
A PDF copy of pages 372-373 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Container Love (Container Cosy)'. Photos: Barnaby Bennett
A PDF copy of pages 218-219 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Out of the Box'. Photos provided by Karen Sheridan
A damaged house perched on the edge of the cliffs above Sumner. The photographer comments, "This house has slowly gone over the edge since the big earthquake in Christchurch in February 2011. Subsequent earthquakes has caused the rock face to crumble more and more".
A video recording of Rev'd Sam Knight's interview for the Church in the Quakes Project. The interview was conducted by Melissa Parsons of 5 October 2012. Knight was the Youth and Men's Pastor at Sumner/Redcliffs and is now the Curate at St Barnabas.
A villa built on the Sumner Esplanade in Christchurch early last century has been saved from demolition and given a new lease of life. A Queenstown couple couldn't bear to see the beautiful home demolished after the earthquakes, so they bought it, had it cut into two pieces and trucked the 500-kilometres south to the Gibbston Valley near Queenstown.
One landscape colour digital photograph taken on 25 February 2011 showing damage to the Lyttelton Police Station on Sumner Road and London Street. Photograph taken looking west from St Davids Street. In December 2011, the New Zealand Police decided that the Lyttelton Police Station would be demolished. The building, which opened in 1882 was re...
One landscape colour digital photograph taken on 27 April 2011 showing damage to London Street and demolition work being undertaken on the Harbourlight Theatre. Photograph taken looking west from the intersection of London Street with Oxford Street and Sumner Road. Architect In Christchurch's Central Business District many of the high profile d...
A copy of the transcript of Rev'd Sam Knight's interview for the Church in the Quakes Project. The interview was conducted by Melissa Parsons of 5 October 2012. Knight was the Youth and Men's Pastor at Sumner/Redcliffs and is now the Curate at St Barnabas.
A PDF copy of a poster from the Let's Talk About Parenting project of the All Right? campaign. The caption reads, 'Hollie, Sumner: "Quiet times are a real treat so we're both pretty keen on drawing." Real families aren't picture perfect. They're messy, playful and so much better'.
One landscape colour digital photograph taken on 27 April 2011 showing damage to the London Street Restaurant. Photograph taken looking west from the intersection of London Street with Oxford Street and Sumner Road. Adaptability and quick thinking has become a key part of business survival in post earthquake Canterbury. The owner of this bui...
The laying of new sewers in Bridge Street, South Brighton. Road cones have been placed along the road works. Temporary road signs indicate that the current speed limit is 30 km/h. Diggers, four-wheel drive vehicles and a truck are parked beside piles of gravel and a yellow sewer pump.
One landscape colour digital photograph taken on 27 May 2013 of London Street in Lyttelton. Taken from Sumner Road looking west across the intersection of London and Oxford Streets. The photograph shows several empty sections and the remaining buildings. The Lyttelton streetscape has changed dramatically from its pre-earthquake appearance and w...
Small, tight-knit communities, are complex to manage from outside during a disaster. The township of Lyttelton, New Zealand, and the communities of Corsair Bay, Cass Bay, and Rapaki to the east, are especially more so difficult due to the terrain that encloses them, which caused them to be cut-off from Christchurch, the largest city in the South Island, barely 10 km away, after the Mw 7.1 Darfield Earthquake and subsequent Canterbury Earthquake Sequence. Lyttelton has a very strong and deep-rooted community spirit that draws people to want to be a part of Lyttelton life. It is predominantly residential on the slopes, with retail space, service and light industry nestled near the harbour. It has heritage buildings stretching back to the very foundation of Canterbury yet hosts the largest, modern deep-water port for the region. This study contains two surveys: one circulated shortly before the Darfield Earthquake and one circulated in July 2011, after the Christchurch and Sumner Earthquakes. An analytical comparison of the participants’ household preparedness for disaster before the Darfield Earthquake and after the Christchurch and Sumner Earthquakes was performed. A population spatiotemporal distribution map was produced that shows the population in three-hourly increments over a week to inform exposure to vulnerability to natural hazards. The study went on to analyse the responses of the participants in the immediate period following the Chrsitchurch and Sumner Earthquakes, including their homeward and subsequent journeys, and the decision to evacuate or stay in their homes. Possible predictors to a decision to evacuate some or all members of the household were tested. The study also asked participants’ views on the events since September 2010 for analysis.
The focus of this paper is to identify potential benefits of community involvement in master planning in the post-earthquake recovery context in Christchurch; and to identify considerations for planners involved in the design of master planning processes that involve the community. Findings are based on the results of an information sharing event on these topics convened by The Habitat Project in December 2011, and a review of the relevant literature.
One landscape colour digital photograph taken on 19 November 2011 showing the site of the old Lyttelton Library, Council Chambers and Magistrates' Court on the corner of Oxford Street and Sumner Road. At the time of the 22 February 2011 Earthquake the building was in private ownership and was the premises of Moda Fotografica and a private resid...
One landscape colour digital photograph taken on 30 June 2011 showing earthquake damage to a section of retaining wall in Sumner Road. Plastic sheeting installed to stabilise previous damage and protect from water erosion is visible to the right of the photograph. Also visible in the photograph is a boarded up broken window and temporary safety ...
A Christchurch primary school is moving into its permanent new home today, nine years after cliffs behind it collapsed during the city's earthquakes. Redcliffs School subsequently moved to a temporary location in the suburb of Sumner, but the new location will mean the school will return home to Redcliffs, after a land swap with the local park. The move comes after in 2016, the then National Government, overturned its own decision to close the school. Christchurch reporter Anan Zaki spoke to principal Rose McInerney ahead of today's move.
Part of a house that fell can be seen on the rocks above right hand containers.
Aerial footage of Christchurch recorded the day after the 22 February 2011 earthquake. The footage shows damage to the Smith City car park, the Cathedral of the Blessed Sacrament, the CTV Building, the PGC Building, the Durham Street Methodist Church, the Lyttelton Timeball Station, the roads alongside the Avon River, and the ChristChurch Cathedral. It also shows New Zealand Army road blocks outside the hospital, crushed buses on Colombo Street, a Royal New Zealand Navy vessel in Lyttelton Harbour, rock fall on the Summit Road, collapsed cliffs in Sumner and Redcliffs, tents set up in a park, flooding in New Brighton, and liquefaction in QEII Park.
What more can one say except that Shag Rock is now about one third it's original height. Whitewash Head in the background with the road that now drops over a cliff.
20130125_1749_1D3-400 Road Closed 1 The Lyttelton side of Evans Pass is closed (since the earthquake 23 months ago - 22/02/11). Prior to the road tunnel (through the Port Hills) opening in the early 1960s this was the main access road to the port of Lyttelton. #3072
Text at top left reads 'Christchurch display portaloos' Four different styles of portaloo are shown; the "Merivale", the 'Sumner", the "Heritage" and the "Eastsider"; someone inside the 'Eastsider says 'At least I'm open plan AND mobile!' Context - After the tow Christchurch earthquakes and hundreds of aftershocks that have hit Christchurch one of the problems is lack of toilets because of damage to buildings and also damage to sewage systems so many portaloos and chemical toilets have been sent to Christchurch. However many people have resorted to the good old kiwi way and dug long-drops in the backyard. A website 'showusyourlongdrop.co.nz' has been developed by Christchurch man Jason Moore, who was inspired by photographs of Christchurch dunnies uploaded to Facebook. There has been a competition. Quantity: 1 digital cartoon(s).
The Earthquake Commission calls a householder and tells him the 'good news' that his house which was left by the earthquakes in 'such an angle you couldn't live in it' has been refloated by the recent heavy rain and is now level again. The 'bad news' is that the house was last seen floating in the sea off Sumner. In June 2013 heavy rains had caused flooding in Canterbury. Christchurch was affected especially in the liquefaction prone areas, where the ground had sunk because of the earthquakes. Colour and black and white versions available Other Titles - Evans, Malcolm Paul, 1945-:"Established in a conservation estate...likely to harm our unique flora and fauna..." 31 May 2013 Quantity: 2 digital cartoon(s).
In the aftermath of the 2011 earthquake, a state of polycentric urbanity was thrust upon New Zealand’s second largest city. As the city-centre lay in disrepair, smaller centres started to materialise elsewhere, out of necessity. Transforming former urban peripheries and within existing suburbs into a collective, dispersed alternative to the city centre, these sub-centres prompted a range of morphological, socio-cultural and political transformations, and begged multiple questions: how to imbue these new sub-centres with gravity? How to render them a genuine alternative to the CBD? How do they operate within the wider city? How to cope with the physical and cultural transformations of this shifting urbanscape and prevent them occurring ad lib? Indeed, the success and functioning of the larger urban structure hinges upon a critical, informed response to these sub-centre urban contexts. Yet, with an unrelenting focus on the CBD rebuild - effectively a polycentric denial - little such attention has been granted. Taking this urban condition as its premise and its provocation, this thesis investigates architecture’s role in the emergent sub-centre. It asks: what can architecture do in these urban contexts; how can architecture act upon the emergent sub-centre in a critical, catalytic fashion? Identifying this volatile condition as both an opportunity for architectural experimentation and a need for critical architectural engagement, this thesis seeks to explore the sub-centre (as an idea and actual urban context) as architecture’s project: its raison d’etre, impetus and aspiration. These inquiries are tested through design-led research: an initial design question provoking further, broader discursive research (and indeed, seeking broader implications). The first section is a site-specific, design for Sumner, Christchurch. Titled ‘An Agora Anew’; this project - both in conception and outcome - is a speculative response to a specific sub-centre condition. The second section ‘The Sub-centre as Architecture’s Project’ explores the ideas provoked by the design project within a discursive framework. Firstly it identifies the sub-centre as a context in desperate need of architectural attention (why architecture?); secondly, it negotiates a possible agenda for architecture in this context through terms of engagement that are formal, critical and opportunistic (how architecture?): enabling it to take a position on and in the sub-centre. Lastly, a critical exegesis positions the design in regards to the broader discursive debate: critiquing it an architectural project predicated upon the idea of the sub-centre. The implications of this design-led thesis are twofold: firstly, for architecture’s role in the sub-centre (especially to Christchurch); secondly for the possibilities of architecture’s productive engagement with the city (largely through architectural form), more generally. In a century where radical, new urban contexts (of which the sub-centre is just one) are commonplace, this type of thinking – what can architecture do in the city? - is imperative.