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Images, Alexander Turnbull Library

Three men chat in a pub. One of them reads a newspaper article about the Mayor of Christchurch, Bob Parker, who commented that he was scared of earthquakes when in Wellington. All three drinkers would rather be in Wellington than trapped beside Bob Parker at a dinner table. Context: Christchurch's Mayor has told the Emergency Management Conference he's scared to be in Wellington. He gave graphic descriptions of the Christchurch earthquakes, getting people to bang on the tables for 45 seconds so they could see what it felt like. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows the word 'Christchurch' with 'church' crossed out and replaced with 'mess'. A second version has the word 'scary' added. A third version has the word 'church' replaced by 'mas'. A fourth version has the words 'early' and 'presence' included and 'church' is replaced by 'mess'. Context: concern about continuing trials and tribulations of Christchurch with unremitting earthquakes and aftershocks. Four versions of this cartoon are available Quantity: 4 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows the word 'Christchurch' fractured by earthquake. Text above reads 'The new tear(s)'. A second version has the text in the singular 'The new tear'. Context: In spite of Christchurch's great hopes for a new year without earthquakes, there have been numerous quakes and aftershocks. A wordplay on 'new year' and 'new tear' - that is weeping with fear and dismay. Two versions of this cartoon are available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Under the caption, young people carrying their baggage flutter into the air, away from Canterbury and toward 'Oz'. In September GNS Earth Sciences reported that after the earthquakes, the Greendale and associated faults were still moving as they settled into a new configuration. At the same time the young were leaving Canterbury (and New Zealand) for a better future in Australia. The population of New Zealand was moving into a new configuration. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

MP Jim Anderton who is standing for Mayor of Christchurch in the coming local body elections (9th October) stands up to his chest in a crack in the road waving a sign that reads 'Jim Anderton for mayor' and yelling "I'm still here!' Refers to the very high profile that his rival the standing mayor Bob Parker has enjoyed in the aftermath of the Christchurch earthquake of 4th September 2010. Jim Anderton has rather faded out of the limelight by comparison. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A man has climbed an active volcano and pitched a tent in order to get away from the Canterbury earthquake and the flooding in the lower North Island. Refers to the Christchurch earthquake of 4th September 2010 as well as the heavy rain, slips, and flooding from Whanganui in the centre of the North Island down to the Rimutaka Hill Road, North of Wellington. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

An arm representing the 'Citizens & Volunteers of Christchurch' offers an Oscar Award for 'True Grit'. Context - Admiration at the way the people and the volunteers have managed after the Christchurch earthquake of 22 February 2011. True Grit is a 2010 American Western film written and directed by the Coen brothers. It is the second adaptation of Charles Portis' 1968 novel of the same name, which was previously adapted for film in 1969 starring John Wayne. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

A newspaper lying on the boardroom table has a headline reading 'Top NZ companies planning contributions to earthquake relief'. A group of CEOs at a high level meeting almost have cardiac arrests when the chair reports that 'Some comedian suggested we CEOs donate our salary increases and bonuses... But now, moving on to serious matters... Context - Some big companies like Fletcher Building, General Motors and others have pledged substantial money to the Christchurch earthquake relief funds. The Christchurch earthquake happened 22 February 2011. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

In a Christchurch street still covered in liquefaction man weeps over his four-wheel drive car, which has a number plate showing the word 'macho'. Two women who are working at clearing the road of silt watch and one of them observes that 'he's not handling the quake well at all... Keeps getting silt smears on the 4 x 4!' Context - The Christchurch earthquake of 22 February 2011. Liquefaction is a particular problem. There is a point being made here about the 'macho' man who sobs over his car and the two staunch women who get on with the cleaning-up effort. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A woman chats over her garden wall to a passerby who is curious about a huge container-like structure labeled 'emergency kit' that has been built beside the house. She says that in the event of a natural disaster Harold wants to ensure that they will have enough provisions to see them through the Rugby World Cup. Refers to the Christchurch earthquake that occurred 4th September 2010. Quantity: 1 digital cartoon(s).

Research papers, Victoria University of Wellington

The whare whakairo or traditional Māori meeting house plays an important part in Māori society and identity. These whare tell the tale of their origin, and in so doing, the origins of their people. The analysis of the meeting house, the histories expressed in its decorative carvings and structural elements are inextricably linked with and dependent upon the structure of the world created by myth and the Māori worldview. However, due to the deleterious effects of colonisation, the art of wood carving and associated architectural practices - central to Māori identity, suffered decline in many parts of the country, leading to the decline of Māori culture and identity. Sir Apirana Ngata instigated the National Institute of Māori Arts and Crafts to resurrect the dying art of Māori carving and carved houses would be a catalyst for the restoration of Māori culture throughout the country. Ngata saw these whare whakairo as being the heart of Māori communities by establishing a renewed sense of belonging and identification with space for Māori, through the telling of tribal histories and emphasising key geographical features. New threats in the form of global hegemony and urbanisation have further impacted on Māori notions of identity, creating a generation of displaced urban Māori youth. This research proposes to establish an architectural response to capture displaced Māori youth through the resurrection of the Māori carving school and return to them the lost stories of their cultural history and identity. This program will be developed within the complex challenges that exist within post-earthquake Ōtautahi/Christchurch, where many have lost homes and livelihoods, especially Māori youth in the Eastern Suburbs. The building elements of the proposed Māori carving school give reference to the historio-cultural features of the original Ōtautahi/Christchurch landscape that are situated in tribal song and myth. It is envisioned that the development of a Māori carving school will help restore Māori identity and a renewed sense of belonging, and allow for the telling of this generations stories through traditional narratives.

Research papers, University of Canterbury Library

Following the 2010/2011 Canterbury earthquakes, approximately 60% of multi-story buildings with reinforced concrete walls required demolition. Both practitioners and researchers have increasingly realized that low-damage structural systems could be an alternative to improve the seismic behaviour of concrete buildings and to reduce the economic and social impact of structural damage in future earthquakes. To verify the seismic response of a low-damage concrete wall building representing state-of-art design practice, a shake table test on a two-story concrete building was recently conducted as part of an ILEE-QuakeCoRE collaborative research program. The building utilized flexible wall-to-floor connections in the long span direction and isolating wall-to-floor devices in the short span direction to provide a comparison of their respective behaviour. Additionally, the wall-to-floor interaction such as effects of wall uplift on the link slab, and force transfer mechanism from floor to the wall will be discussed in this paper.

Research papers, The University of Auckland Library

To address the provocation provided by the editors I wish to reflect upon the ongoing civic and artistic responses to the earthquakes in Christchurch, New Zealand, 2010-11, in which 185 people lost their lives (largely due to poor engineering and construction practices). Whilst the example is very different in character from that of efforts to memorialize July 22, 2011, I wish to use the case to briefly respond to the issue of temporality as raised by Jacques Rancière in his critique of the ‘endless work of mourning’ produced by testimonial art. The orientation of this mourning, he argues, is always backward-looking, characterized by, ‘a reversal of the flow of time: the time turned towards an end to be accomplished – progress, emancipation or the Other – is replaced by that turned towards the catastrophe behind us.’ How might memorial practices divide their gaze between remembered pasts and possible futures? AM - Accepted Manuscript

Research Papers, Lincoln University

The study contributes to a better understanding of utilisation and interaction patterns in post-disaster temporary urban open spaces. A series of devastating earthquakes caused large scale damage to Christchurch’s central city and many suburbs in 2010 and 2011. Various temporary uses have emerged on vacant post-earthquake sites including community gardens, urban agriculture, art installations, event venues, eateries and cafés, and pocket parks. Drawing on empirical data obtained from a spatial qualities survey and a Public Life Study, the report analyses how people used and interacted with three exemplary transitional community-initiated open spaces (CIOS) in relation to particular physical spatial qualities in central Christchurch over a period of three weeks. The report provides evidence that users of post-disaster transitional community-initiated open spaces show similar utilisation and interaction patterns in relation to specific spatial qualities as observed in other urban environments. The temporary status of CIOS did apparently not influence ‘typical’ utilisation and interaction patterns.

Images, Alexander Turnbull Library

The cartoon shows Christchurch Cathedral shattered and with its steeple gone after the earthquake on 22 February 2011. The words 'The oSCARs' (wordplay on 'Oscars' and 'scars') are in the top left corner and the text 'The worst picture' are in the centre. A second version shows an 'Oscar' statuette with a crown on its head. Context - The Christchurch earthquake 22 February 2011 and the 2011 Oscars - annual film awards. Two versions of this cartoon are available Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A man reading a newspaper wails and sobs when he discovers that Christchurch will not be hosting any Rugby World Cup games. The newspaper is covered with real disaster news like the Japanese earthquake and potential nuclear disaster, economy problems , and 'aftershock anxiety'. Context - The Christchurch earthquakes of 4 September 2010 and 22 February 2011 that have led to the decision that because of the amount of damage to the venue plus infrastructures and accommodation for visitors the Rugby World Cup will not be played in Christchurch. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Text above reads 'Prince William comes to Christchurch...' A special royal portaloo has been arranged for the visit of Prince William to Christchurch; it is built to resemble a castle and has gold door fittings. On either side of the portaloo stands a sentry guard. The prince who is inside whispers 'I can't find the royal flush button' (wordplay on 'royal flush' and the 'flush' of a toilet) Context - Prince William visited the Civil Defence headquarters in Christchurch with Earthquake Recovery Minister Gerry Brownlee and Christchurch Mayor Bob Parker on the 17th March to see the damage caused by the earthquakes of the 4th September 2010 and the 22 February 2011. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

In the living room of a house half-ruined by the Christchurch earthquake a decrepit and useless-looking man in a grubby white singlet doses in his armchair with a glass of beer in his hand; his wife whispers to a friend 'Just between you and me, I'm hoping to have him red-stickered!' Context - The two Christchurch earthquakes of 4 September 2010 and 22 February 2011 and the technique of using different coloured stickers to designate the degree of damage to buildings - 'red' indicates that it needs to be demolished. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

A cheerful old woman sits with a cup of tea on her sofa watching television with an enormous boulder beside her. She says 'Big and solid it reminded me of my late husband but then I realized that in two weeks it hasn't once broken wind, belched or called for a beer, or gone and changed the channel and I think I'm in love!' The little Evans man says 'Stone me!' Context - The Christchurch earthquake of 22 February 2011. Some people remain cheerful and optimistic in spite of dreadfully difficult conditions. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

A man carrying a life-saving ring printed with the words 'Marlborough Chamber of Commerce' that is attached to a rope labelled 'Business lifeline' shouts 'Ahoy Christchurch businesses!' Context - enticing Christchurch businesses to other places after the earthquake. Marlborough Chamber of Commerce general manager Brian Dawson said the chamber's first priority was supporting Christchurch businesses through their association with the Canterbury Chamber of Commerce. "When people start to weigh up their options, Marlborough has to be an option. We can show them Marlborough's an attractive place to do business." Residential development could also benefit from Christchurch arrivals, he said. (Stuff 2 March 2011) Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Someone wearing a Canterbury black and red rugby jersey holds onto two corners of a New Zealand flag which blows in the wind. There is no text in the cartoon. Context - On 22 February 2011 at 12:51 pm (NZDT), Christchurch experienced a major magnitude 6.3 earthquake, which resulted in severe damage and many casualties. A National State of Emergency has been declared. This followed on from an original magnitude 7.1 earthquake on 4 September 2010 which did far less damage and in which no-one died. Both colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows a digger dredging through the rubble and digging up a red heart representing 'hope' (Tom Scott doesn't do colour so this is significant). A rescuer nearby yells 'Careful! It's still beating'. Context - on 22 February 2011 a 6.3 magnitude earthquake struck in Christchurch which has probably killed more than 200 people (at this point the number is still not known) and caused much more severe damage. There were many people trapped in collapsed buildings and it was apparent in only two or three days that in most cases they could not have survived but of course people still held out impossible hope. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon, which looks like a woodcut depicts a muscled workman wearing a black singlet; his arms are folded and the fingers of one hand are crossed. On his arms are tattoos of a helmet and pick, a '$' symbol, a petrol pump, and a high magnitude earthquake graph. Behind him are buildings, including the Christchurch Cathedral, damaged following the Christchurch earthquake of 22 February 2011. Below the cartoon are the words 'Apologies to Nigel Brown' - a black singlet is a recurring motif in the work of New Zealand artist Nigel Brown. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Text reads 'Rebuilding projects'. The first of the two frames shows collapsed buildings in Christchurch after the earthquake and the second frame shows leader of the Labour Party Phil Goff sorely in need of 'credibility' as he makes the 'V' for victory sign with both hands. Context - the rebuilding of Christchurch after the earthquake of 22 March 2011 and Phil Goff's disastrous personal polling as 'preferred PM' and the concomitant problems for the Labour Party with elections in November of this year. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Two men sit safe amongst the devastation of an earthquake surrounded by collapsed buildings and crushed cars; one has his head in his hands and the other says 'Remind me what we were all arguing about before all this'. Context - on 22 February 2011 a 6.3 magnitude earthquake struck in Christchurch which has probably killed more than 200 people (at this point the number is still not known) and caused very severe damage. The second man is aware of the relative unimportance of petty squabbles and differences of opinion against the enormity of the earthquake. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A small boy is being a real entrepreneur after the Christchurch earthquake of 22 February 2011 and has set up a road-side stall from which you can buy a bag of 'real leakyfakshun'. Behind him is a pile of liquefaction and a spade with which he can fill bags. Context - the Christchurch earthquake of 22 February has caused vastly more liquefaction than the original 4th September earthquake. The vibrations from the quake cause liquefaction which is where the soil loses strength and stiffness, and behaves more like a liquid than a solid - rather like wet sand. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Someone holds a mobile phone and sends a text 'CH CH WE R ALL IN THS 2 GTHR' (Christchurch we are all in this together). Context - On 22 February 2011 at 12:51 pm (NZDT), Christchurch experienced a major magnitude 6.3 earthquake, which resulted in severe damage and many casualties. A National State of Emergency has been declared. This followed on from an original magnitude 7.1 earthquake on 4 September 2010 which did far less damage and in which no-one died. Both colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Depicts Christchurch Mayor Bob Parker striking a pose under a spotlight while standing astride broken masonry. He is being interviewed by media. On the right of frame, Progressive Party leader and MP Jim Anderton is under dark clouds and caught under the Beehive. Refers to the 2010 Christchurch mayoral elections in which Parker won over Anderton. Prior to the 2010 Canterbury earthquake, Anderton was ahead in the polls. The quake devastation was said to have given Parker a bigger profile than Anderton and been a factor in his win (TV3 9 October 2010). Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The top frame shows the barbed wire and watch tower of a prison. There is a comment about someone wanting the warmth of a prison cell. The second frame shows prison staff chatting at cross purposes about a petition from Christchurch with homes wrecked by earthquake pleading to be allowed to live in prison and the sentence imposed on the Bridgecorp directors who have been accused of defrauding investors. Colour and black and white versions available Quantity: 2 digital cartoon(s).