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Images for salvage; more images...

Images, UC QuakeStudies

A sign on a cordon fence on St Asaph Street reads "Stop. You must be inducted before entry." The photographer comments, "Safety comes first when it comes to demolition in the earthquake red zone in Christchurch, New Zealand".

Videos, UC QuakeStudies

A video about the demolition of buildings on Victoria Street. The video includes footage of an excavator demolishing the Daily Bagel building, and an interview with Paddy Snowden from City Salvage about his work after the 4 September 2010 earthquake. It also includes an interview with Api Agsorn-Worn, owner of Victoria Thai Foods on Victoria Street, about the status of her building which she acquired six months ago.

Images, eqnz.chch.2010

20130911_8095_EOS M-33 Another one ready to leave Another salvaged house from the Bexley (Pacific Park) red zone is on the truck and may start it's journey to a new location overnight. #4204

Audio, Radio New Zealand

Over the summer on The Weekend we've been talking to recyclers and upcyclers, people who like the Wombles, are making good use of the things that they find, things that the everyday folks leave behind. This is true of Christchurch builder, artist and furniture maker, Tim McGurk. He says he works with whatever junk and materials he can find. Tim crafted several items from the materials salvaged from an earthquake damaged Christchurch house, as part of the Whole House Reuse project. He also made the news when he made a Star Wars inspired X-wing sculpture/lamp out of salvaged rimu.

Images, UC QuakeStudies

A photograph of workers loading a trailer with items salvaged from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Images, UC QuakeStudies

A photograph of workers loading a trailer with items salvaged from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Images, UC QuakeStudies

A photograph of workers loading a trailer with items salvaged from people's homes during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Images, UC QuakeStudies

A photograph of trailers and trucks stacked with salvaged items from people's homes leaving the central business district. The photograph was taken during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Images, UC QuakeStudies

A photograph of trailers and trucks stacked with salvaged items from people's homes leaving the central business district. The photograph was taken during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.

Videos, UC QuakeStudies

A video of an interview with stonemason Mark Whyte, about the demolition of the Holy Trinity Church in Avonside. Whyte discusses how the building should have been deconstructed slowly in order to salvage unique heritage material such as stained-glass windows and hand-painted ceilings.

Images, UC QuakeStudies

A photograph of workers from the Residential Access Project standing on High Street near the intersection with Tuam Street. In the background, a trailer is being loaded with items salvaged from people's homes during the project which gave residents temporary access to the cordon to retrieve items from their homes.

Audio, Radio New Zealand

The Temple for Christchurch is an enormous work, representing the seismic wave of the February 22 earthquake. Made mostly from salvaged wood it's taken a team of volunteers two years to build. But it will meet a fiery end on Saturday night when it is deliberately set alight. Justin Gregory meets the designer and his volunteers with two weeks left until burn day. But when he gets there, none are to be found.

Articles, UC QuakeStudies

An entry from Maxine Bennett's blog, "Blackbird Has Spoken: Having a go at this blogging lark" (http://www.blackbirdhasspoken.com). The entry for 12 February 2013 is titled "Of sorrow and salvage. Op-Shop Show-Off Feb 12th 2013". Maxine writes, "I’m Max, an English girl in, and in love with New Zealand, and the New Zealander husband. In an almost forgotten previous life I worked as a psychotherapist and psychiatric nurse; now I’m the contented stay at home mother of Claudine who's almost 3, and the baby-boy-currently-gestating. We live a quiet life in a small rural town in our arts and crafts house, but dream of moving out to some land one day, to build our own home and enjoy a long view. I like to laugh, be outside, craft, grow, op-shop, read and cook. My little Kiwi family, learning new things, quiet, beauty and reading blogs make me the happiest of all. My blog is a record of my enthusiasms, fleeting and enduring, and a means of communication with you kindred spirits near and far." Note that the blog post has been converted to PDF format for archiving, which may have resulted in changes to the formatting and layout of the page.

Research papers, University of Canterbury Library

This is an ethnographic case study, tracking the course of arguments about the future of a city’s central iconic building, damaged following a major earthquake sequence. The thesis plots this as a social drama and examines the central discourses of the controversy. The focus of the drama is the Anglican neo-Gothic Christ Church Cathedral, which stands in the central square of Christchurch, New Zealand. A series of major earthquakes in 2010/2011 devastated much of the inner city, destroying many heritage-listed buildings. The Cathedral was severely damaged and was declared by Government officials in 2011 to be a dangerous building, which needed to be demolished. The owners are the Church Property Trustees, chaired by Bishop Victoria Matthews, a Canadian appointed in 2008. In March 2012 Matthews announced that the Cathedral, because of safety and economic factors, would be deconstructed. Important artefacts were to be salvaged and a new Cathedral built, incorporating the old and new. This decision provoked a major controversy, led by those who claimed that the building could and should be restored. Discourses of history and heritage, memory, place and identity, ownership, economics and power are all identified, along with the various actors, because of their significance. However, the thesis is primarily concerned with the differing meanings given to the Cathedral. The major argument centres on the symbolic interaction between material objects and human subjects and the various ways these are interpreted. At the end of the research period, December 2015, the Christ Church Cathedral stands as a deteriorating wreck, inhabited by pigeons and rats and shielded by protective, colourfully decorated wooden fences. The decision about its future remains unresolved at the time of writing.