The Earthquake Commission has admitted the details of all 83-thousand clients in its Canterbury Home Repair programme have been accidentally emailed to the wrong place, not just the almost 10 thousand it said on Friday
Globally, the maximum elevations at which treelines are observed to occur coincide with a 6.4 °C soil isotherm. However, when observed at finer scales, treelines display a considerable degree of spatial complexity in their patterns across the landscape and are often found occurring at lower elevations than expected relative to the global-scale pattern. There is still a lack of understanding of how the abiotic environment imposes constraints on treeline patterns, the scales at which different effects are acting, and how these effects vary over large spatial extents. In this thesis, I examined abrupt Nothofagus treelines across seven degrees of latitude in New Zealand in order to investigate two broad questions: (1) What is the nature and extent of spatial variability in Nothofagus treelines across the country? (2) How is this variation associated with abiotic variation at different spatial scales? A range of GIS, statistical, and atmospheric modelling methods were applied to address these two questions. First, I characterised Nothofagus treeline patterns at a 15x15km scale across New Zealand using a set of seven, GIS-derived, quantitative metrics that describe different aspects of treeline position, shape, spatial configuration, and relationships with adjacent vegetation. Multivariate clustering of these metrics revealed distinct treeline types that showed strong spatial aggregation across the country. This suggests a strong spatial structuring of the abiotic environment which, in turn, drives treeline patterns. About half of the multivariate treeline metric variation was explained by patterns of climate, substrate, topographic and disturbance variability; on the whole, climatic and disturbance factors were most influential. Second, I developed a conceptual model that describes how treeline elevation may vary at different scales according to three categories of effects: thermal modifying effects, physiological stressors, and disturbance effects. I tested the relevance of this model for Nothofagus treelines by investigating treeline elevation variation at five nested scales (regional to local) using a hierarchical design based on nested river catchments. Hierarchical linear modelling revealed that the majority of the variation in treeline elevation resided at the broadest, regional scale, which was best explained by the thermal modifying effects of solar radiation, mountain mass, and differences in the potential for cold air ponding. Nonetheless, at finer scales, physiological and disturbance effects were important and acted to modify the regional trend at these scales. These results suggest that variation in abrupt treeline elevations are due to both broad-scale temperature-based growth limitation processes and finer-scale stress- and disturbance-related effects on seedling establishment. Third, I explored the applicability of a meso-scale atmospheric model, The Air Pollution Model (TAPM), for generating 200 m resolution, hourly topoclimatic data for temperature, incoming and outgoing radiation, relative humidity, and wind speeds. Initial assessments of TAPM outputs against data from two climate station locations over seven years showed that the model could generate predictions with a consistent level of accuracy for both sites, and which agreed with other evaluations in the literature. TAPM was then used to generate data at 28, 7x7 km Nothofagus treeline zones across New Zealand for January (summer) and July (winter) 2002. Using mixed-effects linear models, I determined that both site-level factors (mean growing season temperature, mountain mass, precipitation, earthquake intensity) and local-level landform (slope and convexity) and topoclimatic factors (solar radiation, photoinhibition index, frost index, desiccation index) were influential in explaining variation in treeline elevation within and among these sites. Treelines were generally closer to their site-level maxima in regions with higher mean growing season temperatures, larger mountains, and lower levels of precipitation. Within sites, higher treelines were associated with higher solar radiation, and lower photoinhibition and desiccation index values, in January, and lower desiccation index values in July. Higher treelines were also significantly associated with steeper, more convex landforms. Overall, this thesis shows that investigating treelines across extensive areas at multiple study scales enables the development of a more comprehensive understanding of treeline variability and underlying environmental constraints. These results can be used to formulate new hypotheses regarding the mechanisms driving treeline formation and to guide the optimal choice of field sites at which to test these hypotheses.
A photograph of the shadow of a large-scale puppet created by Free Theatre Christchurch for Canterbury Tales.
A photograph of a large-scale digital print installation on the Chancery Arcade building, by artist Mike Hewson.
A photograph of the large-scale puppet titled The Merchant. The puppet is in the Free Theatre warehouse space on Lismore Street.
A photograph of large-scale puppets in a car park at Re:START mall. The puppets were part of FESTA's 2013 Canterbury Tales event.
A photograph of large-scale puppets in a car park at Re:START mall. The puppets were part of FESTA's 2013 Canterbury Tales event.
A photograph of the heads and hands of The Friars, which are large-scale puppets created for Canterbury Tales as part of FESTA 2013.
A photograph of two men unloading one of The Friars. The Friars are large-scale puppets created for Canterbury Tales as part of FESTA 2013.
A photograph of large-scale puppets created for FESTA's 2013 Canterbury Tales event. The puppets are in the Re:START mall car park on Cashel Street.
Poetica is a series of large-scale paintings of 20 different poems in twenty different languages, paying tribute to the different nationalities lost in the Christchurch earthquake.
A close-up photograph of the hands of one of The Friars. The Friars are large-scale puppets created for Canterbury Tales as part of FESTA 2013.
A close-up photograph of the head of one of The Friars. The Friars are large-scale puppets created for Canterbury Tales as part of FESTA 2013.
A photograph of the head of one of the large-scale puppets titled The Friars. The puppet is in the Free Theatre warehouse space on Lismore Street.
A photograph of the large-scale puppet titled Wife of Bath. The puppet was created by Free Theatre Christchurch for Canterbury Tales, as part of FESTA 2013.
A photograph of the head of one of the large-scale puppets titled The Friars. The puppet is in the Free Theatre warehouse space on Lismore Street.
A photograph of the large-scale puppet titled The Knight. The puppet is being assembled in the Re:START mall car park between Cashel Street and Lichfield Street.
A photograph of a large-scale puppet titled The Wife of Bath. The puppet is in the Re:START mall car park between Cashel Street and Lichfield Street.
Professor of Timber Design at the University of Canterbury, who is playing a key role in the international resurgence in the use of timber for large-scale buildings.
A close-up photograph of a large-scale puppet titled The Scholar, created by Free Theatre Christchurch for Canterbury Tales. Canterbury Tales was the main event of FESTA 2013.
A photograph of the large-scale puppet titled The Scholar. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013.
A photograph of people installing a large-scale fabric sculpture on a vacant site on Worcester Street. The sculpture is for Canterbury Tales - the main event of FESTA 2013.
A photograph of people installing a large-scale fabric sculpture on a vacant site on Worcester Street. The sculpture is for Canterbury Tales - the main event of FESTA 2013.
A photograph of a large-scale puppet titled The Scholar. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013.
A photograph of people installing a large-scale fabric sculpture on a vacant site on Worcester Street. The sculpture is for Canterbury Tales - the main event of FESTA 2013.
A photograph of one of The Friars lying on the ground in a Re:START mall car park. The Friars are large-scale puppets created for FESTA's Canterbury Tales event,
A photograph of three large-scale puppets surrounded by crowds of people at the start FESTA's Canterbury Tales event. From left are The Knight, Wife of Bath and The Scholar.
A photograph of one of the Friars, a large-scale puppet, created by Free Theatre Christchurch for FESTA's Canterbury Tales event. Canterbury Tales was the main event of FESTA 2013.
A photograph of a crowd gathered around the large-scale puppets created for FESTA's 2013 Canterbury Tales event. The puppets are in the Re:START mall car park on Cashel Street.
A photograph of people operating a large-scale puppet titled The Scholar. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013.