A photograph of emergency management personnel inside the Canterbury Television Building on Gloucester Street.
Liz Kivi, Geoff Clements and Derek Bent setting up the television outside the UC QuakeBox container at the Canterbury A&P Show. The television played videos of previous stories recorded in the UC QuakeBox.
A photograph of the earthquake damage to the Canterbury Television Building on Gloucester Street. Some of the concrete on the columns has crumbled, revealing the steel reinforcement underneath.
A photograph of the earthquake damage to the Canterbury Television Building on Gloucester Street. Some of the concrete on the columns has crumbled, revealing the steel reinforcement underneath.
A photograph of the earthquake damage to the Canterbury Television Building on Gloucester Street. There are large cracks in the columns of the building and many of the windows are broken.
A photograph of the Canterbury Television Building on Gloucester Street. In the foreground are several cars crushed by fallen rubble. USAR codes have been spray-painted on the closest car.
A photograph of the earthquake damage to the Canterbury Television Building on Gloucester Street. Some of the concrete on the columns has crumbled, revealing the steel reinforcement underneath.
The relocated Westende Jewellers on Colombo Street. After the 4 September 2010 earthquake, the damaged Westende Jewellers store on Manchester Street became the backdrop to days of television coverage.
This article is a critical commentary of how political documentary embodies the traits and functions of alternative journalism. I explore this notion through Obrero (‘worker’) my independent documentary project about the labour migration of Filipino workers to Christchurch, Aotearoa New Zealand, after the earthquake in 2011. This article maps out the points at where the theories and practices of alternative media and documentary intersect. Analysing political documentary as a format of alternative journalism has links to the long tradition of film and video production as a tool for social critique. As a form of practice-based research, Obrero falls under the rubric of alternative journalism—able to represent the politically marginal sectors of the polity and report on issues underreported in the mainstream press. This article concludes that a distribution plan that is responsive to fragmenting audiences works best when alternative journalism no longer targets a niche but transborder audiences.
A video of a CTV News broadcast of a Ministry of Women's Affairs initiative to attract more women into trades and construction related jobs.