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Images, UC QuakeStudies

A photograph of a room in the Diabetes Centre which has been prepared for repainting. Plastic sheeting has been placed over the carpet and the cracks in the pillar have been filled with epoxy resin.

Images, UC QuakeStudies

Two images of a house, taken before and after the earthquakes. In the after photograph the chimneys are gone, a column supporting the car port has partly collapsed, windows are broken, and the previously neat lawn and driveway are overgrown. The photographer comments, "This was a house that I was selling up to the September 2010 earthquake in Christchurch. It was on Avonside Drive, which was an area that has been badly hit in every earthquake that has hit the area. In the September quake parts of the house moved in different directions and one of the upstairs doors had to be smashed open to release one of the sons from his bedroom. This occurred in the dark with numerous aftershocks shaking the house. Liquefaction poured up through the floor and flowed down the drive. Everyone got out OK, but soon after the house was red stickered meaning it was dangerous to enter. The house was looted many times even though there was constant police patrols. When the most violent earthquake occurred on 22 February 2012 both the tall heavy chimneys came crashing through into the living areas. Subsequent earthquakes and aftershocks have caused one of the brick fence pillars to fall and the front garage pillar to break up and twist. The family's troubles did not end there. They moved into the home of one of their parents and this mansion of a home was so badly affected by the February earthquake that no one could enter to collect any of their or their parents' belongings. They now own a new home, which they are fond of except when the ground shakes yet again. There has been to date 10,712 earthquakes and aftershocks since 4 September 2010".

Images, eqnz.chch.2010

The Christchurch Cathedral after loosing its tower and spire after the 6.3 quake hit Christchurch 22 February 2011. The February 22 quake cracked pillars, twisted walls, shattered stained glass, collapsed buttresses, fractured masonry and toppled the tower. The rose window in the west wall collapsed in the June aftershocks. Demolition of the Chr...

Images, UC QuakeStudies

A bollard covered in tattered posters. The photographer comments, "After the Christchurch February 2011 earthquake no more adverts were pasted onto this advertising pillar. Over a year later the posters are starting to peel off and reveal older ones. It seems that the constant addition of new posters was keeping everything in equilibrium, but with no new posters everything is literally falling apart".

Images, Alexander Turnbull Library

A very large woman stands wedged between two rows of concrete pillars eating a huge cream bun. She says 'Christmas fare protection... it helps prevent lateral spread!' Context - overeating at Christmas and lateral spreading, which is associated with liquefaction and tends to occur near streams and waterways as the soil mass moves towards them. Reference to the Christchurch earthquake of 4th September 2010. Quantity: 1 digital cartoon(s).

Research papers, Victoria University of Wellington

Architecture and music have a long intertwining history.These respective creative forces many times have collaborated into monumental place, harboured rich occasion, been catalyst for cultural movement and defined generations. Together they transcend their respective identities. From dinky local church to monstrous national stadia, together they are an intense concentration, a powerfully addictive dosage where architecture is the place, music is the faith, and people are the reason.  Music is a programme that architecture often celebrates in poetic and grand fashion; a superficial excuse to symbolise their creative parallels. But their relationship is much richer and holds more value than just the opportunity to attempt architectural metaphor.While music will always overshadow the architecture in the sense of a singular event, architecture is like the soundman behind the mixing desk. It’s not the star front and centre grabbing your attention, but is responsible for framing the star. It is the foundational backdrop, a critical pillar. Great architecture can help make great music. In this sense music is a communication of architecture, it is the ultimate creative function.  Christchurch, New Zealand, is a city whose story changed in an instant. The seismic events of 2010 and 2011 have become the overriding subject of its historical narrative, as it will be for years to come. Disaster redefines place (the town of Napier, struck by an earthquake in 1931, exemplifies this). There is no quantifiable justification for an exploration of architecture and music within the context of Christchurch. The Town Hall, one of New Zealand’s most architecturally significant buildings, is under repair. The Christ Church Cathedral will more than likely be rebuilt to some degree of its former self. But these are echoes of the city that Christchurch was.They are saved because they are artefact. Evidence of history.This thesis makes the argument for the new, the better than before, and for the making of opportunity from disaster, by proposing a ‘new’ town hall, conceived from the sound of old.