A couple in a red-zoned dog kennel, completing the dwelling census. Their accommodation has one room;, their only heating is by body heat and burning furniture; their rent is $1000 per week. Two years after the earthquakes, the living conditions of many in the 'red zones' of Christchurch was poor, owing to local body, government and insurance companies' tardiness. Quantity: 1 digital cartoon(s).
Shows a sick and damaged Christchurch Anglican Cathedral in a hospital bed with two attendants. The Cathedral asks 'Can ya just pull the plug and let me die peacefully?'. Context refers to recent comments by Bishop Victoria Matthews that the Christchurch Cathedral is 'being left to die with no dignity' because of ongoing legal battles about its future. There has been ongoing debate and controversy over whether the Cathedral should be demolished, reconstructed or restored following damage suffered in the February 2011 Earthquake. Quantity: 1 digital cartoon(s).
Commentary from the cartoonist 'The Earthquake Commission's leak of 83,000 files is like a storyline from Alfred Hitchcock: : a loon attempts to shock a nation that has already been rendered braindead from previous shocks.Note: EQC is ued here as an 'echo' of the term ECT [electro convulsive therapy...ie shock treatment].' In March 2013, there was a massive leak of of some 83,000 EQC files relating to individual claims relating to the Christchurch earthquakes. Quantity: 1 digital cartoon(s).
Shows John Key phoning Canterbury Earthquake Recovery Minister Gerry Brownlee during his recent visit to China. Key tells Gerry he has found an architect friend in China who can design the new Christchurch Cathedral. Wider context refers to the debate over the 3 plans recently released for the Cathedral, but also refers to media debate concerning Key's involvement in instances of preferential appointments - in particular, his claim to have forgotten a phone call to his friend Ian Fletcher in which Key suggested Fletcher should apply to become director of the Government Communications Security Bureau. See Stuff, 3 April 2013. Colour and black and white versions available Quantity: 2 digital cartoon(s).
Depicts Christchurch Mayor Bob Parker striking a pose under a spotlight while standing astride broken masonry. He is being interviewed by media. On the right of frame, Progressive Party leader and MP Jim Anderton is under dark clouds and caught under the Beehive. Refers to the 2010 Christchurch mayoral elections in which Parker won over Anderton. Prior to the 2010 Canterbury earthquake, Anderton was ahead in the polls. The quake devastation was said to have given Parker a bigger profile than Anderton and been a factor in his win (TV3 9 October 2010). Quantity: 1 digital cartoon(s).
A signpost pointing 'West' and 'East'. The sign pointing West is intact; that indicating East is broken and barely hanging on to the post. Refers to the condition of Christchurch City after the earthquakes of 2010 and 2011; the western wealthier suburbs were less damaged than the poorer Eastern suburbs. Also, progress on repair and rehabilitation of eastern housing had been slow. The redesign of the city centre seemed to be a western suburb priority which ignored the poverty and misery of living conditions on the east. Quantity: 1 digital cartoon(s).
A small house is shown on an enormous foundation block labelled 'Rate$'. The cartoonist's comment is 'Like for like for the house...Total dislike for the foundation!' In Christchurch there were prospects of large rises in householders' rate to help finance the Christchurch Rebuild project. In view of the damage to housing, rate increases may be badly disproportionate. Quantity: 1 digital cartoon(s).
Four cartoons in the same frame commenting on news and happenings in the week ending 15 December 2011. The cartoons refer to the expulsion of the controversial Member of Parliament, Brendan Horan, from the New Zealand First Party by its leader, Winston Peters; the stereotyping of New Zealand as being 'Middle Earth' following the filming of 'The Hobbit', punned as 'The Habbit'; the lax attitude to building design and standards, which led to the CTV Building disaster in the Christchurch earthquake; the news about the New Zealand SPCA teaching dogs to drive. Quantity: 1 digital cartoon(s).
Shows a throng of sex workers rushing back following the announcement that 'Manchester Street's open!'. Prior to the Christchurch earthquake in February 2011 Manchester Street was the focus of street prostitution. On 13 April 2013 the Canterbury Earthquake Recovery Authority (CERA) announced: 'A temporary change to the cordon tonight sees Manchester Street open all the way through for the first time in over two years'. Quantity: 1 digital cartoon(s).
Depicts National MP Aaron Gilmore walking off carrying two suitcases. A row of Christchurch insurance men are calling for him to return and saying they have the right job for his talents. Refers to Gilmore's resignation after National Party censure following to his drunken bullying behaviour to a waiter in a Hanmer Springs restaurant (3 News 13 May 2013) Quantity: 1 digital cartoon(s).
Orana Wildlife Park 'lodge' sleeps passengers from Christchurch airport with no accommodation and who would otherwise sleep at the terminal. The Park staff think that 'they get free accommodation and we have a new paying exhibit!' They have also put up a notice: 'Cheapskates - Do not feed'. Is this a solution to airport 'night kippers'? The shortage of accommodation in Christchurch due to earthquake damage led many air travellers to sleep overnight at the air terminal. Quantity: 1 digital cartoon(s).
Passengers use the baggage carousel at the Christchurch Airport to sleep on as they are swept around. 'Such a unique concept... a revolving motel!' Shortage of accommodation in Christchurch, because of earthquake-damaged hotels and motels and workers coming in for the Rebuild, was a serious problem for travellers to Christchurch, leading many to sleep in the airport overnight. Quantity: 1 digital cartoon(s).
The Earthquake Commission calls a householder and tells him the 'good news' that his house which was left by the earthquakes in 'such an angle you couldn't live in it' has been refloated by the recent heavy rain and is now level again. The 'bad news' is that the house was last seen floating in the sea off Sumner. In June 2013 heavy rains had caused flooding in Canterbury. Christchurch was affected especially in the liquefaction prone areas, where the ground had sunk because of the earthquakes. Colour and black and white versions available Other Titles - Evans, Malcolm Paul, 1945-:"Established in a conservation estate...likely to harm our unique flora and fauna..." 31 May 2013 Quantity: 2 digital cartoon(s).
An exceedingly large 'Gerry' Brownlee, the Minister for Earthquake Recovery, rises from a chair, holding a briefcase labeled 'CERA' and calling for 'Bob' Parker, the mayor of Christchurch. The thin Parker was flattened against Brownlee's enormous rear, when Brownlee sat on the chair. Brownlee and Parker had a strained relationship, with the government taking an increasing amount of control in local decision making. After ongoing assurances by Parker that Christchurch City Council would meet all of International Accreditation New Zealand's requirements on issuing building consents, Brownlee announced in June 2013 without Parker's prior knowledge that the authority had withdrawn its accreditation. Quantity: 1 digital cartoon(s).
Roger Sutton, former chief executive of the the power lines company, Orion and since June 2011 Chief Executive Officer of the Canterbury Earhquake Recovery Authority, is shown in a straitjacket, raving. An unseen interviewer asks him how it feels after 'two years in the job'. Roger Sutton's work in leading the Earthquake Authority after the February earthquake was extremely stressful, considering the magnitude of the task. Quantity: 1 digital cartoon(s).
The word 'AFTERSHOCKS' appears printed across the Canterbury landscape. Text reads 'Canterbury from the air...' Refers to the earthquake of 4th September and the frequent aftershocks that continued for at least two weeks. Quantity: 1 digital cartoon(s).
A woman sits reading a newspaper with reports about the Japanese earthquake and the latest news on Christchurch post-earthquake. Her husband has just put a Jerry Lee Lewis record on the turntable and the song 'Whole lotta shakin' goin' on' is playing; he says Didn't I always say this guy was ahead of his time?' Context - The Christchurch earthquakes of September 4 2010 and February 22 2011 as well as the Japanese earthquake and tsunami of 11 March 2011. Quantity: 1 digital cartoon(s).
A cheerful old woman sits with a cup of tea on her sofa watching television with an enormous boulder beside her. She says 'Big and solid it reminded me of my late husband but then I realized that in two weeks it hasn't once broken wind, belched or called for a beer, or gone and changed the channel and I think I'm in love!' The little Evans man says 'Stone me!' Context - The Christchurch earthquake of 22 February 2011. Some people remain cheerful and optimistic in spite of dreadfully difficult conditions. Colour and black and white versions available Quantity: 2 digital cartoon(s).
The cartoon shows a flag which looks rather like that of both Australia and New Zealand but not exactly like either; the Union Jack is half out of the top left corner and there are just three of New Zealand's four red stars and three of Australia's white stars. The cartoonist's title is 'Aust NZ united in tragedy'. Context - The Queensland floods of December 2010 to January 2011. Colour and black and white versions available. Quantity: 2 digital cartoon(s).
In the top two frames several farm animals whip round in fright and then take to their heels in mad flight. In the lower frame a duck says 'No you dummies - I said Quack quack'. Context - The Christchurch earthquake of 22 February 2011 and the many aftershocks that have kept nerves on edge. Colour and black and white versions available Quantity: 2 digital cartoon(s).
A man reads a newspaper with a headline 'Aftershocks'. His wife thinks it refers to the Canterbury earthquake of 4th September but it actually refers to the implosion of the ACT Party. Quantity: 1 digital cartoon(s).
A monster cook who represents 'Mother Nature' stirs several pots as storms swirl outside the window. She has a list of recipes that read 'earthquake entree, tornado twisties, blizzard Bolognese, volcanic mudcake, flood fondue, cyclone souffle'; she says 'Mmmm what shall I cook up next?' Context - the bad weather and the Christchurch earthquake that have afflicted the South Island recently. Published in The Sunday Star Times Quantity: 1 digital cartoon(s).
Test results are presented for wall-diaphragm plate anchor connections that were axially loaded to rupture. These connection samples were extracted post-earthquake by sorting through the demolition debris from unreinforced masonry (URM) buildings damaged in the Christchurch earthquakes. Unfortunately the number of samples available for testing was small due to the difficulties associated with sample collection in an environment of continuing aftershocks and extensive demolition activity, when personal safety combined with commercial activity involving large demolition machinery were imperatives that inhibited more extensive sample collection for research purposes. Nevertheless, the presented data is expected to be of assistance to structural engineers undertaking seismic assessment of URM buildings that have existing wall-diaphragm anchor plate connections installed, where it may be necessary to estimate the capacity of the existing connection as an important parameter linked with determining the current seismic capacity of the building and therefore influencing the decision regarding whether supplementary connections should be installed.
The 2010/2011 Canterbury earthquakes have provided a unique opportunity to investigate the seismic performance of both traditional and modern buildings constructed in New Zealand. It is critical that the observed performance is examined and compared against the expected levels of performance that are outlined by the Building Code and Design Standards. In particular, in recent years there has been a significant amount of research into the seismic behaviour of precast concrete floor systems and the robustness of the support connections as a building deforms during an earthquake. An investigation of precast concrete floor systems in Christchurch has been undertaken to assess both the performance of traditional and current design practice. The observed performance for each type of precast floor unit was collated from a number of post-earthquake recognisance activities and compared against the expected performance determined for previous experimental testing and analysis. Possible reasons for both the observed damage, and in some cases the lack of damage, were identified. This critical review of precast concrete floor systems will assist in determining the success of current design practice as well as identify any areas that require further research and/or changes to design standards.
As part of the ‘Project Masonry’ Recovery Project funded by the New Zealand Natural Hazards Research Platform, commencing in March 2011, an international team of researchers was deployed to document and interpret the observed earthquake damage to masonry buildings and to churches as a result of the 22nd February 2011 Christchurch earthquake. The study focused on investigating commonly encountered failure patterns and collapse mechanisms. A brief summary of activities undertaken is presented, detailing the observations that were made on the performance of and the deficiencies that contributed to the damage to approximately 650 inspected unreinforced clay brick masonry (URM) buildings, to 90 unreinforced stone masonry buildings, to 342 reinforced concrete masonry (RCM) buildings, to 112 churches in the Canterbury region, and to just under 1100 residential dwellings having external masonry veneer cladding. Also, details are provided of retrofit techniques that were implemented within relevant Christchurch URM buildings prior to the 22nd February earthquake. In addition to presenting a summary of Project Masonry, the broader research activity at the University of Auckland pertaining to the seismic assessment and improvement of unreinforced masonry buildings is outlined. The purpose of this outline is to provide an overview and bibliography of published literature and to communicate on-going research activity that has not yet been reported in a complete form. http://sesoc.org.nz/conference/programme.pdf
Unreinforced masonry (URM) is a construction type that was commonly adopted in New Zealand between the 1880s and 1930s. URM construction is evidently vulnerable to high magnitude earthquakes, with the most recent New Zealand example being the 22 February 2011 Mw6.3 Christchurch earthquake. This earthquake caused significant damage to a majority of URM buildings in the Canterbury area and resulted in 185 fatalities. Many URM buildings still exist in various parts of New Zealand today, and due to their likely poor seismic performance, earthquake assessment and retrofit of the remaining URM building stock is necessary as these buildings have significant architectural heritage and occupy a significant proportion of the nation’s building stock. A collaborative research programme between the University of Auckland and Reid Construction Systems was conducted to investigate an economical yet effective solution for retrofitting New Zealand’s existing URM building stock. This solution adopts the shotcrete technique using an Engineered Cementitious Composite (ECC), which is a polyvinyl alcohol fibre reinforced mortar that exhibits strain hardening characteristics. Collaborations have been formed with a number of consulting structural engineers throughout New Zealand to develop innovative and cost effective retrofit solutions for a number of buildings. Two such case studies are presented in this paper. http://www.concrete2013.com.au/technical-program/
As a result of the 4 September 2010 Darfield earthquake and the more damaging 22 February 2011 Christchurch earthquake, considerable damage occurred to a significant number of buildings in Christchurch. The damage that occurred to the Christchurch Roman Catholic Cathedral of the Blessed Sacrament (commonly known as the Christchurch Basilica) as a result of the Canterbury earthquakes is reported, and the observed failure modes are identified. A previous strengthening intervention is outlined and the estimated capacity of the building is discussed. This strengthening was completed in 2004, and addressed the worst aspects of the building's seismic vulnerability. Urgent work was undertaken post-earthquake to secure parts of the building in order to limit damage and prevent collapse of unstable parts of the building. The approach taken for this securing is outlined, and the performance of the building and the previously installed earthquake strengthening intervention is evaluated.A key consideration throughout the project was the interaction between the structural securing requirements that were driven by the requirement to limit damage and mitigate hazards, and the heritage considerations. Lessons learnt from the strengthening that was carried out, the securing work undertaken, and the approach taken in making the building "safe" are discussed. Some conclusions are drawn with respect to the effectiveness of strengthening similar building types, and the approach taken to secure the building under active seismic conditions. AM - Accepted Manuscript
The Catholic Cathedral is classified as a category 1 listed heritage building constructed largely of unreinforced stone masonry, and was significantly damaged in the recent Canterbury earthquakes of 2010 and 2011. In the 2010 event the building presented slight to moderta damage, meanwhile in the 2011 one experienced ground shaking in excess of its capacity leading to block failures and partial collapse of parts of the building, which left the building standing but still posing a significant hazard. In this paper we discuss the approach to develop the earthquake analysis of the building by 3D numerical simulations, and the results are compared/calibrated with the observed damage of the 2010 earthquake. Very accurate records were obtained during both earthquakes due to a record station located least than 80 m of distance from the building and used in the simulations. Moreover it is included in the model the soil structure interaction because it was observed that the ground and foundation played an important role on the seismic behavior of the structure. A very good agreement was found between the real observed damage and the nonlinear dynamic simulations described trough inelastic deformation (cracking) and building´s performance.
Description: Observations of RC building performance in recent earthquakes with a special focus on the devastating events in Christchurch, New Zealand. These events have highlighted the complexity of post-earthquake decisions for damaged buildings and the impacts on communities. The presentation will reflect on factors influencing demolition decisions and emerging challenges for the earthquake engineering community. http://atc-sei.org/
This paper explores the responses by a group of children to an art project that was undertaken by a small school in New Zealand after the September 2010 and February 2011 Christchurch earthquakes. Undertaken over a period of two years, the project aimed to find a suitable form of memorialising this significant event in a way that was appropriate and meaningful to the community. Alongside images that related directly to the event of the earthquakes, the art form of a mosaic was chosen, and consisted of images and symbols that clearly drew on the hopes and dreams of a school community who were refusing to be defined by the disaster. The paper 'writes' the mosaic by placing fragments of speech spoken by the children involved in relation to ideas about memory, affect, and the 'sublime', through the work of Jean-Francois Lyotard. The paper explores the mosaic as constituted by the literal and metaphorical 'broken pieces' of the city of Christchurch in ways that confer pedagogic value inscribed through the creation of a public art space by children. AM - Accepted Manuscript