The city centre and Tuahiwi Marae, the home of Ngāi Tūāhuriri, are now linked by names. The Anglican cathedral and Tuahiwi’s church, both called St Stephens, sit on land called Whitireia. Whitireia was the house of Paekia, the ancestor who landed on the North Island on the back of a whale at Tūranga, which is now the name of Christchurch’s city library.
Damage to the Community of the Sacred Name building.
Damage to the Community of the Sacred Name building.
The Community of the Sacred Name Building on the corner of Barbadoes and St Asaph Streets. Many of the bricks in the walls have crumbled into the street and courtyard, exposing the inside of the building.
The Community of the Sacred Name Building on the corner of Barbadoes and St Asaph Streets. Many of the bricks in the walls have crumbled into the street and courtyard, exposing the inside of the building.
Photograph captioned by BeckerFraserPhotos, "Comic art on a wall exposed by demolition in Sumner. After some time, artist Jason Kelly revealed it as his work and explained that Jelly is a play upon his name, mixing his first name and his last name".
The badly-damaged Community of the Sacred Name Convent on Barbadoes Street.
The badly-damaged Community of the Sacred Name Convent on Barbadoes Street.
The Community of the Sacred Name Building on the corner of Barbadoes and St Asaph Streets. Many of the bricks in the walls have crumbled into the street and courtyard, exposing the inside of the building.
An entry from Deborah Fitchett's blog for 15 March 2011, posted to Livejournal. The entry is titled, "In which she assumes a fake name".The entry was downloaded on 14 April 2015.
An entry from Deborah Fitchett's blog for 15 March 2011, posted to Dreamwidth. The entry is titled, "In which she assumes a fake name".The entry was downloaded on 17 April 2015.
Damage to the Community of the Sacred Name building on Barbadoes Street.
Signs on a house in Bexley reading "Ring Bell", "Yes we home" with names and telephone numbers.
Damage to a residential property on Birch Street. Writing on door reads "all clear" with name and telephone numbers.
Missing dog poster near Pioneer Stadium. Poster reads "Dog missing. Brown/red ridgeback labrador cross. Much loved pet named 'Boris'. Please text: [number]".
Missing dog poster near Pioneer Stadium. Poster reads "Dog missing. Brown/red ridgeback labrador cross. Much loved pet named 'Boris'. Please text: [number]".
Damage to the Community of the Sacred Name building on Barbadoes Street. Masonry from one of the building's gables has collapsed onto the footpath.
Colour photograph of front door to the Occidental Hotel, which after the September quake had suffered vandalism. The name "B. Perry" was still above the door.
A photograph of street art on the wall of the Calendar Girls building on Hereford Street. The artwork is by Australian artist Seb Humphreys, who works under the name 'Order 55'.
The name Omeka for the Justice Precinct comes from the Biblical omega. Dating back to the prophecy of Ratana early last century, it is testimony to Ngāi Tahu’s faith that their claims for justice would be settled.
A corner of the Cramner Centre with large cracks in its masonry. Several names, probably those of former students, have been written on the building. They are 'Jenny Adams, 63-64', 'Elody Mapp, 1964' and 'Pam Soal, 1963, 1964'.
Damage to the Community of the Sacred Name building on Barbadoes Street. The gable ends of the building have collapsed, and bricks have fallen to the footpath below. The building is surrounded by security fencing. The photographer comments, "A bike ride around the CBD. Nunnery, Barbadoes St".
Damage to the Community of the Sacred Name building on Barbadoes Street. The gable ends of the building have collapsed, and bricks have fallen to the footpath below. The building is surrounded by security fencing. The photographer comments, "A bike ride around the CBD. Nunnery, Barbadoes St".
Puari is a longstanding fishing area for Ngāi Tūāhuriri. It was claimed by chief Pita Te Hori for the hapū in 1868 but denied by the Crown, because the land had been allocated to settlers. This site is now owned by Ngāi Tahu and a building named after Te Hori stands here.
Photograph captioned by BeckerFraserPhotos, "This loop of the Avon encircles Horseshoe Lake and gives the area its name and its attraction as a place to live. The land close to the Avon River has severe issues with slumping, lateral movement and liquefaction, so that much of it is red zoned and the houses will be demolished".
Photograph captioned by BeckerFraserPhotos, "Horseshoe Lake area of Burwood has that name because a loop of the Avon River encircled it in a horseshoe shape. There used to be an attractive walk alongside the loop of the River. Much of the path is now under water as the land level has subsided as a result of the earthquakes".
The suburb of New Brighton in Christchurch Aotearoa was once a booming retail sector until the end of its exclusivity to Saturday shopping in 1980 and the aftermath of the devastating 2011 Christchurch earthquake. The suburb of New Brighton was hit particularly hard and fell into economic collapse, partly brought on by the nature of its economic structure. This implosion created an urban crisis where people and businesses abandoned the suburb and its once-booming commercial economy. As a result, New Brighton has been left with the residue of abandoned infrastructure and commercial propaganda such as billboards, ATM machines, commercial facades, and shopping trolleys that as abandoned fragments, no longer contribute to culture, society and the economy. This design-led research investigation proposes to repurpose the broken objects that were left behind. By strategically selecting objects that are symbols of the root cause of the economic devastation, the repurposed and re-contextualised fragments will seek to allegorically expose the city’s destructive economic narrative, while providing a renewed sense of place identity for the people. This design-led thesis investigation argues that the seemingly innocuous icons of commercial industry, such as billboards, ATM machines, commercial facades, and shopping trolleys, are intended to act as lures to encourage people to spend money; ultimately, these urban and architectural lures can contribute to economic devastation. The aim of this investigation is to repurpose abandoned fragments of capitalist infrastructure in ways that can help to unveil new possibilities for a disrupted community and enhance their awareness of what led to the urban disruption. The thesis proposes to achieve this research aim by exploring three principal research objectives: 1) to assimilate and re-contextualise disconnected urban fragments into new architectural interventions; 2) to anthropomorphise these new interventions so that they are recognisable as architectural ‘inhabitants’, the storytellers of the urban context; and 3) to curate these new architectural interventions in ways that enable a community-scale allegorical and didactic experience to be recognised.
A zip file containing the suite of SCIRT CAD customisation tools. This file contains:SCIRT CAD LISP routines (198 files)SCIRT CAD dialogue box filesa complete set of layer listsa full set of text files containing the complete list of street names in Christchurchtemplates and lists used for translating 12d outputs to useable dwg reference filesa full set of SCIRT CAD manualsThis file is not sufficient for someone to set up a full SCIRT CAD System, but it will allow a developer to select tools to incorporate with an existing system.
On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably. This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch. The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum. This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch. This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free. This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.
A natural disaster will inevitably strike New Zealand in the coming years, damaging educational facilities. Delays in building quality replacement facilities will lead to short-term disruption of education, risking long-term inequalities for the affected students. The Christchurch earthquake demonstrated the issues arising from a lack of school planning and support. This research proposes a system that can effectively provide rapid, prefabricated, primary schools in post-disaster environments. The aim is to continue education for children in the short term, while using construction that is suitable until the total replacement of the given school is completed. The expandable prefabricated architecture meets the strength, time, and transport requirements to deliver a robust, rapid relief temporary construction. It is also adaptable to any area within New Zealand. This design solution supports personal well-being and mitigates the risk of educational gaps, PTSD linked with anxiety and depression, and many other mental health disorders that can impact students and teachers after a natural disaster.