A sewage pumping station on Avonside Drive near the intersection with Robson Avenue has been lifted out of the ground by liquefaction. The photographer comments, "A Sunday afternoon ride to New Brighton, then back via Aranui, Wainoni, Dallington, and Richmond. Not a cheerful experience. Pumping station. Another hydraulically-lifted sewage pumping station, this time on Avonside Drive".
A photograph of a damaged pumping station. The photograph is captioned by Paul Corliss, "River Road, Avonside".
A photograph of a damaged pumping station. The photograph is captioned by Paul Corliss, "River Road, Avonside".
Photograph captioned by BeckerFraserPhotos, "The River Avon close to the gate of Avonside Girls High School. The river forms part of the lovely setting for the school, along with the mature trees".
A sewage pumping station on Avonside Drive has been lifted out of the ground by liquefaction. In the background, the damaged Snell Place footbridge over the Avon River is closed off with cordon fencing. The photographer comments, "A Sunday afternoon ride to New Brighton, then back via Aranui, Wainoni, Dallington, and Richmond. Not a cheerful experience. Dallington footbridge. The two pieces of this foot bridge have moved towards each other, so the bridge has developed quite a peak. The sewage pumping station has been heaved out of the ground by hydraulic pressure during quakes".
This thesis is about many things, not least of all the September 4th 2010 and February 22nd 2011 earthquakes that shook Christchurch, New Zealand. A city was shaken, events which worked to lay open the normally invisible yet vital objects, processes and technologies which are the focus of inquiry: the sewers, pipes, pumps, the digital technologies, the land and politics which constitute the Christchurch wastewater networks. The thesis is an eclectic mix drawing together methods and concepts from Bruno Latour, John Law, Giles Deleuze and Felix Guattari, Nigel Thrift, Donna Haraway and Patrick Joyce. It is an exploration of how the technologies and objects of sanitation perform the city, and how such things which are normally hidden and obscured, are made visible. The question of visibility is also turned toward the research itself: how does one observe, and describe? How are sociological visibilities constructed? Through the research, the encountering of objects in the field, the processes of method, the pedagogy of concepts, and the construction of risk, the thesis comes to be understood as a particular kind of social scientific artefact which assembles four different accounts: the first regards the construction of visibility; the second explores Christchurch city from the control room where the urban sanitary infrastructures are monitored; the third chapter looks at the formatted and embodied practices which emerge with the correlation of the city and sanitation; the fourth looks at the changing politics of a city grappling with severely damaged essential services, land and structures. The final chapter considers how the differences between romantic and baroque sensibilities mean that these four accounts elicit knowing not through smoothness or uniformity, but in partiality and non-coherence. This thesis is about pipes, pump stations, and treatment plants; about the effluent of a city; about the messiness of social science when confronted by the equally messy world of wastewater.