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Videos, UC QuakeStudies

A video about the studio in Templeton where the earthquake drama series "Hope and Wire" was filmed. The video includes interviews with Jordan Mauger, owner of the studio, and Chris Hampson, co-producer of the series.

Images, UC QuakeStudies

Damage to The Bone Dude's Bone Carving Studio and Cultured Gallery on Fitzgerald Avenue. The brick wall is cracked, and the guttering has fallen. The photographer comments, "This building was damaged in the September earthquake in Christchurch. It was the Bone dude's bone carving studio. The motto on the wall was 'Carve your own' and it looks like the earthquakes did just that".

Other, National Library of New Zealand

An initiative by the CPIT Faculty of Creative Industries to establish gallery and studio spaces for Christchurch artists following the Christchurch earthquake, by using flexible, adaptable cube modules.

Research papers, University of Canterbury Library

Nel presente articolo si illustra una procedura per il processamento automatizzato di prove CPT, il calcolo di vari indici di liquefazione e la rappresentazione dei dati su mappa. La procedura è applicata al caso studio del terremoto di Christchurch, Nuova Zelanda, del 22 febbraio 2011 (magnitudo momento, Mw = 6.2). Dall’analisi spaziale dei risultati emerge una buona correlazione tra le mappe ottenute per l’indicatore degli effetti al suolo e i danni osservati (su terreni e strutture). Tuttavia, per confermare la validità di tale procedura, sarà necessario esaminare ulteriori casi studio nel mondo.

Videos, UC QuakeStudies

A video of an interview with Zak and Alasdair Cassels about the development of the historic tannery site in Woolston. The Cassels are developing the site into a Victorian-style arcade which will house up to 70 tenants, including bars, restaurants, a music venue, gift shops, fashion stores, a hair salon, a Pilates studio, a tattoo parlour, and an art gallery. The video also includes an interview with Sarah Odering, the manger of Dead Set.

Research papers, University of Canterbury Library

La pericolosità associata ad un dato fenomeno costituisce uno dei fattori più importanti e difficili da quantificare nelle analisi di rischio, a maggior ragione quando si tratta di fenomeni complessi come nel caso della liquefazione sismica. Il presente lavoro illustra sinteticamente uno studio della pericolosità indotta al suolo da liquefazione basato su un caso campione statistico particolarmente significativo, il terremoto (Mw 6.2) che ha colpito Christchurch, Nuova Zelanda, del 2011. La notevole mole di dati disponibili, relativi alle caratteristiche geotecniche del sottosuolo, unitamente al rilievo dei danni ha consentito innanzitutto di caratterizzare la suscettibilità a liquefazione dell’area, indipendentemente dall’evento sismico, quindi di correlare statisticamente le diverse grandezze e di derivare delle curve di vulnerabilità del suolo.

Audio, Radio New Zealand

The Earthquake Commission has settled with a Christchurch homeowner, just days before their test case was due to be heard at the High Court. Jamie Gibling used his KiwiSaver to buy his first family home in New Brighton after the quakes, believing it had been properly repaired. He later learned the repairs were botched and would cost $300,000 to fix. His "onsold" test case was supposed to be heard on Monday to clarify who was liable. But today EQC announced it had reached a settlement with the family and that agreement would provide a framework for the 54 other claimants also with Shine Lawyers. Finance and EQC Minister Grant Robertson last week announced an "onsold" settlement kitty of $300 million for the next 12 months but legal experts working with claimants have told Checkpoint it could cost taxpayers much much more. EQC's Deputy Chief Executive is Renee Walker. On Thursday she came into the studio and Lisa Owen asked her if the Giblings got what they asked for and if the 54 others who signed up to the class action would get the same.

Audio, Radio New Zealand

A review of the week's news including... Laila Harre says she is returning to politics to lead the Internet Party because young people, in particular, have been ignored by politicians, Kim Dotcom's US lawyer says a bid by Hollywood's movie studios to have the Internet businessman's assets frozen here is a bid to ensure Mr Dotcom can't win in court in the United States, Fiordland's controversial 240 million dollar monorail is scrapped by the Conservation Minister, documents show WorkSafe New Zealand was still grappling to get on top of asbestos dangers in the Christchurch rebuild nearly two years after the February 2011 earthquake, a train smashes into a concrete barrier at a Lower Hutt station, the New Zealand First leader accuses a South Auckland Maori trust of mis-spending of hundreds of thousands of dollars of taxpayers money, the associate Immigration Minister stands by her decision not to intervene to allow a Fijian man with kidney failure who has since died in Fiji to stay in New Zealand for treatment, a British writer and academic's use of creative writing to help rehabilitate young offenders and sheep on a farm in Queenstown are being covered in a repellent spray to stop them being eaten alive by Kea.

Research papers, University of Canterbury Library

This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.

Research Papers, Lincoln University

Oarai is a coastal town in Ibaraki Prefecture, Japan, affected by the Great East Japan Earthquake in 2011. The disaster severely damaged local industries, and the local tourism sector faced a sharp decline followed the event. To overcome the conundrum, the local tourism businesses have taken the opportunity to collaborate with an anime called Girls und Panzer, which has been developed by an external animation production studio. This collaboration has resulted in huge success, and the drop in the local tourism industry had been largely reversed, but has resulted in a significant change to the tourism system. This thesis explores the activities and outcomes of this tourism industry reimagining. A mixed-method approach was used to investigate the perception of local tourism businesses to the current Oarai tourism system, and examine the transformative effect of the disaster and its aftermath. Perceptions of disaster impact and anime tourism development were analysed through surveys (n=73) and interviews (n=2) which focused on tourism business operators, while participant observation was conducted to create the image of anime tourism operation in Oarai. Results show that the development of anime tourism in Oarai successfully helped the local tourism businesses to recover from the disaster. As new agencies and organisations joined the anime tourism network, anime tourism increased communication between stakeholders, and improved the resilience of the community. The new tourism development has transformed the local tourism industry, to some extent, however. the future trajectory of anime tourism in Oarai is difficult to forecast, and there is scope for longitudinal research of this tourism system.