A couple of the most intriguing public art installations on in Christchurch. Dr Jessica Halliday discusses COCA gallery's window space project and Riki Manuel describes his art installations made from the ruins of earthquake hit buildings.
The husband of a woman who died in the CTV building during the February 2011 earthquake is encouraging the public to have their say on a memorial to honour the 185 people who lost their lives four years ago.
A large collection of human bones were uncovered on the corner of Cambridge Terrace and Hereford Street during the 1850s. They belonged to the early Waitaha inhabitants (1000 – 1500 AD) who h…
In Christchurch, almost two weeks after the earthquake, there are more stories coming out which suggest the recovery effort will be lengthy and difficult.
Hundreds of public servants are on their way to Christchurch to relieve their weary colleagues and bolster the Government's response to Tuesday's earthquake.
Since Standing Room Only started some of the biggest changes we've seen in attitudes towards art and artists has happened in Otautahi Christchurch. How much artists contributed to the city's emotional recovery from the earthquakes through projects like Gap Filler, but also how many individual people created and shared their work. Before the quakes, Neil Dawson's monumental sculpture The Challice in the Square was initially criticised, but within days of its unveiling it became an impromptu shrine for the New York victims of 9/11. Back in 1998, the SCAPE Public Art started commissioning large outdoor works by international and Kiwi sculptors and artists. Some stayed but most of them were temporary. Some attracted criticism but they certainly got people talking. As SCAPE reaches its quarter century, its founder and Executive Director Deborah McCormick is standing down in March next year. Deborah's last SCAPE will see her tick off one of her long held ambitions - to secure a permanent sculpture for Christchurch by Auckland-based artist Dr Brett Graham. Lynn Freeman talks with Deborah and Brett, first asking Deborah to take us back to the lightbulb moment that led to SCAPE public art event.
Public Affairs manager for Kiwi Rail.
After being largely shut off to the public since the earthquakes, Christchurch's iconic Arts Centre is set to reopen its Great Hall to the public tonight.
A video of quotes from members of the public about the Christchurch Cathedral. The quotes are superimposed over images of the public viewing the earthquake-damaged cathedral.
Site of SCAPE which installs contemporary art by local, national and international artists in Christchurch’s public spaces. Information about past exhibits and about the next biennial, artists and permanent works. Includes the effect of the Christchurch earthquake on the organisation itself and the artists.
An entry from Ruth Gardner's blog for 12 June 2013 entitled, "Public Poem".
What's being called a landmark settlement with the Earthquake Commission has been reached today, which may have far-reaching consequences for Canterbury home-owners.
A map showing the location of damaged public artworks.
Administers most of the public funding of health and disability services for Canterbury. Works with other organisations to provide improved health for Canterbury people and runs the public hospitals and other services.
Public and electoral law professor at Otago University, Andrew Geddis.
The public at the Memorial Service in Hagley Park to commemorate the one year anniversary of the 22nd February earthquake. The public was invited to cast flowers into the river following the service.
The public at the Memorial Service in Hagley Park to commemorate the one year anniversary of the 22nd February earthquake. The public was invited to cast flowers into the river following the service.
Members of the public view the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral.
The public enjoys the nice weather on the grass field next to New Brighton Beach. In the background is the New Brighton Pier, the Salt on the Pier restaurant and the New Brighton Public Library.
A map showing proposed public transport routes in the central city.
Lydia Ayden is Christchurch City Council's General Manager of Public Affairs.
The tours will allow people to see the earthquake damage closeup for the first time since the earthquake struck in February.
Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral.
Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral.
A chart showing the drop in public transport patronage following the earthquakes.
The Wizard of Christchurch speaks to public at the Re:Start mall.
The Wizard of Christchurch speaks to public at the Re:Start mall.
The public at Hummingbird Coffee's outdoor seating area in Re:Start mall.
The former Linwood Public Library on Worcester Street has been fenced off.
Under the framework of New Public Management, the government has decentralised the responsibility for Disaster Risk Management (DRM) to regional, local, and community levels in New Zealand. This decentralisation serves political agendas related to resource allocation and is supported by empirical evidence suggesting that involving communities in DRM during recovery decision-making enhances disaster resilience. Extensive evidence indicates that community participation in DRM, especially during recovery decision-making, can significantly improve recovery outcomes at the community level. However, there has been limited research into whether the legal framework in New Zealand effectively facilitates meaningful public engagement to empower the public in influencing disaster recovery decisions. To address this gap in the literature, this thesis aims to explore the extent to which legislative and governance arrangements transfer the responsibility, liability, and costs of managing disaster risks to local levels without enabling meaningful public contribution to and influence on recovery decisions affecting them. Situated within Public Law and Disaster Risk and Resilience disciplines and using a case study of Greater Christchurch, New Zealand, this interdisciplinary thesis examines both common law and statutory provisions in the legal framework impacting public engagement before and during recovery from the Canterbury Earthquake Sequence. In particular, this thesis assesses how legislative, and governance frameworks influenced communities’ ability to influence recovery decision-making following the 2010-2011 Canterbury Earthquake Sequence (CES). This thesis shows that before the CES, the New Zealand public engagement system closely adhered to the common law principle of the ‘duty to consult’, which remains the current legal standard. This principle required decision-makers to use the 'public notice and comment' approach as a minimum, limiting meaningful community participation in decision-making. After the earthquakes, reliance on this traditional approach caused growing frustration and division locally, as the public struggled to effectively engage in and influence recovery decisions, resulting in new community activism. The Canterbury Earthquake Recovery Act (CER Act), introduced following the Christchurch Earthquake, included innovative provisions on public engagement. However, for various reasons, this Act appeared to have minimal impact on meaningful public engagement in recovery decision-making, which continued to align with the broader, existing public engagement system and associated norms. The empirical findings indicate that despite the novel legislative language, the traditional public engagement framework in New Zealand constrained effective engagement, leading to a broader erosion of trust between the public and the government. This was largely attributed to the default ‘public notice and comment’ approach at the local government level, with inadequate mechanisms for community engagement in central government decision-making shaping the expectations of recovery decision-makers still operating within this framework. Notable departures from this traditional approach were evident in the practices of the Waimakariri District Council and Christchurch City Council. Particularly noteworthy was the ‘Share an Idea’ public engagement campaign. Unlike conventional processes, it did not commence with a near-final or draft document. Instead, it utilised participatory mechanisms that fostered meaningful dialogue, enabling the public to significantly shape the content of the draft Christchurch Central Recovery Plan. The initial success of such participatory engagement underscores its potential effectiveness throughout the entire recovery planning process, an option that was not exercised by the central government. In conclusion, this thesis argues that New Zealand should move beyond the entrenched ‘public notice and comment’ approach and adopt more open and inclusive public participation mechanisms. It contends that supplementing this approach with proactive participatory methods before disasters could yield favorable outcomes during disaster recovery, thereby ensuring meaningful public involvement in future decisions that affect communities.