A film directed by Christchurch East Youth MP Beth Walters, produced and filmed by Lila Gibbens. The film captures the views of more than 50 young people from Aranui High School, Linwood College and Mairehau High School. Students share their answers to the following questions: How do you feel about living in the East? What don't you like about living in the East? What do you want to see more of? What do you like? Do you, as a young person in the East, feel your voice is heard? Would you stay? The film features an original song produced by three Aranui High School students: Cheyenne Thompson (lyrics), Evile Jireh Sisifo Laloata (vocals) and Peni Junior Iva (guitar).
A report written by Christchurch East Youth MP Beth Walters in 2016. The purpose of the report is to present the views of young people from Eastern Christchurch. More than 50 young people from Aranui High School, Linwood College and Mairehau High School were surveyed on a range of questions related to living in the East: Use one word to describe how you feel about living in the Eastside of Christchurch What do you like about living in the Eastside of Christchurch? What don't you like about your community? What do you think can be done to change it? If you had the option would you stay? The report contains raw data, themes and overall findings from the survey.
Laura and Max return to Christchurch from their holiday in California and inspect the earthquake-caused sand volcano in their front lawn.
A photograph of street art on St Asaph Street. The artwork was created by Christchurch artist Rob Hood in January 2014, and is titled "This Wall Can't Talk". It was funded by the Ministry of Justice and commissioned by Christchurch City Council.
A photograph of street art on St Asaph Street. The artwork was created by Christchurch artist Rob Hood in January 2014, and is titled "This Wall Can't Talk". It was funded by the Ministry of Justice and commissioned by Christchurch City Council.
A photograph of a placard tied to the cordon fence surrounding the Isaac Theatre Royal. The placard reads, "Why is this real not that".
An entry from Deb Robertson's blog for 4 April 2011 entitled, "This week....".
An entry from Deb Robertson's blog for 28 March 2011 entitled, "This week...".
An entry from Deb Robertson's blog for 3 February 2013 entitled, "This and that...".
An entry from Deb Robertson's blog for 7 December 2012 entitled, "This too will pass...".
An entry from Deb Robertson's blog for 7 June 2011 entitled, "Finally this top is done....".
An entry from Deb Robertson's blog for 20 January 2012 entitled, "This week I've been....".
An entry from Deb Robertson's blog for 16 October 2012 entitled, "This is why God created dads....".
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Prime Minister Assurance. Let us remember the much-quoted assurance from the Prime Minister in 2011: 'On behalf of the Government, let me be clear that no one will be left to walk this journey alone. New Zealand will walk this journey with you. We will be there every step of the way. Christchurch; this is not your test; this is New Zealand's test. I promise we will meet this test.' We call on the authorities to live up to this promise. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable of its residents".
Photograph captioned by BeckerFraserPhotos, "This worker appeared to be putting gravel inside this protective frame around the light stand. Cathedral Square".
Photograph captioned by BeckerFraserPhotos, "Orari Street, Bexley. Oh dear, this brick work is not providing a stable base to this house anymore".
An entry from Deb Robertson's blog for 12 March 2011 entitled, "In this midst of so much chaos I choose to be grateful...".
This paper presents the preliminary conclusions of the first stage of Wellington Case Study project (Regulating For Resilience in an Earthquake Vulnerable City) being undertaken by the Disaster Law Research Group at the University of Canterbury Law School. This research aims to map the current regulatory environment around improving the seismic resilience of the urban built environment. This work provides the basis for the second stage of the project which will map the regulatory tools onto the reality of the current building stock in Wellington. Using a socio-legal methodology, the current research examines the regulatory framework around seismic resilience for existing buildings in New Zealand, with a particularly focus on multi-storey in the Wellington CBD. The work focusses both on the operation and impact of the formal seismic regulatory tools open to public regulators (under the amended Building Act) as other non-seismic regulatory tools. As well as examining the formal regulatory frame, the work also provides an assessment of the interactions between other non-building acts (such as Health and Safety at Work Act 2015) on the requirements of seismic resilience. Other soft-law developments (particularly around informal building standards) are also examined. The final output of this work will presents this regulatory map in a clear and easily accessible manner and provide an assessment of the suitability of this at times confusing and patchy legal environment as Wellington moves towards becoming a resilient city. The final conclusion of this work will be used to specifically examine the ability of Wellington to make this transition under the current regulatory environment as phase two of the Wellington Case Study project.
An entry from Deb Robertson's blog for 21 May 2015 entitled, "Nothing is permenant in this world, even our troubles (Charlie Chaplin)".The entry was downloaded on 2 November 2016.
A photograph captioned by BeckerFraserPhotos, "Wattle Drive in New Brighton. This part of the street is red zoned. This red zoned house is on the boundary between the zones".
The footpath in front of a building on Williams Street. As the building subsided it took part of the path with it. This gives an idea of how much this commercial building sank due to liquefaction.
A yellow sticker on the door of a house in Worcester Street reading, "Restricted use. No entry except on essential business. Warning: This building has been damaged and its structural safety is questionable. Earthquake aftershocks present danger. Enter only at own risk. Subsequent events may result in increased damage and danger, changing this assessment. Reinspection may be required. The damage is as described below: partial collapse of longitudinal walls". Following on from this are the specific conditions that must be complied with to enable entry into the property, the inspector's identification details, and the date and time the building was inspected. At the bottom the form reads, "Do not remove this placard. Placed by order of the territorial authority Christchurch City Council".
Photograph captioned by BeckerFraserPhotos, "This building was built to keep the band equipment safe and secure. This area of the Avon was known as Poplar Crescent".
A photograph captioned by BeckerFraserPhotos, "This detail from the south side of ChristChurch Cathedral shows the lateral movement that has occurred at about this height all along the south side".
A photograph captioned by BeckerFraserPhotos, "Another way of demonstrating how high the liquefaction is piled up in the garden of this house is how little room there is under the eaves of this house at 22 Seabreeze Close, Bexley".
A plan which provides SCIRT with clear direction and guidelines regarding communication in the event of a crisis. The first version of this plan was produced on 1 December 2013. Note that personal details of key personnel have been removed from this document.
A plan which outlines the function, roles and responsibilities of SCIRT during an emergency event affecting SCIRT construction works. The first version of this plan was produced on 30 April 2012. Note that personal details of key personnel have been removed from this document.
Extensive damage caused by liquefaction in Bracken Street, Avonside. A pile of liquefaction can be seen in front of this house. After the earthquake, many people had to dig this silt out of their properties and place it on the road to be collected.
A photograph submitted by Philip Broderick Willis to the QuakeStories website. The description reads, "We took this photo over a year after the quake. It was in a red-stickered restaurant in Cashel Mall. You can see exactly what the people in this building were doing on Feb 22.".
This is how the building looked when it was built - fine indeed! democam.iopen.co.nz/ An engineer who owns a similar building in Dunedin, and is willing to put money into this building's restoration, is sure it could be stabilised, just like the Railway Clock Tower. And the t...