To the casual observer, community gardens may look like places where people just come to grow fruit and vegetables. Through digging beneath surface appearances, however, the research literature suggests that there is more to the creation of and participation in community gardens than that which is immediately apparent. The overall aim of this research was to explore and interpret the meaning of community gardens in terms of the sought and experienced well-being of the individuals who participate, and their associated communities. This research was undertaken in the Christchurch/Selwyn district, in the aftermath of the Christchurch earthquakes of 2010-2011. This research utilised the technique of photo-elicitation interviews to study the meanings attributed to community gardening, in the post-earthquake environment. Five gardens were investigated. Results show that a range of meanings, and well-being outcomes are experienced through a combination of physical, educational, aesthetic appreciation, contemplative, creative and social connections within the garden and within the overall context of nature. Significantly, within the post-earthquake environment, the community gardens can offer participants the opportunity to appreciate life and what it means for them.
Offers new lyrics to familiar Christmas carols based on current events in Christchurch, New Zealand. Quantity: 1 digital cartoon(s).
Shows a group of snails working on the rebuild of Christchurch. Refers to the slow pace of recovery after February 2011 earthquake in Canterbury. Quantity: 1 digital cartoon(s).
A silt castle has been built by Christchurch East that wins the competition. Context: The eastern suburbs have had a lot of problems with liquefaction following earthquakes and aftershocks. Quantity: 1 digital cartoon(s).
Refers to the Christchurch manufacturer of Sanitarium marmite that has been forced to close down because of earthquake damage. There is a national shortage which is causing much grief. Quantity: 1 digital cartoon(s).
Shows a aerial representation of Christchurch's eastern suburbs with the course of the Avon River. The new river course spells the word 'munted'. Quantity: 1 digital cartoon(s).
Modern cities are surprisingly dependent on tourism and competition among them for tourist dollars—both domestically and internationally—can be extreme. New Zealand’s second city, Christchurch, is no exception. In 2009, tourism reportedly earned $2.3 billion and accounted for more than 12 per cent of the region’s employment. Then came a series of devastating earthquakes that claimed 185 lives and decimated the city’s infrastructure. More than 10,000 earthquakes and aftershocks have radically altered Christchurch’s status as a tourism destination. Two years on, what is being done to recover from one of the world’s largest natural disasters? Can the “Garden City” reassert itself as a highly-desirable Australasian destination with a strong competitive advantage over rivals that have not been the target of natural disasters.
Text across the top of the cartoon reads 'always design in context' There is a globe, small in the context, with a little message reading 'you are here' pointing, perhaps, to New Zealand or even more specifically, Christchurch; the globe is being threatened from all sides by forces of nature represented by the hand of god reaching out of clouds. Context - the Christchurch earthquakes of 4 September 2010 and 22 February 2011 and the idea that buildings must be designed in the context of their environment - NZ being earthquake-prone. Perhaps also the idea of 'design in context' in a broader sense. Quantity: 1 digital cartoon(s).
In the first frame is an 'Emergency kit for national disaster' which is a bin full of disaster supplies like canned food, torch etc. In the second frame there is an 'Emergency kit for economic disaster...' - a bin containing a 'One way ticket to OZ'. Context - The national distaster kit is very relevant after the two earthquakes and numerous aftershocks in Christchurch and increasingly people are moving to Australia in search of jobs and opportunities that seem scarce in New Zealand. Quantity: 1 digital cartoon(s).
An elderly couple sit having afternoon tea and chatting about Prince William's visit to Christchurch after the February 22 earthquake. The woman expresses delight that 'Prince William took time out to visit Christchurch' and her husband comments that there is 'Not much talk about becoming a republic lately'. Context - The Christchurch earthquakes of 4 September 2010 and 22 February 2011 and Prince William's subsequent visit. Also discussion about New Zealand's becoming a republic; there is a Republican Movement who are promoting the idea of an elected head of state. Quantity: 1 digital cartoon(s).
Shows a sick and damaged Christchurch Anglican Cathedral in a hospital bed with two attendants. The Cathedral asks 'Can ya just pull the plug and let me die peacefully?'. Context refers to recent comments by Bishop Victoria Matthews that the Christchurch Cathedral is 'being left to die with no dignity' because of ongoing legal battles about its future. There has been ongoing debate and controversy over whether the Cathedral should be demolished, reconstructed or restored following damage suffered in the February 2011 Earthquake. Quantity: 1 digital cartoon(s).
Shows an earthquake in Christchurch. A large notice reads 'Bob's wishlist to justify Chch rates hike'. 'Bob' is Bob Parker the Mayor of Christchurch. Context: Refers to an Order in Council to give Christchurch City Council more flexibility in setting rates. Cr Yani Johanson sought to grant 100 per cent rates relief for residents who had been unable to occupy their homes during the 2011-12 financial year because of the city's earthquakes - a proposal which staff said would cost $4.9 million - this proposal was voted down. Quantity: 1 digital cartoon(s).
The last few years have seen the emergence of a range of Digital Humanities projects concerned with archiving material related to traumatic events and disasters. The 9/11 Digital Archive, The Hurricane Memory Bank and the CEISMIC Canterbury Earthquakes Digital Archive are a few such projects committed to collecting, curating and making available disaster-related images, stories and media for the purposes of commemoration, teaching and research. In this paper Paul Millar 1. examines the value of such projects in preserving post-disaster memories, 2. explores some differences between passive and active digital memory projects, and 3. asks whether even the most determinedly open and inclusive digital memory project can preserve its values when issues of race, class, gender, politics and economics impact upon its activities.
The cartoon shows Prime Minister John Key as a surgeon in a blood-spattered white coat; he has just created a Frankenstein monster which has resulted in the Minister for Earthquake Recovery Gerry Brownlee and Mayor of Christchurch Bob Parker joined together in a single body named 'CERA". Gerry Brownlee clutches a huge spiked mallet and Bob Parker a paintbrush. Context - a new bill is being rushed through parliament to establish the Canterbury Earthquake Recovery Authority (Cera); it empowers it to lead reconstruction efforts in Christchurch. It gives Cera specific powers to get information from any source, to requisition and build on land and to carry out demolitions. It can also take over local authorities if they are not working effectively on recovery work. The monster suggests distinctly differing philosophies on how the work of rebuilding Christchurch should proceed. Quantity: 1 digital cartoon(s).
Text at top left reads 'Christchurch display portaloos' Four different styles of portaloo are shown; the "Merivale", the 'Sumner", the "Heritage" and the "Eastsider"; someone inside the 'Eastsider says 'At least I'm open plan AND mobile!' Context - After the tow Christchurch earthquakes and hundreds of aftershocks that have hit Christchurch one of the problems is lack of toilets because of damage to buildings and also damage to sewage systems so many portaloos and chemical toilets have been sent to Christchurch. However many people have resorted to the good old kiwi way and dug long-drops in the backyard. A website 'showusyourlongdrop.co.nz' has been developed by Christchurch man Jason Moore, who was inspired by photographs of Christchurch dunnies uploaded to Facebook. There has been a competition. Quantity: 1 digital cartoon(s).
Refers to the reopening of the Christchurch strip club 'Calendar Girls' after more than a year inside the central-city cordon. The building suffered minimal damage but was inaccessible because damage to neighbouring buildings meant the road (Hereford Street) were closed. Quantity: 1 digital cartoon(s).
A helicopter from Christchurch flies over New Zealand looking for somewhere to rebuild but everywhere are notices referring to fires, floods, oily beaches, volcanoes and geysers, quakes, landslides. Nowhere seems to be safe. Quantity: 1 digital cartoon(s).
Churches are an important part of New Zealand's historical and architectural heritage. Various earthquakes around the world have highlighted the significant seismic vulnerability of religious buildings, with the extensive damage that occurred to stone and clay-brick unreinforced masonry churches after the 2010-2011 Canterbury earthquakes emphasising the necessity to better understand this structural type. Consequently, a country-wide inventory of unreinforced masonry churches is here identified. After a bibliographic and archival investigation, and a 10 000 km field trip, it is estimated that currently 297 unreinforced masonry churches are present throughout New Zealand, excluding 12 churches demolished in Christchurch because of heavy damage sustained during the Canterbury earthquake sequence. The compiled database includes general information about the buildings, their architectural features and structural characteristics, and any architectural and structural transformations that have occurred in the past. Statistics about the occurrence of each feature are provided and preliminary interpretations of their role on seismic vulnerability are discussed. The list of identified churches is reported in annexes, supporting their identification and providing their address.
The cartoon shows God sitting at his computer with an image of a devastated Christchurch on the screen. He is about to hit the 'smite' key. Text above reads 'God at his computer'. Context - Two more earthquakes rocked Christchurch on 13th June, following those of 4 September 2010 and 22 February 2011. The first magnitude 5.5 quake struck at 1pm, 10 kilometres east of Christchurch at Taylor's Mistake beach, at a depth of 11 kilometres, and sent people scrambling for cover. It was followed at 2.20pm by a more powerful magnitude 6 quake, centred 10 kilometres southeast of the city and 9km underground. Quantity: 1 digital cartoon(s).
Two men discuss in a pub the problem that Christchurch has about how to house all the workers arriving to rebuild the city. One of them suggests the solution found for the workers on the Manapouri Dam which was housing them on cruise liners. Context: One solution has been provided by the Defence Force who are leasing 42 derelict NZDF houses next to Burnham Military Camp. Colour and black and white versions available Quantity: 2 digital cartoon(s).
Text at the top of the cartoon reads 'News - A "Moon man non-event lunch" will be held above Christchurch to defy quake predictions for that day'. In tea rooms on hills above Christchurch a group of people enjoy lunch as they defy precaution against a predicted earthquake. They order a 'pot o' tea', 'pie & chips', 'sandwich & coke' and a 'shake & roll'; above in a black and thunderous cloud God thinks he heard someone request a shake & a roll'. Context - After the two big earthquakes in Christchurch on 4 September 2010 and 22 February 2011, the so-called Moon Man Ken Ring is backing away from his prediction that Christchurch will be whacked by a huge earthquake today (20 March 2011). His claims have terrified Cantabrians and led to people fleeing Christchurch. M.P. Nick Smith and the Skeptics Society are planning a lunch in one of Christchurch's highest, oldest, stone buildings - on the day that "moon man" Ken Ring says the city will be hit by another devastating earthquake ; the lunch will be held at noon on March 20 at the Sign of the Kiwi, on the top of the Port Hills - which Smith said was the closest building to the epicentre of the February 22 quake. Quantity: 1 digital cartoon(s).
A man sits at his desk with an enormous sheet of blank paper headed 'New Christchurch' before him; peering over his shoulder is a huge figure who appears to be a man from an earlier era of the history of Christchurch. Context - Christchurch earthquake of 22 February 2011 and the start of debate about how city should be rebuilt. The historic man suggests a strong pull to preserve historic Christchurch. Colour and black and white versions available Quantity: 2 digital cartoon(s).
Shows a mobile phone with a text on it that reads 'Dear Chch (Christchurch) thinking of u (you) all xxx NZ'. Context: Refers to the commemoration events taking place in Christchurch on 22 February 2012 which is the first anniversary of the 2011 earthquake which killed 185 people. Mobile phones were instrumental in helping to locate victims and in enabling people to communicate with trapped victims. B&W and colour versions of this cartoon available Quantity: 2 digital cartoon(s).
There is growing expectation that local volunteers will play a more integrated role in disaster response, yet emergent groups are often ‘outsiders’ to crisis management, prompting questions of the conditions and processes by which these groups can forge relationships with established response agencies, and the tensions which can arise those interactions. This article analyses how student-led volunteers, as an emergent group, nevertheless gained “authority to operate” in the aftermath of the 2010-2011 earthquakes in Canterbury, New Zealand. Our study demonstrates how established response agencies and emergent groups can form hugely impactful and mutually supportive relationships. However, our analysis also points to two interrelated tensions that can arise, regarding the terms by which emergent groups are recognised, and the ‘distance’ considered necessary between emergent groups and established response agencies. The discussion considers implications for inclusiveness, risk and responsibility if emergent volunteers are to be further integrated into disaster response.
Text reads 'City's old chimneys are considered the no. 1 earthquake danger'. Below are several angry-looking chimneys which sing 'Chim chim-in-ey. Chim chim-in-ey, chim chim cher-oo! When the big shake's on - we're coming to get you!' Context - Invercargill City council building services manager Simon Tonkin has seen first-hand the massive damage falling chimneys inflicted on homes and nearby vehicles following the massive Christchurch quake, and says that Invercargill's old brick chimneys are the No1 danger to the city's residents and homes if a major earthquake strikes and should be removed if they are not being used. (Southland Times 6 April 2011) Quantity: 1 digital cartoon(s).
A man stares at an enormous roadsign reading 'Cleanup' that dwarfs a smaller one pointing to Canterbury. Refers to the damage resulting from the Christchurch earthquake of 4th September 2010. Quantity: 1 digital cartoon(s).
A red and black flag - Canterbury colours - showing silhouettes of the 185 people who died in the Christchurch earthquake of February 22nd 2011. Quantity: 1 digital cartoon(s).
A weather map of New Zealand is shown beset with dreadful weather conditions that include cyclones and lightning strikes; there is also earthquake activity round the Canterbury region. Text reads 'Mother Nature's wild child... but who's the father?' Refers to the Canterbury earthquake of 4th September 2010 and the spring storms with wind, rain and snow in recent weeks. Quantity: 1 digital cartoon(s).
A weather map of New Zealand is shown beset with dreadful weather conditions that include cyclones and lightning strikes; there is also earthquake activity around the Canterbury region. Text reads 'Now all we need is a plague of locusts...' Refers to the Canterbury earthquake of 4th September 2010 and the spring storms with wind, rain and snow in recent weeks. Quantity: 1 digital cartoon(s).
Shows as asterisks, stars etc a list of curses and swear words used to describe the EQC, delays, Roger Sutton, Gerry Brownlee and insurance companies. Context: The words describe the frustration and stress being experienced by many people in Canterbury post earthquake. Quantity: 1 digital cartoon(s).