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Other, National Library of New Zealand

An intermittent collaboration between the Centre of Contemporary Art and a series of local artists looking to present new work which explores the realities of the post-earthquake cultural landscape in Christchurch. The artworks by Ed Lust, Sam Eng, and Robyn Wester each utilise the empty window space of the window and carport of the damaged COCA building which is awaiting repair.

Images, eqnz.chch.2010

From My Little Blue Window By Elvis Costello Well, I was a gloomy soul Never thought I see a brighter day The dark interior Blows those silver clouds away 'Til now this was my view But I'm counting on you How am I ever going got make you see? Nothing in this ugly world comes easily I want you to be... My lovely hooligan Come by and...

Images, UC QuakeStudies

Broken stained glass in a window of the ChristChurch Cathedral. The photographer comments, "I only managed to get one picture of the badly earthquake damaged Christchurch Cathedral and I did not want to get the buttresses holding it up like some Medieval siege engine, so I thought this one was perfect. Looking through the window notice that the adjacent wall has gone and the blue windows belong to an office block across the road".

Images, UC QuakeStudies

Detail of the TimeZone window on Colombo Street. On it are posters from pre-quake, and damage is evident by the faded pink batts seen through the window. Damage to buildings across the street are also reflected in the window.

Images, UC QuakeStudies

A digitally manipulated image of a shop window. A vase is visible in the window, and the sillhouette of a mannequin in the background. The photographer comments, "The title came from the pot and the E on the window. This is a building that has been off limits since the Christchurch earthquake. The E was sprayed on the window by rescue teams after searching the building and finding it was empty. This is a very old wooden building that looks OK from the front, but terrible from the side as the previously adjoined building has been demolished.

Images, UC QuakeStudies

A digitally manipulated photograph looking through a broken window into a darkened room. Through windows opposite, an overgrown garden can be seen. The photographer comments, "This is a restaurant that was closed down and without any help the garden at the back has flourished".

Images, UC QuakeStudies

A digitally manipulated image of a broken window on Spicer House. The photographer comments, "One of the office blocks in Christchurch City, New Zealand. As the window has not been fixed I am presuming that this building will be slowly demolished at a later date".

Images, UC QuakeStudies

A digitally manipulated image of two stained glass windows. The photographer comments, "This is an abstract of the stained glass window of St Peter's Church in Christchurch, New Zealand. The church was seriously damaged in the Christchurch earthquake".

Images, UC QuakeStudies

A bollard covered in tattered posters. The photographer comments, "After the Christchurch February 2011 earthquake no more adverts were pasted onto this advertising pillar. Over a year later the posters are starting to peel off and reveal older ones. It seems that the constant addition of new posters was keeping everything in equilibrium, but with no new posters everything is literally falling apart".

Research papers, Victoria University of Wellington

Located on the edge of two tectonic plates, New Zealand has numerous fault lines and seismic risk across the whole country. The way this risk is communicated affects whether people prepare effectively or at all. Research has shown that perceptions of risk are affected by slight changes in wording, and that probabilities commonly reported by experts and media are often interpreted subjectively based on context. In the context of volcanoes, research has found that given a certain probability of a volcano in a specific time window, people perceive risk as higher in later time intervals within that window. The present study examines this pattern with regard to earthquakes and aftershocks in the New Zealand context. Participants in both Wellington (N = 102) and Christchurch (N = 98) were presented an expert statement of earthquake risk within a given time window in Wellington and aftershock risk in Christchurch, and asked to rate their perception of risk in specific intervals across the time window. For a Wellington earthquake, participants perceived risk as incrementally higher toward the end of the 50 year time window whereas for a Christchurch aftershock, risk perception increased slightly for the first three intervals of the 12 month time window. Likelihood of preparing was constant over the time windows, with Wellington citizens rating themselves more likely than Christchurch citizens to prepare for either an earthquake or aftershock, irrespective of current level of preparedness. These findings suggest that people view earthquakes as more likely later toward the end of a given time window and that they view aftershocks very differently to scientific predictions.