Following the devastating 1931 Hawke's Bay earthquake, buildings in Napier and surrounding areas in the Hawke's Bay region were rebuilt in a comparatively homogenous structural and architectural style comprising the region's famous Art Deco stock. These interwar buildings are most often composed of reinforced concrete two-way space frames, and although they have comparatively ductile detailing for their date of construction, are often expected to be brittle, earthquake-prone buildings in preliminary seismic assessments. Furthermore, the likelihood of global collapse of an RC building during a design-level earthquake became an issue warranting particular attention following the collapse of multiple RC buildings in the February 22, 2011 Christchurch earthquake. Those who value the architectural heritage and future use of these iconic Art Deco buildings - including building owners, tenants, and city officials, among others - must consider how they can be best preserved and utilized functionally given the especially pressing implications of relevant safety, regulatory, and economic factors. This study was intended to provide information on the seismic hazard, geometric weaknesses, collapse hazards, material properties, structural detailing, empirically based vulnerability, and recommended analysis approaches particular to Art Deco buildings in Hawke's Bay as a resource for professional structural engineers tasked with seismic assessments and retrofit designs for these buildings. The observed satisfactory performance of similar low-rise, ostensibly brittle RC buildings in other earthquakes and the examination of the structural redundancy and expected column drift capacities in these buildings, led to the conclusion that the seismic capacity of these buildings is generally underrated in simple, force-based assessments.
A photograph of street art on a building in New Brighton.
A photograph of street art on a building in New Brighton.
A photograph of tagging on a building in New Brighton, seen from Hawke Street.
A photograph of street art on the Work and Income New Zealand building in New Brighton. The artwork depicts a musician.
Following the 2010–2011 Canterbury earthquakes, a renewed focus has been directed across New Zealand to the hazard posed by the country‘s earthquake-vulnerable buildings, namely unreinforced masonry (URM) and reinforced concrete (RC) buildings with potentially nonductile components that have historically performed poorly in large earthquakes. The research reported herein was pursued with the intention of addressing several recommendations made by the Canterbury Earthquakes Royal Commission of Inquiry which were classified into the following general categories: Identification and provisional vulnerability assessment of URM and RC buildings and building components; Testing, assessment, and retrofitting of URM walls loaded out-of-plane, with a particular focus on highly vulnerable URM cavity walls; Testing and assessment of RC frame components, especially those with presumably non-ductile reinforcement detailing; Portfolio management considering risks, regulations, and potential costs for a portfolio that includes several potentially earthquake-vulnerable buildings; and Ongoing investigations and proposed research needs. While the findings from the reported research have implications for seismic assessments of buildings across New Zealand and elsewhere, an emphasis was placed on Auckland given this research program‘s partnership with the Auckland Council, the Auckland region accounting for about a third each of the country‘s population and economic production, and the number and variety of buildings within the Auckland building stock. An additional evaluation of a historic building stock was carried out for select buildings located in Hawke‘s Bay, and additional experimental testing was carried out for select buildings located in Hawke‘s Bay and Christchurch.
A photograph of tagging on a fence and building in New Brighton, seen from Hawke Street.
A photograph of street art on the side of the Shoreline Fitness Centre building in New Brighton.
A photograph of street art on the side of the Shoreline Fitness Centre building in New Brighton.
A paper delivered at Building a Better New Zealand (BBNZ 2014) Conference. The paper examines the relationship between innovation and productivity improvement in the construction industry.
A photograph of street art on a building in Brighton Mall.
A photograph of street art on a building in Brighton Mall.
A photograph of street art on a building in New Brighton. The artwork includes the words, "We still love this place".
A photograph of the restored Bank of New Zealand building on the corner of Charles Street and Williams Street in Kaiapoi.
A photograph of street art on the side of the Funky Pumpkin building in New Brighton. The artwork is signed 'Porta'.
The Global Earthquake Model’s (GEM) Earthquake Consequences Database (GEMECD) aims to develop, for the first time, a standardised framework for collecting and collating geocoded consequence data induced by primary and secondary seismic hazards to different types of buildings, critical facilities, infrastructure and population, and relate this data to estimated ground motion intensity via the USGS ShakeMap Atlas. New Zealand is a partner of the GEMECD consortium and to-date has contributed with 7 events to the database, of which 4 are localised in the South Pacific area (Newcastle 1989; Luzon 1990; South of Java 2006 and Samoa Islands 2009) and 3 are NZ-specific events (Edgecumbe 1987; Darfield 2010 and Christchurch 2011). This contribution to GEMECD represented a unique opportunity for collating, comparing and reviewing existing damage datasets and harmonising them into a common, openly accessible and standardised database, from where the seismic performance of New Zealand buildings can be comparatively assessed. This paper firstly provides an overview of the GEMECD database structure, including taxonomies and guidelines to collect and report on earthquake-induced consequence data. Secondly, the paper presents a summary of the studies implemented for the 7 events, with particular focus on the Darfield (2010) and Christchurch (2011) earthquakes. Finally, examples of specific outcomes and potentials for NZ from using and processing GEMECD are presented, including: 1) the rationale for adopting the GEM taxonomy in NZ and any need for introducing NZ-specific attributes; 2) a complete overview of the building typological distribution in the Christchurch CBD prior to the Canterbury earthquakes and 3) some initial correlations between the level and extent of earthquake-induced physical damage to buildings, building safety/accessibility issues and the induced human casualties.
A photograph of street art on the side of a building in Brighton Mall.
A photograph of street art on a building outside Harrington's Beer Wine and Spirits in New Brighton. The artwork depicts scenes from Doctor Who.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork has been painted around a sign which warns the building is under electronic surveillance.
A photograph of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of street art on a building between Brighton Mall and Beresford Street.
A photograph of street art on a building between Brighton Mall and Beresford Street.
A photograph of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of street art on the wall of a building between Brighton Mall and Hawke Street.
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings pasted to a brick wall.
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings pasted to a brick wall.
A photograph of a section of an artwork on the wall of a building between New Brighton Mall and Beresford Street. The section depicts a range of native birds.
A photograph of section of an artwork on the wall of a building between New Brighton mall and Beresford Street. The section depicts two native birds on tree branches.
A photograph of section of an artwork on the wall of a building between New Brighton mall and Beresford Street. The section depicts a kokako on a tree branch.
A photograph of section of an artwork on the wall of a building between New Brighton mall and Beresford Street. The section depicts two native birds standing on rocks.