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A piece of personal experience writing about the Canterbury earthquakes, written by Braden.
A piece of personal experience writing about the Canterbury earthquakes, written by Max.
A piece of personal experience writing about the Canterbury earthquakes, written by Mitchell.
A piece of personal experience writing about the Canterbury earthquakes, written by George.
A piece of personal experience writing about the Canterbury earthquakes, written by Sean.
A piece of personal experience writing about the Canterbury earthquakes, written by Tim.
A piece of personal experience writing about the Canterbury earthquakes, written by Jonathan.
A piece of personal experience writing about the Canterbury earthquakes, written by Jake.
A piece of personal experience writing about the Canterbury earthquakes, written by Sam.
A piece of personal experience writing about the Canterbury earthquakes, written by Jae Youn
A piece of personal experience writing about the Canterbury earthquakes, written by Jack 1.
A piece of personal experience writing about the Canterbury earthquakes, written by Jack 2.
Fiona Farrell has been awarded the $100,000 Creative New Zealand Michael King Writer's Fellowship to research and write twin books, one fiction and one non-fiction, inspired by her experiences of the Canterbury earthquakes and the rebuilding of the city.
A photograph of tag writing on some supports for the Durham Street overbridge.
This paper reports on a service-learning public journalism project in which postgraduate journalism students explore ways to engage with and report on diverse communities. Media scholars have argued that news media, and local newspapers in particular, must re-engage with their communities. Likewise, journalism studies scholars have urged educators to give journalism students greater opportunities to reflect on their work by getting out among journalism’s critics, often consumers or citizens concerned about content and the preparation of future journalists. The challenge for journalism educators is to prepare students for working in partnership with communities while also developing their ability to operate reflectively and critically within the expectations of the news media industry and wider society. The aim of this project has been to help students find ways to both listen and lead in a community, and also reflect on the challenges and critiques of community journalism practices. The project began in 2013 with stories about residents’ recovery following the devastating 2011 Canterbury earthquakes, and aimed to create stories that could contribute to community connection and engagement, and thereby resilience and recovery. The idea was inspired by research about post-disaster renewal that indicated that communities with strong social capital and social networks were more resilient and recovered more quickly and strongly. The project’s longer-term aim has been to explore community journalism practices that give greater power to citizens and communities by prioritising listening and processes of engagement. Over several months, students network with a community group to identify subjects with whom they will co-create a story, and then complete a story on which they must seek the feedback of their subject. Community leaders have described the project as a key example of how to do things “with people not to people”, and an outstanding contribution to the community-led component of Canterbury’s recovery. Analysis of student reflections, which are a key part of each year’s project, reveals the process of engaging with communities has helped students to map community dynamics, think more critically about source relationships, editorial choices and objectivity norms, and to develop a perspective on the diverse ways they can go about their journalism in the future. Each year, students partner with different groups and organisations, addressing different themes each time the project runs. For 2016, the programme proposes to develop the project in a new way, by not just exploring a community’s stories but also exploring its media needs and it aims to work with Christchurch’s new migrant Filipino community to develop the groundwork for a community media and/or communication platform, which Filipino community leaders say is a pressing need. For this iteration, journalism students will be set further research tasks aimed at deepening their ‘public listening’: they will conduct a survey of community members’ media use and needs as well as qualitative research interviews. It is hoped that the data collected will strengthen students’ understanding of their own journalism practice, as well as form the basis for work on developing media tools for minority groups who are generally poorly represented in mainstream media. In 2015, the journalism programme surveyed its community partners and held follow-up interviews with 13 of 18 story subjects to elicit further feedback on its news content and thereby deepen understanding of different community viewpoints. The survey and interview data revealed the project affected story subjects in a number of positive and interesting ways. Subjects said they appreciated the way student reporters took their time to build relationships and understand the context of the community groups with which they were involved, and contrasted this with their experience of professional journalists who had held pre-conceived assumptions about stories and/or rushed into interviews. As a direct consequence of the students’ approach, participants said they better trusted the student journalists to portray them accurately and fairly. Most were also encouraged by the positive recognition stories brought and several said the engagement process had helped their personal development, all of which had spin-offs for their community efforts. The presentation night that wraps up each year’s project, where community groups, story subjects and students come together to network and share the final stories, was cited as a significant positive aspect of the project and a great opportunity for community partners to connect with others doing similar work. Community feedback will be sought in future projects to inform and improve successive iterations.
A photograph of a wall with street art on it. It says "Cons-o" in big orange letters and is decorated by red stars on each end.
A photograph of tag writing and street art on the wall of a building located on Fitzgerald Avenue.
A photograph of tag writing and street art on the wall of a building on Fitzgerald Avenue.
A photograph of tag writing and street art on the wall of a building located on Fitzgerald Avenue.
A photograph of tag writing and street art on the wall of a building on Fitzgerald Avenue.
A photograph of tag writing on Fitzgerald Avenue. Written over the tags, are several iterations of the word "No".
A photograph of tag writing and street art on the wall of a building located on Fitzgerald Avenue.
A photograph of tag writing on some supports for the Durham Street overbridge. There is a box in front of the supports.
An image advertising a free writing workshop for children aged between 10 and 15. The writing workshop was part of the WORD Christchurch writers festival. The image was used as a profile picture on the All Right? Facebook page. The image was also posted to Facebook by All Right? on 15 July 2014 at 5:31pm.
A photograph of tag writing on some supports for the Durham Street overbridge. On one side of the support , is artwork that depicts a yellow character.
A photograph of tag writing on some supports for the Durham Street overbridge. On one side of the support is artwork that depicts a yellow character.
A photograph of tag writing on some supports for the Durham Street overbridge. On one side of the support , is artwork that depicts a yellow character.
A photograph of street art between New Brighton Mall and Hawke Street. The artwork is a mural of tag writing, a flower, and melting ice cream.
A photograph of street art by the DTR crew at Waltham Park and Pool. The artwork depicts white and green tag writing, and the DTR Crew's signature below it.