A worker watching as his colleague releases the trailer ties that are holding port-a-loos onto a trailer.
For her first feature, writer/director Gillian Ashurst (Venus Blue) wanted a “big wide road movie; big skies; big long roads.” Cruising the Canterbury landscapes are small-town dreamers Alice (Heavenly Creature Melanie Lynskey) and Johnny (future Almighty Johnson Dean O’Gorman). The duo’s adventures go awry after encountering a charming American cowboy. Reviews were generally upbeat: there was praise for the talented cast, plus Ashurst’s ability to mix moods and genres. Snakeskin won five awards at the 2001 NZ Film and TV Awards, including Best Film and Cinematography.
A crushed trailer on a property in Redcliffs. A large rock from cliff above fell onto the trailer during the 22 February 2011 earthquake.
A photograph of Helen Campbell winding a winch to pull Crack'd for Christchurch's ottoman artwork onto a trailer. There is a Greening the Rubble sign on the side of the trailer.Crack'd for Christchurch comments, "Helen Campbell getting Otto ready for his trip to meet Flora at their final destination."
The movie that won splatterking Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films. Read more about Heavenly Creatures here.
A trailer video for Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces', which was screened as part of the Body Festival 2014.
A photograph of a truck loaded with supplies in Wellington. A Civil Defence trailer has been hitched to the back.
A worker unloading a port-a-loo from a trailer.
A photograph of truck towing a Civil Defence rescue trailer.
A photograph of a trailer loaded with items from the Residential Access Project being driven down High Street. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.
A photograph of workers loading a trailer with items salvaged from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.
A photograph of a WRFF Helitack Rappel Crew emergency response vehicle and a truck loaded with supplies. A Civil Defence trailer is hitched to the back of the truck.
A photograph of workers from HireQuip loading a trailer with items from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.
A trailer of bricks in front of a house with damaged walls.
A photograph of workers loading a trailer with items salvaged from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.
A photograph of Tessa Peach (left) and Heather Hayward at Cathedral Junction with their creation, Picture House. Picture House is a mobile cinema for two people, created out of a billboard trailer for FESTA 2013.
A photograph of a Jonathan Hall transferring Crack'd for Christchurch's ottoman artwork onto a trailer.Crack'd for Christchurch comments, "Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."
Gerard Smyth's acclaimed documentary about the Christchurch earthquakes is the story of people coping — for better or worse — with the huge physical and emotional toll that the quakes, and continuing aftershocks, inflicted on them, their homes and their city. It began as a home movie while the devastation of September was surveyed (with thanks given that no-one had been killed); but, as shooting of the recovery continued, the February quake compounded the destruction and claimed 182 lives (including their researcher and 16 colleagues at CTV).
A photograph of someone watching a film inside Picture House. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Picture House at Cathedral Junction. Picture House was a mobile cinema for two people, created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach of Makeshift, for FESTA 2013.
A photograph of Jemma Syme and Ed Lust watching a film inside Picture House. Picture House is a mobile cinema for two people. It was created out of a billboard trailer by Tessa Peach and Heather Hayward of Makeshift, for FESTA 2013.
A photograph of Heather Hayward (left) and Tessa Peach at Cathedral Junction with their creation Picture House. Picture House was a mobile cinema for two people, created out of a billboard trailer. It was part of FESTA 2013.
A photograph of people gathered around Picture House at Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of people gathered around Picture House at Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Helen Campbell winding a winch to pull Crack'd for Christchurch's ottoman artwork onto a trailer.Crack'd for Christchurch comments, "Helen Campbell getting Otto ready for his trip to meet Flora at their final destination."
A photograph of Heather Hayward parking Picture House outside Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Tessa Peach (left) and Heather Hayward at Cathedral Junction with their creation, Picture House. Picture House was a mobile cinema for two people, created out of a billboard trailer. It was part of FESTA 2013.
A photograph of Tessa Peach setting up Picture House at Cathedral Junction. Picture House was a mobile cinema for two people, created by Tessa Peach and Heather Hayward of Makeshift. It was created out of a billboard trailer, for FESTA 2013.
A photograph of trailers full of furniture and belongings from people's homes on Poplar Lane parked on High Street near the intersection with Tuam Street. The items were removed from the homes during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve their possessions.
A photograph of a large-scale puppet on a trailer in the Re:START mall car park on Cashel Street. The puppet is titled The Scholar, and was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013.