An example of the five year rebuild schedule map created as part of the prioritisation process detailing where and when construction would start. The data behind this map was updated every quarter.
A plan which describes the framework, principles and process for determining project prioritisation and the sequence in which those projects are carried out. The first version of this plan was produced on 23 September 2011.
An entry from Deb Robertson's blog for 27 May 2013 entitled, "The Hottie Project 2013".
A photograph of Terry Chung's project 'Smile for Christchurch'. The project consists of hundreds of photographs of people smiling. The photographs are stuck to a painted blue wall in Re:START Mall.
A design guideline which provides guidance to project definition and design teams on how to use Pipe Damage Assessment Tool (PDAT) outputs in their scoping and concept design work.
A photograph of Dog Park Art Project Space on Wilsons Road
The information board for the Riccarton House earthquake repairs and strengthening project.
Information board and hazard notices for the Riccarton House earthquake repairs and strengthening project.
A photograph of an artwork on display at Dog Park Art Project Space on Wilsons Road.
A photograph of Gap Filler's Poet Tree project, on the corner of Cashel and Liverpool Streets.
A photograph of an artwork on display at Dog Park Art Project Space on Wilsons Road.
An example of a tool SCIRT has used to communicate its projects to the business community.
A close-up photograph of an artwork on display at Dog Park Art Project Space on Wilsons Road.
A magazine article which outlines the observations of engineers working on SCIRT retaining wall and ground improvement projects.
A photograph of background information on Terry Chung's project 'Smile for Christchurch' on a painted wall in Re:START mall.
Furniture made of recycled wood situated in an empty construction site. The furniture was part of the Gap Filler project.
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
A photograph of an outdoor photography exhibition titled, 'Thx 4 the Memories', by the Christchurch documentary photography project Place In Time.
The University of Canterbury is known internationally for the Origins of New Zealand English (ONZE) corpus (see Gordon et al 2004). ONZE is a large collection of recordings from people born between 1851 and 1984, and it has been widely utilised for linguistic and sociolinguistic research on New Zealand English. The ONZE data is varied. The recordings from the Mobile Unit (MU) are interviews and were collected by members of the NZ Broadcasting service shortly after the Second World War, with the aim of recording stories from New Zealanders outside the main city centres. These were supplemented by interview recordings carried out mainly in the 1990s and now contained in the Intermediate Archive (IA). The final ONZE collection, the Canterbury Corpus, is a set of interviews and word-list recordings carried out by students at the University of Canterbury. Across the ONZE corpora, there are different interviewers, different interview styles and a myriad of different topics discussed. In this paper, we introduce a new corpus – the QuakeBox – where these contexts are much more consistent and comparable across speakers. The QuakeBox is a corpus which consists largely of audio and video recordings of monologues about the 2010-2011 Canterbury earthquakes. As such, it represents Canterbury speakers’ very recent ‘danger of death’ experiences (see Labov 2013). In this paper, we outline the creation and structure of the corpus, including the practical issues involved in storing the data and gaining speakers’ informed consent for their audio and video data to be included.
Painted lines on the road at the corner of Hereford and Colombo Streets, part of the Christchurch City Council's Transitional City project.
A photograph of Whole House Reuse item 38. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of Whole House Reuse item 214. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of Whole House Reuse item 311. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of Whole House Reuse item 83. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of Whole House Reuse item 94. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of Whole House Reuse item 287. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of Whole House Reuse item 288. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of Whole House Reuse item 386. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of Whole House Reuse item 302. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.