A photograph of the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of the public launch event for The Wet Issue by Freerange Press. Attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. The attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. The attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. The attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. The attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. Attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. The attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of The Wet Issue by Freerange Press, on display at the public launch event. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of the public launch event for The Wet Issue by Freerange Press. People are gathered to watch a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of Emma Johnson giving a speech at the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of someone reading a copy of The Wet Issue by Freerange Press, at the public launch event. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of artist Noel Meek giving a speech at the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of artist Noel Meek behind the sound desk at the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of the public launch event for The Wet Issue by Freerange Press. The journal is being 'launched' with an elastic tie by Freerange Press director Barnaby Bennett. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of Freerange Press director Barnaby Bennett standing on a chair to give a speech at the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
Aotearoa New Zealand’s population has grown rapidly from 3.85 million in 2000, to 5 million in 2020. Ethnic diversity has consequently increased. Territorial Authorities (TAs) undertaking statutory consultation and wider public engagement processes need to respond to increased diversity and foster inclusivity. Inclusivity is necessary to facilitate a greater understanding of TA statutory functions, as well as to encourage awareness and participation in annual planning processes, and resource management plans and consents. We examined perceptions, and experiences, of planning within the ethnic Chinese immigrant population of Christchurch. The Chinese ethnic group is a significant part of the city’s population and is in itself derived from diverse cultural and language backgrounds. We surveyed 111 members of this community, via social media and in person, to identify environmental and planning issues of concern to them. We sought to ascertain their previous engagement with planning processes and to gauge their willingness for future involvement. We also undertook a small number of semi-structured interviews with Chinese immigrants to explore their experiences with planning in more detail. Results showed only 6% of respondents had been engaged in any planning processes, despite only 20% being unwilling to participate. We analysed these responses by gender, age, visa category, and length of time resident in Christchurch. Notwithstanding the low level of reported engagement, earthquake recovery (70% of respondents) along with water quality, transport, and air quality were the most important issues of concern. However, there was a general lack of awareness of the ability to make public submissions on these and other issues, and of the statutory responsibilities of TAs. We discuss possible explanations and provide several suggestions for TAs to increase awareness and to improve engagement. This includes further research to assist in identifying the nature of barriers as well as the effectiveness of trialling different solutions.
Following the devastating 1931 Hawke's Bay earthquake, buildings in Napier and surrounding areas in the Hawke's Bay region were rebuilt in a comparatively homogenous structural and architectural style comprising the region's famous Art Deco stock. These interwar buildings are most often composed of reinforced concrete two-way space frames, and although they have comparatively ductile detailing for their date of construction, are often expected to be brittle, earthquake-prone buildings in preliminary seismic assessments. Furthermore, the likelihood of global collapse of an RC building during a design-level earthquake became an issue warranting particular attention following the collapse of multiple RC buildings in the February 22, 2011 Christchurch earthquake. Those who value the architectural heritage and future use of these iconic Art Deco buildings - including building owners, tenants, and city officials, among others - must consider how they can be best preserved and utilized functionally given the especially pressing implications of relevant safety, regulatory, and economic factors. This study was intended to provide information on the seismic hazard, geometric weaknesses, collapse hazards, material properties, structural detailing, empirically based vulnerability, and recommended analysis approaches particular to Art Deco buildings in Hawke's Bay as a resource for professional structural engineers tasked with seismic assessments and retrofit designs for these buildings. The observed satisfactory performance of similar low-rise, ostensibly brittle RC buildings in other earthquakes and the examination of the structural redundancy and expected column drift capacities in these buildings, led to the conclusion that the seismic capacity of these buildings is generally underrated in simple, force-based assessments.