As part of the ‘Project Masonry’ Recovery Project funded by the New Zealand Natural Hazards Research Platform, commencing in March 2011, an international team of researchers was deployed to document and interpret the observed earthquake damage to masonry buildings and to churches as a result of the 22nd February 2011 Christchurch earthquake. The study focused on investigating commonly encountered failure patterns and collapse mechanisms. A brief summary of activities undertaken is presented, detailing the observations that were made on the performance of and the deficiencies that contributed to the damage to approximately 650 inspected unreinforced clay brick masonry (URM) buildings, to 90 unreinforced stone masonry buildings, to 342 reinforced concrete masonry (RCM) buildings, to 112 churches in the Canterbury region, and to just under 1100 residential dwellings having external masonry veneer cladding. Also, details are provided of retrofit techniques that were implemented within relevant Christchurch URM buildings prior to the 22nd February earthquake. In addition to presenting a summary of Project Masonry, the broader research activity at the University of Auckland pertaining to the seismic assessment and improvement of unreinforced masonry buildings is outlined. The purpose of this outline is to provide an overview and bibliography of published literature and to communicate on-going research activity that has not yet been reported in a complete form. http://sesoc.org.nz/conference/programme.pdf
A photograph of 'We Won't Need Legs to Stand', an installation by Sam Eng. The installation was displayed in the window of the COCA gallery when the remainder of the building was yellow-stickered.
A photograph of 'Screensaver', an installation by Ed Lust. The installation was displayed in the carport of the COCA gallery when the remainder of the building was yellow-stickered.
A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.
A photograph of volunteers painting the Poetica Urban Poetry wall.
A photograph of a woman reading poetry. She is standing in front of the Poetica Urban Poetry wall.
A photograph of the Poetica Urban Poetry wall. Details of the opening event are chalked on the wall.
A photograph of members of the Kaiapoi Menzshed group standing in front of the stands they have built for an outdoor art gallery.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
An entry from Ruth Gardner's blog for 28 April 2012 entitled, "Peterborough Project".
Slides from the presentation by Jill Durney (MacMillan Brown Library) on "UC CEISMIC Virtual Heritage Project: Christchurch Lost and Found".
A video of an interview with Andrew Wheely about the Whare store which has been operating from a garage since the 22 February 2011 earthquake. Wheely talks about how small businesses need flexible commercial leases to survive in the post-earthquake market. He also talks about the diploma in project management he has undertaken at the CPIT since the earthquakes.
CTV news clip created about the Women's Voices project.
The CERA operations and project management office hut in Cathedral Square.
Video of McKenzie's earthquake story, captured by the UC QuakeBox project.
Transcript of McKenzie's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of Belle's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of Rae Willis's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of Andrew Oxenburgh's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of Bernadette Cooney's earthquake story, captured by the UC QuakeBox project.
I want to talk a bit about a media project that I started work on over the summer, which is part of a larger project the Faculty of Law at Canterbury is carrying out, investigating the many legal issues that have arisen from the earthquakes.
A child plays on a painted piano that was part of Gap Filler's Painted Piano Project.
A child plays on a painted piano that was part of Gap Filler's Painted Piano Project.
A child plays on a painted piano that was part of Gap Filler's Painted Piano Project.
A child plays on a painted piano that was part of Gap Filler's Painted Piano Project.
A child plays on a painted piano that was part of Gap Filler's Painted Piano Project.
A photograph of volunteers preparing the site for Foamapalooza. In the foreground, a sign describes the project.
A video of an interview with Alexandra Harteveld-Turnball, a Year 13 student from Marian College, about her school project making jewellery from earthquake rubble. Harteveld-Turnball and six friends were given access to the PricewaterhouseCooper site to gather rubble for their project. The jewellery will be sold at markets, with all proceeds going to St John.
A pdf transcript of Participant number EG138's earthquake story, captured by the UC QuakeBox project.
Shops on Ferry Road, across the road from the demolition site where the Gap Filler Piano Project is.