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Images for trailer; more images...

Videos, NZ On Screen

For her first feature, writer/director Gillian Ashurst (Venus Blue) wanted a “big wide road movie; big skies; big long roads.” Cruising the Canterbury landscapes are small-town dreamers Alice (Heavenly Creature Melanie Lynskey) and Johnny (future Almighty Johnson Dean O’Gorman). The duo’s adventures go awry after encountering a charming American cowboy. Reviews were generally upbeat: there was praise for the talented cast, plus Ashurst’s ability to mix moods and genres. Snakeskin won five awards at the 2001 NZ Film and TV Awards, including Best Film and Cinematography.

Images, UC QuakeStudies

A photograph of Helen Campbell winding a winch to pull Crack'd for Christchurch's ottoman artwork onto a trailer. There is a Greening the Rubble sign on the side of the trailer.Crack'd for Christchurch comments, "Helen Campbell getting Otto ready for his trip to meet Flora at their final destination."

Videos, NZ On Screen

The movie that won splatter king Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for the film, and newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films.

Images, UC QuakeStudies

A photograph of a trailer loaded with items from the Residential Access Project being driven down High Street. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Images, UC QuakeStudies

A photograph of workers loading a trailer with items salvaged from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Images, UC QuakeStudies

A photograph of workers from HireQuip loading a trailer with items from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Images, UC QuakeStudies

A photograph of workers loading a trailer with items salvaged from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Videos, NZ On Screen

Gerard Smyth's acclaimed documentary about the Christchurch earthquakes is the story of people coping — for better or worse — with the huge physical and emotional toll that the quakes, and continuing aftershocks, inflicted on them, their homes and their city. It began as a home movie while the devastation of September was surveyed (with thanks given that no-one had been killed); but, as shooting of the recovery continued, the February quake compounded the destruction and claimed 182 lives (including their researcher and 16 colleagues at CTV).

Images, UC QuakeStudies

A photograph of Helen Campbell winding a winch to pull Crack'd for Christchurch's ottoman artwork onto a trailer.Crack'd for Christchurch comments, "Helen Campbell getting Otto ready for his trip to meet Flora at their final destination."

Images, UC QuakeStudies

A photograph of trailers full of furniture and belongings from people's homes on Poplar Lane parked on High Street near the intersection with Tuam Street. The items were removed from the homes during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve their possessions.