A photograph of street art on St Asaph Street. The artwork was created by Christchurch artist Rob Hood in January 2014, and is titled "This Wall Can't Talk". It was funded by the Ministry of Justice and commissioned by Christchurch City Council.
A photograph of street art on St Asaph Street. The artwork was created by Christchurch artist Rob Hood in January 2014, and is titled "This Wall Can't Talk". It was funded by the Ministry of Justice and commissioned by Christchurch City Council.
An entry from Deb Robertson's blog for 21 May 2015 entitled, "Nothing is permenant in this world, even our troubles (Charlie Chaplin)".The entry was downloaded on 2 November 2016.
A blog post written by Thérèse Angelo, Director of the Air Force Museum of New Zealand. This is the third guest post in the NZ Museums blog series marking the first anniversary of the Christchurch earthquake. This blog post was downloaded on 4 February 2015.
A photograph of section of a mural on the side of the Shoreline Fitness Centre on Hawke Street. This section contains a large bubble with the message, "Space. Occupy Equality Street", inside. Next to this is another bubble with the message, "Love", painted inside.
A plan which outlines SCIRT's approach to Human Resource Management. The first version of this plan was produced on 30 August 2011.
A plan which aims to ensure the SCIRT programme complies with set specifications, design and industry quality standards. The first version of this plan was produced on 20 July 2011.
The role of belonging in post-disaster environments remains an under-theorised concept, particularly regarding refugee populations. This paper presents a qualitative study with 101 refugee-background participants from varying communities living in Christchurch, New Zealand, about their perspectives and responses to the Canterbury earthquakes of 2010–11. Participants spoke of how a sense of belonging as individuals and as a wider community was important in the recovery effort, and highlighted the multiple ways in which they understood this concept. Their comments demonstrate how belonging can have contextual, chronological and gendered dimensions that can help inform effective and resonant disaster responses with culturally and linguistically diverse populations. This analysis also illustrates how the participants' perspectives of belonging shifted over time, and discusses the corresponding role of social work in supporting post-disaster recovery through the concepts of civic, ethno and ethnic-based belonging. AM - Accepted Manuscript
A photograph of the Hororata Hotel, which was damaged in the 4 September earthquake. A sign outside the hotel reads, "This is not the Hororata Pub. Private residence. No parking. No thoroughfare".
A plan which outlines how projects will be estimated to generate project Target Out-turn Costs (TOCs), and how these link into the programme TOC. The first version of this plan was produced on 29 July 2011.
A photograph of street art on a building in New Brighton. The artwork includes the words, "We still love this place".
A plan which outlines how projects will be estimated to generate project Target Out-turn Costs (TOCs), and how these link into the programme TOC. The first version of this plan was produced on 29 July 2011.
Predictive modelling provides an efficient means to analyse the coastal environment and generate knowledge for long term urban planning. In this study, the numerical models SWAN and XBeach were incorporated into the ESRI ArcGIS interface by means of the BeachMMtool. This was applied to the Greater Christchurch coastal environment to simulate geomorphological evolution through hydrodynamic forcing. Simulations were performed using the recent sea level rise predictions by the Intergovernmental Panel on Climate Change (2013) to determine whether the statutory requirements outlined in the New Zealand Coastal Policy Statement 2010 are consistent with central, regional and district designations. Our results indicate that current land use zoning in Greater Christchurch is not consistent with these predictions. This is because coastal hazard risk has not been thoroughly quantified during the process of installing the Canterbury Earthquake Recovery Authority residential red zone. However, the Christchurch City Council’s flood management area does provide an extent to which managed coastal retreat is a real option. The results of this research suggest that progradation will continue to occur along the Christchurch foreshore due to the net sediment flux retaining an onshore direction and the current hydrodynamic activity not being strong enough to move sediment offshore. However, inundation during periods of storm surge poses a risk to human habitation on low lying areas around the Avon-Heathcote Estuary and the Brooklands lagoon.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a butterfly.
A photograph of part of a collaborative artwork by DAEK, Wongi Wilson, Yikes, and Wheels Tupuhi. This section of the artwork is titled "Last Chance Lumberjack" and is by DAEK.
A photograph of the repaired Kaiapoi River footbridge, also known as Mandeville Bridge. This photograph was modelled off an image taken by a staff member from the Department of Civil and Natural Resources Engineering at the University of Canterbury in September 2010.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork depicts fantails at sunset.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a castle.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a landscape.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a landscape.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a landscape.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a Smurf.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts Mickey Mouse.
A photograph of a section of a piece of street art on a wall facing onto a car park off Hawke Street. This section of the artwork is signed, "From Stefan".
A photograph of a section of a mural on one side of the Shoreline Fitness Centre on Hawke Street. This section of the mural contains bubbles with artworks painted inside.
A photograph of a section of a piece of street art on a building outside Harrington's Beer Wine and Spirits in New Brighton. This section of the artwork depicts a scene from Doctor Who.
A photograph of a section of a piece of street art on Manchester Street. This section of the artwork is of an elephant. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. This section of the artwork depicts two elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of a section of a piece of street art on a wall facing onto a car park off Hawke Street. This section is signed, "To Jessie, I love you baby, Merry Christmas".
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork depicts Winnie the Pooh.