As part of the ‘Project Masonry’ Recovery Project funded by the New Zealand Natural Hazards Research Platform, commencing in March 2011, an international team of researchers was deployed to document and interpret the observed earthquake damage to masonry buildings and to churches as a result of the 22nd February 2011 Christchurch earthquake. The study focused on investigating commonly encountered failure patterns and collapse mechanisms. A brief summary of activities undertaken is presented, detailing the observations that were made on the performance of and the deficiencies that contributed to the damage to approximately 650 inspected unreinforced clay brick masonry (URM) buildings, to 90 unreinforced stone masonry buildings, to 342 reinforced concrete masonry (RCM) buildings, to 112 churches in the Canterbury region, and to just under 1100 residential dwellings having external masonry veneer cladding. Also, details are provided of retrofit techniques that were implemented within relevant Christchurch URM buildings prior to the 22nd February earthquake. In addition to presenting a summary of Project Masonry, the broader research activity at the University of Auckland pertaining to the seismic assessment and improvement of unreinforced masonry buildings is outlined. The purpose of this outline is to provide an overview and bibliography of published literature and to communicate on-going research activity that has not yet been reported in a complete form. http://sesoc.org.nz/conference/programme.pdf
A document which describes SCIRT's framework, principles and process of defining projects and the process of prioritising those projects.
A document which outlines the processes involved in the Multi Criteria Analysis Asset Prioritisation tool. It also talks about assumptions made and potential gaps.
A photograph of 'We Won't Need Legs to Stand', an installation by Sam Eng. The installation was displayed in the window of the COCA gallery when the remainder of the building was yellow-stickered.
A photograph of 'Screensaver', an installation by Ed Lust. The installation was displayed in the carport of the COCA gallery when the remainder of the building was yellow-stickered.
Presentation about the Women's Voices Project at NCW Hilda Lovell-Smith Suffrage Celebration, 18 November 2012
A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.
A photograph of volunteers painting the Poetica Urban Poetry wall.
A photograph of a woman reading poetry. She is standing in front of the Poetica Urban Poetry wall.
A photograph of the Poetica Urban Poetry wall. Details of the opening event are chalked on the wall.
A photograph of members of the Kaiapoi Menzshed group standing in front of the stands they have built for an outdoor art gallery.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A film being projected onto the wall of a building at Gap Filler's cycle-powered cinema.
A photograph of a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A photograph of a sign on a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A photograph of a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A photograph of a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A photograph of a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
An entry from Ruth Gardner's blog for 28 April 2012 entitled, "Peterborough Project".
Slides from the presentation by Jill Durney (MacMillan Brown Library) on "UC CEISMIC Virtual Heritage Project: Christchurch Lost and Found".
A poem written on Gap Filler and Poetica's "Instant Poetry" wall on Colombo Street. The poem reads, "With gap-tooth smiles, still she stands, with eyes still open, a lovers glance. Michelle".
A rack of bicycles at Gap Filler's cycle-powered cinema. People rode their bicycles to the event and have stacked them here to ride home later.
People riding bicycles at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People gathering at Gap Filler's cycle-powered cinema.
People riding bicycles at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
People gathering at Gap Filler's cycle-powered cinema.
A film being projected on the side of a building at Gap Filler's cycle-powered cinema. The projector, lights and sound of the cinema are being powered by people riding bicycles.
A child blending a smoothie using equipment attached to a bicycle.
People play music to accompany a film at Gap Filler's cycle-powered cinema.
Members of the public blending a smoothie using equipment attached to a bicycle.