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A photograph of street art painted on a fence at Central New Brighton School.
A photograph of street art painted on a fence at Central New Brighton School. The artwork depicts a landscape.
A photograph of street art painted on a fence at Central New Brighton School. The artwork depicts a landscape.
A photograph of street art painted on a fence at Central New Brighton School. The artwork depicts a landscape.
A photograph of street art painted on a fence at Central New Brighton School. The artwork depicts a landscape.
A photograph of street art painted on a fence at Central New Brighton School. The artwork depicts a landscape.
A video of an address by developer Stephen Collins, at the 2015 Seismics and the City forum. This talk focuses on commercial development progress, and opportunities and issues in Central Christchurch and beyond.
A photograph of Humpty Dumpty painted on a climbing wall at Central New Brighton School. The school was closed in 2014 after being merged with South New Brighton school.
A photograph of street art on a water tank at Central New Brighton School. The school was closed in 2014 after being merged with South New Brighton school.
A photograph of street art on a water tank at Central New Brighton School. The school was closed in 2014 after being merged with South New Brighton school.
A photograph of street art painted on a fence at Central New Brighton School.
A video of an address by Nick Hunt, Managing Director of Lichfield Holdings Ltd, at the 2015 Seismics and the City forum. This talk focuses on commercial development progress, and opportunities and issues in Central Christchurch and beyond.
A photograph of street art by the DTR crew located on a factory wall in the central city. The artwork depicts the word "Freak" with the letters "DTR" written above it and topped with a crown. The window below the art is broken.
This paper presents an overview of the soil profile characteristics at strong motion station (SMS) locations in the Christchurch Central Business District (CBD) based on recently completed geotechnical site investigations. Given the variability of Christchurch soils, detailed investigations were needed in close vicinity to each SMS. In this regard, CPT, SPT and borehole data, and shear wave velocity (Vs) profiles from surface wave dispersion data in close vicinity to the SMSs have been used to develop detailed representative soil profiles at each site and to determine site classes according to the New Zealand standard NZS1170.5. A disparity between the NZS1170.5 site classes based on Vs and SPT N60 investigation techniques is highlighted, and additional studies are needed to harmonize site classification based on these techniques. The short period mode of vibration of soft deposits above gravels, which are found throughout Christchurch, are compared to the long period mode of vibration of the entire soil profile to bedrock. These two distinct modes of vibration require further investigation to determine their impact on the site response. According to current American and European approaches to seismic site classification, all SMSs were classified as problematic soil sites due to the presence of liquefiable strata, soils which are not directly accounted for by the NZS1170.5 approach.
A photograph of street art in the central city. The artwork depicts an excited blue alien positioned next to the letters "DTR!". Next to that, is artwork depicting Doctor Who and his Tardis. Above, is pink tag text with a Dalek in it. A section of the path in front of the artwork is sectioned off by road barriers.
A tool, in the form of an A5 card, given to workshop and toolbox participants, outlining five easy steps to minimise the impact of roadworks on businesses.
A tool, in the form of a poster, given to workshop and toolbox participants and hung up at worksites and in offices, outlining five easy steps to minimise the impact of roadworks on businesses.
A tool, including an outline, resources and a survey sheet, used by SCIRT's Transport Planning Manager when delivering a series of toolboxes to SCIRT traffic staff about working around businesses.
A tool, including an outline, resources and a survey sheet, used by the SCIRT Communication Team when delivering a series of toolboxes to SCIRT subcontractors about working around businesses.
A tool, including an outline and run sheet, used by the SCIRT Communication Team when delivering a series of workshops to SCIRT engineers about working around businesses.
A tool, in the form of a poster, given to workshop and toolbox participants and hung up at worksites and in offices, outlining five easy steps to minimise the impact of roadworks on businesses.
A photograph of coiled barbed wire on Hawke Street, New Brighton.
A photograph of a woman looking at Mike Hewson's installation 'View from the Studio' in Re:Start Mall.
The study contributes to a better understanding of utilisation and interaction patterns in post-disaster temporary urban open spaces. A series of devastating earthquakes caused large scale damage to Christchurch’s central city and many suburbs in 2010 and 2011. Various temporary uses have emerged on vacant post-earthquake sites including community gardens, urban agriculture, art installations, event venues, eateries and cafés, and pocket parks. Drawing on empirical data obtained from a spatial qualities survey and a Public Life Study, the report analyses how people used and interacted with three exemplary transitional community-initiated open spaces (CIOS) in relation to particular physical spatial qualities in central Christchurch over a period of three weeks. The report provides evidence that users of post-disaster transitional community-initiated open spaces show similar utilisation and interaction patterns in relation to specific spatial qualities as observed in other urban environments. The temporary status of CIOS did apparently not influence ‘typical’ utilisation and interaction patterns.
A photograph of street art by DTR on a factory wall. The art depicts two green blob monsters. There is also tag writing in shades of green, blue, and brown, as well as orange text that reads "So live". In front of the artwork, there is a car parked in a parking space.
A photograph of part of a collaborative artwork by DAEK, Wongi Wilson, Yikes, and Wheels Tupuhi. This section of the artwork is titled "Last Chance Lumberjack" and is by DAEK.
A photograph of street art by DTR on a factory wall depicting two green blob monsters. There is also tag writing in shades of green, blue, and brown, as well as orange text that reads "So live". In front of the artwork, there is a car parked in a parking space.
A photograph of a section of a piece of street art on Manchester Street. This section of the artwork is of an elephant. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. This section of the artwork depicts two elephants. The photograph believes that the artwork was created by the artist Owen Dippie.