Heritage" and the "Eastsider"; someone inside the 'Eastsider says 'At least I'm open plan AND mobile!' Context - After the tow Christchurch earthquakes and hundreds of aftershocks that have hit Christchurch one of the problems is lack of toilets because of damage to buildings and also damage to sewage systems so many portaloos and chemical toilets have been sent to Christchurch. However many people have resorted to the good old kiwi way and dug long-drops in the backyard. A website 'showusyourlongdrop.co.nz' has been developed by Christchurch man Jason Moore, who was inspired by photographs of Christchurch dunnies uploaded to Facebook. There has been a competition. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Text at the top of the cartoon reads 'NZ city strengthening?' A whole city enclosed in a glass dome and balanced on huge springs intended to make it earthquake resistant rocks as another aftershock hits. Context - Two earthquakes and hundreds of aftershocks have hit Christchurch, the first on 4 September 2010 and a second more devastating one on 22 February 2011. There has been great emphasis on making heritage buildings that are rebuilt and all new buildings earthquake resistant. The example in the cartoon is perhaps a Springs-with-damper base isolator. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Text at top left reads 'Don't forget rubbish day' The cartoon is a large wheelie bin stacked high with debris from 'old dunger buildings'. Someone in a damaged house nearby says 'Good riddance!' Context - Two earthquakes and hundreds of aftershocks have hit Christchurch, the first on 4 September 2010 and a second more devastating one on 22 February 2011. Earthquake Recovery Minister Gerry Brownlee may or may not have actually used the words 'old dungers' to describe some of Christchurch's heritage buildings that are not worth keeping but he might as well have done because many people believe that this is the way he thinks. Debate about which heritage buildings should be kept and which demolished has begun along with debate about how the city should be rebuilt. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Text reads '150 great reasons to live in Christchurch'. Someone quotes 'It's only 250 metres to empty your chemical toilet'. An elderly woman trudges through the rain pushing a trolley on which is balanced her chemical toilet. Context - Following the Christchurch earthquake of 22 February 2011 when a great deal of damage was done to the sewage system because of broken pipes thousands of chemical toilets have been distributed but now there seems to be confusion over whether it is safe to use flushing toilets when the sewage system cannot support it or whether residents should still be using chemical toilets. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A man reading a newspaper wails and sobs when he discovers that Christchurch will not be hosting any Rugby World Cup games. The newspaper is covered with real disaster news like the Japanese earthquake and potential nuclear disaster, economy problems , and 'aftershock anxiety'. Context - The Christchurch earthquakes of 4 September 2010 and 22 February 2011 that have led to the decision that because of the amount of damage to the venue plus infrastructures and accommodation for visitors the Rugby World Cup will not be played in Christchurch. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Text above reads 'Prince William comes to Christchurch...' A special royal portaloo has been arranged for the visit of Prince William to Christchurch; it is built to resemble a castle and has gold door fittings. On either side of the portaloo stands a sentry guard. The prince who is inside whispers 'I can't find the royal flush button' (wordplay on 'royal flush' and the 'flush' of a toilet) Context - Prince William visited the Civil Defence headquarters in Christchurch with Earthquake Recovery Minister Gerry Brownlee and Christchurch Mayor Bob Parker on the 17th March to see the damage caused by the earthquakes of the 4th September 2010 and the 22 February 2011. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A signpost pointing 'West' and 'East'. The sign pointing West is intact; that indicating East is broken and barely hanging on to the post. Refers to the condition of Christchurch City after the earthquakes of 2010 and 2011; the western wealthier suburbs were less damaged than the poorer Eastern suburbs. Also, progress on repair and rehabilitation of eastern housing had been slow. The redesign of the city centre seemed to be a western suburb priority which ignored the poverty and misery of living conditions on the east. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows a daffodil blooming in an earthquake fissure with the wrecked buildings of Christchurch in the background. Context: September 4th is the anniversary of the first quake. Many people in Christchurch are still living in houses that may yet be red stickered (condemned) and many city buildings are still out of bounds, either condemned to destruction or rebuilt after the earthquakes of September 4th 2010 and February 22nd and June 13th 2011. But the return of spring maybe brings a sense of encouragement and hope. Title provided by librarian Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows a house for sale in Christchurch after the earthquakes; there is a jagged rip through the house and the road outside that looks like a seismic graph after a lot of activity. The 'For Sale' sign says 'Open Plan living, open home, Seismologist's dream!'. Context - A house wrecked by the Christchurch earthquakes of September 4th 2010, February 22 2011 and June 13 2011. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A tall building sways and groans, creaks and rumbles during an earthquake. Someone from inside at the top of the building says 'Earthquake? No... This is an extreme adventure activity that you'll be billed for later!' Context - The earthquakes in Christchurch and the Canterbury region. The three major ones were on 4th September 2010, 22 February 2011 and 13 June 2011 and there have been hundreds of aftershocks. Quantity: 1 digital cartoon(s).