Photograph captioned by BeckerFraserPhotos, "Lowering a platform from the PWC building in Armagh Street at sunset, viewed from Cathedral Square".
Photograph captioned by BeckerFraserPhotos, "Lowering a platform from the PricewaterhouseCoopers Building on Armagh Street at sunset, viewed from Cathedral Square".
An award application submitted for the IPWEA Annual Excellence Awards 2016, detailing Fulton Hogan's work repairing the repair methodology for the Sumner Road retaining wall - stage 4.
A document which describes the process that SCIRT took to repair the Sumner Road retaining wall - stage 4.
A crane on London Street in Lyttelton, lifting a platform outside the Empire Hotel.
A crane on London Street in Lyttelton, lifting a platform outside the Empire Hotel.
Photograph captioned by BeckerFraserPhotos, "PriceWaterhouseCoopers Building with workmen on a platform".
A photograph of architecture students on a temporary platform at the site of the Kloud installation.
A photograph of architecture students on a temporary platform at the site of the Kloud installation.
A photograph of architecture students on a temporary platform at the site of the Kloud installation.
This thesis is a creative and critical exploration of how transmedia storytelling meshes with political documentary’s nature of representing social realities and goals to educate and promote social change. I explore this notion through Obrero (“worker”), my independently produced transmedia and transjournalistic documentary project that explores the conditions and context of the Filipino rebuild workers who migrated to Christchurch, New Zealand after the earthquake in 2011. While the project should appeal to New Zealanders, it is specifically targeted at an audience from the Philippines. Obrero began as a film festival documentary that co-exists with strategically refashioned Web 2.0 variants, a social network documentary and an interactive documentary (i-doc). Using data derived from the production and circulation of Obrero, I interrogate how the documentary’s variants engage with differing audiences and assess the extent to which this engagement might be effective. This thesis argues that contemporary documentary needs to re-negotiate established film aesthetics and practices to adapt in the current period of shifting technologies and fragmented audiences. Documentary’s migration to new media platforms also creates a demand for filmmakers to work with a transmedia state of mind—that is, the capacity to practise the old canons of documentary making while comfortably adjusting to new media production praxis, ethics, and aesthetics. Then Obrero itself, as the creative component of this thesis, becomes an instance of research through creative practice. It does so in two respects: adding new knowledge about the context, politics, and experiences of the Filipino workers in New Zealand; and offering up a broader model for documentary engagement, which I analyse for its efficacy in the digital age.
Workers entering the Claredon Tower on Oxford Street by climbing from a crane-raised platform into one of the windows.
Workers entering the Claredon Tower on Oxford Street by climbing from a crane-raised platform into one of the windows.
Workers entering the Claredon Tower on Oxford Street by climbing from a crane-raised platform into one of the windows.
Photograph captioned by BeckerFraserPhotos, "The Grant Thornton building in Cathedral Square being readied for deconstruction".
Photograph captioned by BeckerFraserPhotos, "Looks as if they are building a platform for the high reach to work on the Grant Thornton building. Cathedral Square".
Photograph captioned by BeckerFraserPhotos, "Looks as if they are building a platform for the high reach to work on the Grant Thornton building. Cathedral Square".
Winnie Bagoes on Colombo Street, the west side partially collapsed after the 22 February 2011 earthquake. In the background, a crane is raising a platform next to the Forsyth Barr Building.
The demolition of Manchester Courts on Manchester Street. A crane is holding a platform above the building. A cordon made of shipping containers, fencing and a "Road closed" sign can be seen.
Photograph captioned by BeckerFraserPhotos, "Rubble in Cathedral Square being stockpiled to provide a high base platform for the giant nibbler to demolish the Grant Thornton building (upper left)".
Our poster will present on-going QuakeCoRE-founded work on strong motion seismology for Dunedin-Mosgiel area, focusing on ground motion simulations for Dunedin Central Business District (CBD). Source modelling and ground motion simulations are being carried out using the SCEC (Southern California Earthquakes Center) Broad Band simulation Platform (BBP). The platform computes broadband (0-10 Hz) seismograms for earthquakes and was first implemented at the University of Otago in 2016. As large earthquakes has not been experienced in Dunedin in the time of period of instrumental recording, user-specified scenario simulations are of great value. The Akatore Fault, the most active fault in Otago and closest major fault to Dunedin, is the source focused on in the present study. Simulations for various Akatore Fault source scenarios are run and presented. Path and site effects are key components considered in the simulation process. A 1D shear wave velocity profile is required by SCEC BBP, and this is being generated to represent the Akatore-to-CBD path and site within the BBP. A 3D shear velocity model, with high resolution within Dunedin CBD, is being developed in parallel with this study (see Sangster et al. poster). This model will be the basis for developing a 3D shear wave velocity model for greater Dunedin-Mosgiel area for future ground motion simulations, using Canterbury software (currently under development).
A photograph of the platform for the Townsend Telescope amongst the rubble of the Observatory tower at the Christchurch Arts Centre. The tower collapsed during the 22 February 2011 earthquake, severely damaging the telescope.
Photograph captioned by BeckerFraserPhotos, "Rubble in Cathedral Square being stockpiled to provide a high base platform for the giant nibbler to demolish the Grant Thornton building (upper left) and the Government Life building (right)".
The badly-damaged Arts Centre, viewed from Rolleston Avenue. The turret has been removed from the building and secured to a platform on the footpath. Wire fencing has been placed around the building as a cordon and there are many road cones directing traffic.
The badly-damaged Arts Centre, viewed from Rolleston Avenue. The turret has been removed from the building and secured to a platform on the footpath. Wire fencing has been placed around the building as a cordon and there are many road cones directing traffic.
The badly-damaged Arts Centre, viewed from Rolleston Avenue. The turret has been removed from the building and secured to a platform on the footpath. Wire fencing has been placed around the building as a cordon and there are many road cones directing traffic.
A photograph of the collapsed PGC Building on Cambridge Terrace. Emergency management personnel are hanging above the building in a crane-raised platform. An excavator is sitting on the rubble and a tent has been pitched in the foreground.
A photograph of the collapsed PGC Building on Cambridge Terrace. Emergency management personnel are hanging above the building in a crane-raised platform. An excavator is sitting on the rubble and a tent has been pitched in the foreground.
An entry from Jennifer Middendorf's blog for 21 October 2012 entitled, "Back by maternal demand".
Developing a holistic understanding of social, cultural, and economic impacts of disasters can help in building disaster risk knowledge for policy making and planning. Many methods can help in developing an understanding of the impacts of a disaster, including interviews and surveys with people who have experienced disaster, which may be invasive at times and create stress for the participants to relive their experiences. In the past decade, social media, blog posts, video blogs (i.e. “vlogs”), and crowdsourcing mechanisms such as Humanitarian OpenStreetMap and Ushahidi, have become prominent platforms for people to share their experiences and impacts of an event from the ground. These platforms allow for the discovery of a range of impact information, from physical impacts, to social, cultural, and psychological impacts. It can also reveal interesting behavioural information such as their decision to heed a warning or not, as people tend to share their experiences and their reactions online. This information can help researchers and authorities understand both the impacts as well as behavioural responses to hazards, which can then shape how early warning systems are designed and delivered. It can also help to identify gaps in desired behavioural responses. This poster presents a selection of cases identified from the literature and grey literature, such as the Haiti earthquake, the Christchurch earthquake, Hurricane Sandy, and Hurricane Harvey, where online platforms were widely used during and after a disaster to document impacts, experiences, and behavioural responses. A summary of key learnings and areas for future research is provided.