Volunteers tying down cables during the construction of the Pallet Pavilion.
A photograph of large fabric balloons being tied together as part of the eLITE installation for LUXCITY.
A pink and a purple artificial fabric flowers with plastic stems and fabric leaves tied together with pink metallic string.
A pink and a purple artificial fabric rose with plastic stems and fabric leaves tied together with pink metallic string.
Flowers tied to the wire fences outside the CTV building site on Madras Street. Many people lost their lives in this building during the earthquake.
A bunch of yellow, red and orange artificial fabric lilies tied together with green mesh fabric, purple flower paper and a golden ribbon and pink metallic string.
A photograph of handwritten cardboard signs attached to a fence with cable ties. The signs are at the site of Illusions, part of LUXCITY.
A photograph of a placard tied to the cordon fence surrounding the Isaac Theatre Royal. The placard reads, "Why is this real not that".
A photograph of a laminated image tied to the fencing around Cathedral Square. The image depicts the ChristChurch Cathedral as it looked before the Canterbury earthquakes.
A photograph of a laminated image tied to the fencing around Cathedral Square. The image depicts the Citizen's Memorial as it looked before the Canterbury earthquakes.
Two pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with pink metallic string. The pink flowers have additional plastic leaves with white bead like additions.
A pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with pink metallic string. The purple flowers has additional plastic leaves with white bead like additions.
A pink and a purple artificial fabric flowers with plastic stems and fabric leaves tied together with pink metallic string. The purple flower has additional plastic leaves with white bead like additions.
Two pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with a red fabric heart on a wooden stick using purple metallic string. The pink flower has additional plastic leaves with white bead like additions.
Two pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with a red fabric heart on a wooden stick using pink metallic string. The flowers have additional plastic leaves with white bead like additions.
A photograph of a hand-written cardboard sign reading 'The Beginning Is Nigh'. The sign is cable-tied to the fence next to a vacant site on Gloucester Street. The site is the location of Illusions, part of LUXCITY.
A proposed design by John Raven for a new cathedral, tied to a cordon fence. Clarendon Tower can be seen in the background. The photographer comments, "Someone is asking for designs for a new Christchurch Cathedral after it was announced that the old historical building will not be repaired, to be put on the fences through which people can see the de-construction of the old one. This design looks a great one to me".
A photograph of a wreath and flowers tied to a lamppost on Colombo Street. They were placed there by Red Bus in memory of the bus driver and passengers who died in one of their busses during the 22 February 2011 earthquake. A sign behind the wreath reads, "In remembrance of the tragic events during the 22 February 2011 earthquake in Colombo Street where our bus driver and his passengers Jayden Andrews-Howland, Phillip Coppeard, Joseph Routledge, Pelesa Sanft, Beverly May Stick and Earl Niche died, and Ann Brower was seriously injured".
Following the 2010/2011 Canterbury earthquakes a detailed campaign of door to door assessments was conducted in a variety of areas of Christchurch to establish the earthquake performance of residential dwellings having masonry veneer as an external cladding attached to a lightweight timber framing system. Specifically, care was taken to include regions of Christchurch which experienced different levels of earthquake shaking in order to allow comparison between the performance of different systems and different shaking intensities. At the time of the inspections the buildings in the Christchurch region had been repeatedly subjected to large earthquakes, presenting an opportunity for insight into the seismic performance of masonry veneer cladding. In total just under 1100 residential dwellings were inspected throughout the wider Christchurch area, of which 24% were constructed using the older nail-on veneer tie system (prior to 1996) and 76% were constructed using screw fixed ties to comply with the new 1996 standards revision (post-1996), with 30% of all inspected houses being of two storey construction. Of the inspected dwellings 27% had some evidence of liquefaction, ground settlement or lateral spreading. Data such as damage level, damage type, crack widths, level of repair required and other parameters were collected during the survey. A description of the data collection processes and a snapshot of the analysis results are presented within. http://15ibmac.com/home/
The earthquake sequence has resulted in significant physical and reputational damage to the Canterbury tourism industry. Eighteen months after the earthquakes inbound tourism data is still below pre-earthquake levels, with Canterbury operators reporting that the industry has not bounced back to where it was before September 2010. Outcomes of the earthquakes on business performance highlight there were winners and losers in the aftermath. Recovery of inbound tourism markets is closely tied to the timeframe to rebuild the CBD of Christchurch. Reinstating critical tourism infrastructure will drive future tourism investment, and allow tourism businesses to regenerate and thrive into the future. A blueprint for rebuilding the CBD of Christchurch was released by the Christchurch City Council in July 2012, and has been well received by tourism stakeholders in the region. The challenge now is for city officials to fund the development projects outlined in the blueprint, and to rebuild the CBD as quickly as possible in order to help regenerate the tourism industry in Christchurch, Canterbury and the rest of the South Island