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Images for printing; more images...

Images, UC QuakeStudies

A digitally manipulated image of printer's type, spelling out "Safe Dust". The photographer comments, "After the September 2010 Christchurch earthquake liquefaction poured out of the ground mostly in the East of Christchurch. This silt, which was a form of sand was declared safe and would not harm gardens if it was spread around in moderation. After the February 2011 quake as a result of even more liquefaction and the sewers being ruptured, the liquefaction was declared as toxic. People clearing it up should wear a mask, boots and gloves especially when it had dried up and become dusty. This just so happens to be the words found on an old printing press".

Images, UC QuakeStudies

Photograph captioned by BeckerFraserPhotos, "Painted advertising which was revealed when the Grumpy Mole was demolished on the Corner of Cashel and Manchester Streets. The text says 'Printer, lithographer, bookbinder, manufacturer of paper bags, tea packets and cardboard boxes. NZ Agent for making Stevenson's patent leatherboard boxes. Paper merchants, wholesale stationer, account books, Crown printing office'".

Images, Canterbury Museum

One white dust mask with elastic strap to secure around the head. Black printing on the front reads: '3M 8000 / P1 / AS/NZS 1716'. Used by Student Volunteer Army in the clean up after 4 September 2010 earthquake. Face masks were recommended by Christchurch Public Health staff as a safety precaution for those handling liquefaction. Liquefaction ...

Images, Canterbury Museum

One brown cardboard box which contained a dozen bottles of Three Boys Brewery ‘Aftershock’ beer. The Three Boys logo and name features in black printing on each side with 12x500ml printed on long sides. A dark green sticker with white writing, which also appears on the bottles, is attached to the top leaf. Christchurch's artisan Three Boys Brew...

Research papers, The University of Auckland Library

This exhibition, eight years in the planning, had the misfortune to open one week before the 22 February 2011 Christchurch earthquake; the exhibition was immediately taken down and never went up again – the Christchurch Art Gallery has still not reopened. Although in my book Fantastica: The World of Leo Bensemann (NRO1) I covered the whole of Bensemann’s career, in the exhibition I took responsibility for the paintings (portraits and landscapes) , while Dr. Noel Waite (University of Otago) looked after Bensemann’s graphic work, book design and printing. This was the most extensive exhibition of Bensemann’s work ever mounted and together with Fantastica will compel a major reassessment of his place in New Zealand culture. Art New Zealand wrote of it: ‘The exhibition (including more than 100 items) is significant in bringing together what has in the past appeared disparate and unrelated; here Bensemann's entire oeuvre - the output of a painter, illustrator, calligrapher, typographer, designer and publisher is given equal billing. Although this exhibition is an important re-assessment and valuable for a new generation unfamiliar with his work, a national touring show would have precipitated an even greater awareness’.