
The original City Librarian's house at Canterbury Public Library. File reference: CCL-2011-08-12-CanterburyPublic Library pre-demolition-002 From the collection of Christchurch City Libraries.
File reference: CCL-2011-08-12-CanterburyPublic Library pre-demolition-003 From the collection of Christchurch City Libraries.
Christchurch’s newest and grandest hotel in the first decade of the 1900s was the Clarendon Hotel situated on the corner of Oxford Terrace and Worcester Street. It replaced the former two-sto…
An often overlooked aspect of urban housing development is the composition of the space between buildings; the streetscape. The pressures of suppressing suburban sprawl have seen housing developments respond by increasing residential density within more centralised city sites. Medium-density housing typologies are often used as urban infill in response to the challenge of accommodating an increasing population. A by-product of these renewed areas is the creation of new open space which serves as the fundamental public space for sociability to develop in communities. Street space should emphasise this public expression by encouraging social exchange and interaction. As a result, a neighbourhood owes its liveliness (or lack thereof) to its streets. The issue of density when applied to the urban housing landscape encompasses two major components: the occupancy of both the private realms, constituting the residential built form, and the public spaces that adjoins them, the streets. STREETSCAPE: dialogues of street + house. Continual transition between the realms of public and private (building and street space) enact active edges, giving way to public stimulation; the opportunity for experiencing other people. The advent of seeing and hearing other people in connection with daily comings and goings encourages social events to evolve, enhancing the notion of neighbourly conduct. Within New Zealand, and specifically in Christchurch as considered here, the compositions of current streetscapes lack the demeanor to really encourage and facilitate the idea of neighbourly interaction and public expression. Here lies the potential for new street design to significantly heighten the interplay of human activity. In response, this research project operates under the notion that the street spaces of urban residential areas are largely underutilised. This lack is particularly evident in the street. Street design should strive to produce spaces which stimulate the public life of residents. There exists a need to reassert eminence of the street as a space for vibrant neighbourhood life. This thesis employs design as a tool for researching and will involve using numerous concept generators to trigger the production of multiple scenarios. These scenarios are to explore the ways in which the streetscapes within medium-density urban communities could respond in the event of (re) development.
Photograph captioned by BeckerFraserPhotos, "Former Public Trust Building at 152 Oxford Terrace".
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A video of dance and physical theatre by Julia Guthrey, Matt Grant and Elizabeth Guthrey. The interpretive dance incorporates a public sculpture titled 'Tree Houses for Swamp Dwellers' by Julia Morrison on the corner of Gloucester Street and Colombo Street.
Richard is a retired High School Art/Design teacher who is now making architectural models of houses and public buildings - some destroyed in the Christchurch earthquakes.
A view of part of the former Canterbury Public Library complex after the 22 February 2011 earthquake. On the left the 1870s section is visible. It has been red-stickered and the ground around it has been spray painted with the words, "Danger, wall". The building on the right is the former Librarian's House, which was built in 1894. It has been enclosed in a safety fence, and a section of masonry from its gable has collapsed. Containers have been stacked between the buildings to reinforce their walls.
An Earthquake Commission policy of covering over asbestos in quake-damaged Canterbury houses and not making that information publicly available, is being described as shortsighted and potentially harmful.
The ANZ Bank Chambers on the corner of High and Lichfield Streets has been cordoned off from the public. WORLD, a clothing store was housed on the ground floor.
A photograph of a notice on the fence of a house on Marine Parade in North Brighton. The notice reads, "Public Notice, EQC and other parties have declared this property stable and of no threat to the safety of any other parties. Dated 15/03/11. Please keep out".
A photograph of a notice on the window of a house on Marine Parade in North Brighton. The notice reads, "Public Notice, EQC and other parties have declared this property stable and of no threat to the safety of any other parties. Dated 15/03/11. Please keep out".
In 1907, a former public house on the corner of Durham and Battersea Street, Sydenham, was opened as the first women’s maternity hospital in Christchurch. Founded by the Right Honorable Richa…
A photograph of artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
The three-storey masonry building which housed the Ruben Blades Hairdressing Academy, and the Honey Pot Caf_. Fencing and road cones have been placed along the footpath to keep the public away.
A photograph of artist Julia Morison talking to another woman at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
A photograph of an earthquake-damaged house on Marine Parade in North Brighton. The front section of the house has collapsed, the rest buckled. The wall of the gable has also collapsed as well as part of the lower front wall. A red sticker in the window indicates that the building is unsafe to enter. A message has been spray painted on the front window, reading, "Roof tiles, $3 each". Police tape has been used to cordon off the house. Public notices can be seen on the fence, on the roof of the collapsed section and the section behind.
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Bench in the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls