A PDF copy of pages 16-17 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The RDUnit - Mobile Broadcasting Facility'. Photos: Rachel Morton
A photograph of Tessa Peach (left) and Heather Hayward at Cathedral Junction with their creation, Picture House. Picture House is a mobile cinema for two people, created out of a billboard trailer for FESTA 2013.
A photograph of someone watching a film inside Picture House. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Picture House at Cathedral Junction. Picture House was a mobile cinema for two people, created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach of Makeshift, for FESTA 2013.
A photograph of Jemma Syme and Ed Lust watching a film inside Picture House. Picture House is a mobile cinema for two people. It was created out of a billboard trailer by Tessa Peach and Heather Hayward of Makeshift, for FESTA 2013.
A photograph of Heather Hayward (left) and Tessa Peach at Cathedral Junction with their creation Picture House. Picture House was a mobile cinema for two people, created out of a billboard trailer. It was part of FESTA 2013.
A photograph of people gathered around Picture House at Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of people gathered around Picture House at Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Heather Hayward parking Picture House outside Cathedral Junction. Picture House was a mobile cinema for two people. It was created out of a billboard trailer by artist-designer team Heather Hayward and Tessa Peach, for FESTA 2013.
A photograph of Tessa Peach (left) and Heather Hayward at Cathedral Junction with their creation, Picture House. Picture House was a mobile cinema for two people, created out of a billboard trailer. It was part of FESTA 2013.
A photograph of Tessa Peach setting up Picture House at Cathedral Junction. Picture House was a mobile cinema for two people, created by Tessa Peach and Heather Hayward of Makeshift. It was created out of a billboard trailer, for FESTA 2013.
This thesis describes research into developing a client/server ar- chitecture for a mobile Augmented Reality (AR) application. Following the earthquakes that have rocked Christchurch the city is now changed forever. CityViewAR is an existing mobile AR application designed to show how the city used to look before the earthquakes. In CityViewAR 3D virtual building models are overlaid onto video captured by a smartphone camera. However the current version of CityViewAR only allows users to browse information stored on the mobile device. In this research the author extends the CityViewAR application to a client-server model so that anyone can upload models and annotations to a server and have this information viewable on any smartphone running the application. In this thesis we describe related work on AR browser architectures, the system we developed, a user evaluation of the prototype system and directions for future work.
Members of the public walk down High Street. The Poppy Mobile sculpture is suspended over the street.
The University of Canterbury is known internationally for the Origins of New Zealand English (ONZE) corpus (see Gordon et al 2004). ONZE is a large collection of recordings from people born between 1851 and 1984, and it has been widely utilised for linguistic and sociolinguistic research on New Zealand English. The ONZE data is varied. The recordings from the Mobile Unit (MU) are interviews and were collected by members of the NZ Broadcasting service shortly after the Second World War, with the aim of recording stories from New Zealanders outside the main city centres. These were supplemented by interview recordings carried out mainly in the 1990s and now contained in the Intermediate Archive (IA). The final ONZE collection, the Canterbury Corpus, is a set of interviews and word-list recordings carried out by students at the University of Canterbury. Across the ONZE corpora, there are different interviewers, different interview styles and a myriad of different topics discussed. In this paper, we introduce a new corpus – the QuakeBox – where these contexts are much more consistent and comparable across speakers. The QuakeBox is a corpus which consists largely of audio and video recordings of monologues about the 2010-2011 Canterbury earthquakes. As such, it represents Canterbury speakers’ very recent ‘danger of death’ experiences (see Labov 2013). In this paper, we outline the creation and structure of the corpus, including the practical issues involved in storing the data and gaining speakers’ informed consent for their audio and video data to be included.