Bridge of Remembrance Triumphal Arch rebuild involves city boys' school
Articles, UC QuakeStudies
A web story about the model design work by Christ's College pupils.
A web story about the model design work by Christ's College pupils.
A web story about a site visit to the Bridge and Arch by local school pupils.
This thesis is a theoretical exploration of ‘remembrance’ and its production in the interactions between people/s and the landscape. This exploration takes place in the broad context of post earthquake Christchurch with a focus on public spaces along the Ōtākaro – Avon river corridor. Memory is universal to human beings, yet memories are subjective and culturally organized and produced - the relationship between memory and place therefore operates at individual and collective levels. Design responses that facilitate opportunities to create new memories, and also acknowledge the remembered past of human – landscape relationships are critical for social cohesion and wellbeing. I draw on insights from a range of theoretical sources, including critical interpretive methodologies, to validate subjective individual and group responses to memory and place. Such approaches also allowed me, as the researcher, considerable freedom to apply memory theory through film to illustrate ways we can re-member ourselves to our landscapes. The Ōtākaro-Avon river provided the site through and in which film strategies for remembrance are explored. Foregrounding differences in Māori and settler cultural orientations to memory and landscape, has highlighted the need for landscape design to consider remembrance - those cognitive and unseen dimensions that intertwine people and place. I argue it is our task to make space for such diverse relationships, and to ensure these stories and memories, embodied in landscape can be read through generations. I do not prescribe methods or strategies; rather I have sought to encourage thinking and debate and to suggest approaches through which the possibilities for remembrance may be enhanced.
A document describing the confined spaces "dummy run".
A document describing Downer's approach to containing bentonite when drilling micro piles for the new Arch foundations.
A document describing the use of 3D modelling for construction methodology.
A document describing the early warning system to alert team members of ground and structural movement at the Arch.
A document describing the use of a remotely operated hydraulic jaw crusher to avoid the need to make confined space entries.
A document describing Downer's planned approach for neutralising the high pH of any potential bentonite or grout discharge into the Avon river.
A video of dance and physical theatre featuring Julia Guthrey, Matt Grant, Elizabeth Guthrey, Laura and Claudia. The piece incorporates the public memorial art installation '185 Chairs' by Peter Majendie, on the corner of Madras Street and Cashel Street.