A stall selling mosaics of broken mirrors in the shape of houses, crosses and cathedrals. The photographer comments, "The Quake Art on sale at the AandP Show in Christchurch".
The clock tower of the former Railway Station, encased in plywood to prevent further damage. A banner sponsored by The Press hangs below the clock, covered with words which symbolise the September earthquake. The photographer comments, "After the September earthquake the clocked stopped at 04:35 and everyone campaigned to have this clock left as it was. At that time the building was believed to be OK. Two more earthquakes later and the possible memorial will probably end up like a lot of Christchurch's heritage buildings on a huge pile of stone and bricks in Bottle Lake Forest".
A digitally manipulated image of damaged buildings on St Asaph Street.
A broken television lies among other debris.
Steel bracing on the Moorhouse Avenue overpass. The photographer comments, "Standing underneath I did hear a clump as if a part of the road overhead was pivoting as a car passed over it".
A digitally manipulated image of a recruitment advertisement for the NZ Police, which depicted police officer Spence Kingi pulling a woman from the rubble. The photographer comments, "Using Scribbler Too I created my interperation of the police rescue during the 22 February earthquake in Christchurch".
Graffiti on a damaged building on Colombo Street. The photographer comments, "This street art has been unseen by the general Christchurch population as it was off limits in the Red Zone".
A graffiti-style recruitment advertisement for the NZ Police, depicting police officer Spence Kingi pulling a woman from the rubble.
A graffiti-style recruitment advertisement for the NZ Police, depicting police officer Spence Kingi pulling a woman from the rubble.
A stack of concrete blocks removed from a building.
Street art outside the Pacific Brands building on Victoria Street.
COCA Gallery and the Christchurch Art Gallery seen from Gloucester Street.
The damaged Knox Church on Bealey Avenue. Bricks have fallen from the walls, exposing the wooden beams. The photographer comments, "You can now see how the old churches were constructed".
The claw of a digger. In the background is a stack of road cones. The photographer comments, "Digger Claw ready to start digging".
The Christchurch Art Gallery, with the City Gallery Apartments in the background.
A damaged brick building has wooden bracing holding the walls together. The photographer comments, "This building came through the September Christchurch quake with a few band aid plasters, but the February quake means that she is now DNR (Do Not Resuscitate)".
A view down Gloucester Street, with the Art Gallery Apartments in the background.
A stack of wooden frames with the words "Quake makes world headlines" written on the uppermost frame. The photographer comments, "This is a sculpture at the CPIT facility in Christchurch. It is a series of squares placed over a column with writing on the squares. It is an excellent movable sculpture that conveys the Christchurch earthquake very well. The squares are placed so that they can slide over each other and even fall inside the other on one side. It is a pity that only two sides of the squares are written on".
Photograph captioned by Fairfax, "USAR being briefed at the Art Gallery".
Dried liquefaction silt in North New Brighton. The photographer comments, "Wet liquefaction after an earthquake can soon start to dry up".
A lack of affordable space after Christchurch's earthquake threatens to fracture the city's arts community.
A digitally manipulated image of the dome of the Cathedral of the Blessed Sacrament.
Looking over the front of the Christchurch Art Gallery, with the Arts Centre in the background.
A digitally manipulated image of a damaged building. The photographer comments, "Part of Christchurch City is out of bounds for the public and is called the red zone".
Dried liquefaction in North New Brighton. The photographer comments, "This shape formed as the liquefaction after the 23 December earthquake in Christchurch started to dry out".
Lydia Baxendell, Art Collections curator at the University of Canterbury holds a painting rescued from the Registry Building.
Lydia Baxendell, Art Collections curator at the University of Canterbury holds a painting rescued from the Registry Building.
Lydia Baxendell, Art Collections curator at the University of Canterbury holds a painting rescued from the Registry Building.
A digger parked in a residential street covered in snow.
Liquefaction in North New Brighton. The photographer comments, "This is the liquid part of liquefaction left when the heavier sand content has dropped down. After the double quake in Christchurch local to me I found these strange lines of bubbles on the surface".