An example of a checklist used by SCIRT traffic management teams to perform site checks.
A photograph of street art near Fitzgerald Avenue. The artist is Benjamin Work.
A photograph of the Butterfly fence located on Ferry Road. The artwork on the fence shows a monarch butterfly, along with several other smaller butterflies.
An entry from Deb Robertson's blog for 24 September 2015 entitled, "Journalists at Work {Part 3(3) COMS 304}".The entry was downloaded on 3 November 2016.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows the word "Butterfly", written with butterflies. There are also Māori motifs in the centre of the fence.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows many butterflies fluttering above a Māori motif.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows the word "Butterfly", written with butterflies. There are also Māori motifs in the centre of the fence.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows many butterflies fluttering above a Māori motif.
A photograph of the Butterfly fence on Ferry Road. The artwork on the fence shows many butterflies fluttering above a Māori motif and the letters "ChCh".
A photograph of street art on Ferry Road. The photographer attributes the work to APEK.
A photograph of street art on Ferry Road. The photographer attributes the work to APEK and JFK.
A pdf copy of a work notice issued by SCIRT giving an overview of the Beachville Road seawall rebuild project.
A photograph of street art on Fitzgerald Avenue, near The Fitz cafe. The photographer attributes the work to Freak.
A photograph of street art on Fitzgerald Avenue, near The Fitz cafe. The photographer attributes the work to Freak.
A photograph of street art on Fitzgerald Avenue, near The Fitz cafe. The photographer attributes the work to Freak.
A photograph of street art on the Work and Income New Zealand building in New Brighton. The artwork depicts a musician.
A photograph of a detail of street art on Beresford Street in New Brighton. The photographer attributes the work to DRYPNZ.
A photograph of a detail of street art on Fitzgerald Avenue, near The Fitz cafe. The photographer attributes the work to Freak.
A revised memorandum of understanding that sets out how SCIRT and Connexis planned to work together to build an industry training framework and skilled workforce.
A photograph of street art and graffiti under the Durham Street overbridge. The photographer attributes some of the work to Devos and Noose.
A photograph of street art titled, "Maybe sorrow was the thing". The work is on Battersea Street in Sydenham. The artist is Rita Vovna.
A photograph of street art on the old railway goods B Shed near the Colombo Street overbridge.The photographer attributes the work to Fat.
A photograph of street art titled, "Maybe sorrow was the thing". The work is on Battersea Street in Sydenham. The artist is Rita Vovna.
A photograph of street art titled, "Maybe sorrow was the thing". The work is on Battersea Street in Sydenham. The artist is Rita Vovna.
A photograph of street art on a fence beside the railway tracks, near the Durham Street overbridge. The photographer attributes the work to Devos and Noose.
A photograph of a detail of street art titled, "Maybe sorrow was the thing". The work is on Battersea Street in Sydenham. The artist is Rita Vovna.
A photograph of a detail of street art titled, "Maybe sorrow was the thing". The work is on Battersea Street in Sydenham. The artist is Rita Vovna.
A photograph of street art on the old railway goods B Shed near the Colombo Street overbridge.The photographer attributes the work to Fat and Draped Up.
A photograph of street art on the side of the Manchester Street parking building, seen from Hereford Street. The artists are Chris Finlayson and Dean Blundell. The art work depicts a tram, a tank, a boat and other unusual vehicles parked in the parking building.
The role of belonging in post-disaster environments remains an under-theorised concept, particularly regarding refugee populations. This paper presents a qualitative study with 101 refugee-background participants from varying communities living in Christchurch, New Zealand, about their perspectives and responses to the Canterbury earthquakes of 2010–11. Participants spoke of how a sense of belonging as individuals and as a wider community was important in the recovery effort, and highlighted the multiple ways in which they understood this concept. Their comments demonstrate how belonging can have contextual, chronological and gendered dimensions that can help inform effective and resonant disaster responses with culturally and linguistically diverse populations. This analysis also illustrates how the participants' perspectives of belonging shifted over time, and discusses the corresponding role of social work in supporting post-disaster recovery through the concepts of civic, ethno and ethnic-based belonging. AM - Accepted Manuscript