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Images, UC QuakeStudies

A view of an empty site that is now covered with weeds and silt from liquefaction. On the site is a digger and two shipping containers. In the background, demolition work on the Manchester Securities House can be seen.

Images, UC QuakeStudies

A view of an empty site that is now covered with weeds and silt from liquefaction. On the site is a digger and two shipping containers. In the background, demolition work on the Manchester Securities House can be seen.

Images, UC QuakeStudies

A fallen branch caught in weeds in the River Styx. The photographer comments, "This branch was broken off during one of the recent Christchurch earthquakes and fell into the River Styx. Now one side has sprouted roots and the other new buds".

Images, UC QuakeStudies

Damage to the north side of the cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral. Weeds can be seen growing around the war memorial in Cathedral Square.

Research papers, University of Canterbury Library

This paper explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the Februrary 22, 2011 earthquake, and while Lancaster Park sports stadium is still standing, it has been unused since that date and its future remains uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130 year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, post-disaster transitionality, and the im-permanence of place.

Research papers, University of Canterbury Library

This article explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short-term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the February 22, 2011, earthquake, and by the time of the broadcast the stadium at Lancaster Park had been unused for three years and nine months, and its future was uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130-year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, postdisaster transitionality, and the impermanence of place.