QuakeStory 765
Articles, UC QuakeStudies
A story submitted by Claudia Chernishoff to the QuakeStories website.
A story submitted by Claudia Chernishoff to the QuakeStories website.
A story submitted by Chris martin to the QuakeStories website.
A story submitted by Anonymous to the QuakeStories website.
A story submitted by samuel to the QuakeStories website.
A story submitted by J. C. to the QuakeStories website.
A story submitted by Ben Hullen to the QuakeStories website.
A story submitted by Kathy to the QuakeStories website.
A story submitted by Anonymous to the QuakeStories website.
A story submitted by Jo Wicken to the QuakeStories website.
A story submitted by Archie Thomson to the QuakeStories website.
A story submitted by Ricki hinch to the QuakeStories website.
A story submitted by Jo Wicken to the QuakeStories website.
A story submitted by Jo Wicken to the QuakeStories website.
This article discusses the use of radio after major earthquakes in Christchurch, New Zealand, in 2010 and 2011. It draws on archival sources to retrospectively research post-quake audiences in the terms people used during and soon after the earthquakes through personal narratives and Twitter. Retrospective narratives of earthquake experiences affirm the value of radio for communicating the scale of disaster and comforting listeners during dislocation from safe home spaces. In the narratives radio is often compared with television, which signifies electricity supply and associated comfort but also visually confirms the city’s destruction. Twitter provides insights into radio use from within the disaster period, but its more global reach facilitates reflection on online and international radio from outside the disaster-affected area. This research demonstrates the value of archival audience research, and finds that the combination of online radio and Twitter enables a new form of participatory disaster spectatorship from afar.