A digitally manipulated image of a damaged wooden wall. The photographer comments, "And the walls came tumbling down".
A cluster of bricks remain lodged between a pipe and wooden framework.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
Damage to a residential house. A relatively intact wall is being supported with wooden bracing.
Damage to Beaufort House on Latimer Square. A partially intact wall is protected with wooden braces.
Detail of damage to Beaufort House on Latimer Square. Wooden braces are used to support the walls.
Detail of damage to Beaufort House on Latimer Square. Wooden braces are used to support the walls.
A photograph of foam blocks and tires stacked on wooden pallets on the site of Foamapalooza.
A digitally manipulated image of two chairs sitting among rubble. The photographer comments, "There is a strip of land that has been declared as the red zone. This means that the houses facing towards the tidal estuary must be abandoned as they are on land that has been declared uneconomic to repair after the Christchurch earthquakes. These chairs are at the front of one of these properties that will be bulldozed. These seem to be saying come hell or high water we will not be moved".
A damaged brick building on Tuam Street. Bricks have fallen from the wall exposing the interior, where a wooden structure can be seen to have collapsed. The photographer comments, "This is the damage caused by the numerous earthquakes in Christchurch, New Zealand. It closely resembles a face and the round blob in the square hole at the top of the nose is a pigeon".
A wooden house in Wainoni has visibly bowed inwards towards its centre. The photographer comments, "During the numerous earthquakes in Christchurch the land which ran alongside the Avon river on Avonside Drive slumped towards the waterway. In a line parallel to the road the road, but around 20m away a ground movement occurred which caused some houses to rise up or sink down".
A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.
A photograph of wooden planks used in the construction of Gap Filler's temporary outdoor cinema. The boards have a crown logo painted on them.
Large cracks run through the brick cladding of this house in Wainoni. The photographer comments, "During the numerous earthquakes in Christchurch the land which ran alongside the Avon river on Avonside Drive slumped towards the waterway. Houses which were wooden framed and had an external brick veneer started to sink into the liquefied soil. This caused the brick walls to crack, but the houses' occupants though shook up were saved by the wooden framework from the houses collapsing on them".
A digitally manipulated image of furniture and machinery. The photographer comments, "This furniture restoration company got caught in the middle of the Christchurch earthquake and lost a whole wall. After constant exposure to the elements everything now needs a bit of restoration. They are now working in a different part of Christchurch, but their past can still be seen".
one of Christchurch's abandoned suburbs. The land moved - bricks and block walls everywhere collapsed - two multi story buildings folded - 184 people died. Wooden framed houses largely stayed up, many concrete slabs cracked, power poles leaned in liquid ground, surface bubbled, services ruptured .... damage to the cbd still gets the most cover...
Workers seen through a gap between wooden pallets in GapFiller's Pallet Pavillion. The photographer comments, "Though it looks strange and Photoshopped this is a straight shot through pallets painted blue. The Pallet Pavilion is built on the site of the demolished Crowne Plaza Hotel. It was built by volunteers, mainly students and construction engineers over 6 weeks. Here students are being given health and safety instructions before helping out on completing the temporary structure".
A laminated sign for the 2011 Festival of Flowers attached to a wooden planter. The plants in the planter are dry and dead. The photographer comments, "The theme for the 2011 Festival of Flowers was 'burst! of water'. The Christchurch February earthquake came and water and sand called liquefaction burst out of the ground all around the area. Ironically the plants for the festival were left unattended in the cordoned off red zone and they would have loved a little burst of water".
A small wooden cross is inserted between stones laid out in the shape of a large cross. The photographer comments, "This is an Earthquake Memorial on Manchester Street, Christchurch, New Zealand. This message is on the tree next to the memorial: 'Earthquake Memorial. 185 people died as a result of the 22 February 2011 earthquake. 185 precious lives are remembered here, with 185 pieces of Halswell stone recovered from St Luke's Church, damaged beyond repair on that day. May they rest in peace. St Luke's in the City'".
A digitally manipulated image of a shop window. A vase is visible in the window, and the sillhouette of a mannequin in the background. The photographer comments, "The title came from the pot and the E on the window. This is a building that has been off limits since the Christchurch earthquake. The E was sprayed on the window by rescue teams after searching the building and finding it was empty. This is a very old wooden building that looks OK from the front, but terrible from the side as the previously adjoined building has been demolished.
The seismic response of unreinforced masonry (URM) buildings, in both their as-built or retrofitted configuration, is strongly dependent on the characteristics of wooden floors and, in particular, on their in-plane stiffness and on the quality of wall-to-floor connections. As part of the development of alternative performance-based retrofit strategies for URM buildings, experimental research has been carried out by the authors at the University of Canterbury, in order to distinguish the different elements contributing to the whole diaphragm's stiffness. The results have been compared to the ones predicted through the use of international guidelines in order to highlight shortcomings and qualities and to propose a simplified formulation for the evaluation of the stiffness properties.
Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.