Deb Robertson's Blog 22/12/2014: ...a well-worn path....
Articles, UC QuakeStudies
An entry from Deb Robertson's blog for 22 December 2014 entitled, "...a well-worn path...."The entry was downloaded on 3 November 2016.
An entry from Deb Robertson's blog for 22 December 2014 entitled, "...a well-worn path...."The entry was downloaded on 3 November 2016.
An entry from Deb Robertson's blog for 26 August 2014 entitled, "Election time".The entry was downloaded on 2 November 2016.
An entry from Deb Robertson's blog for 2 September 2014 entitled, "The heart expands when it is broken [four years]".The entry was downloaded on 2 November 2016.
A video of dance and physical theatre featuring Julia Guthrey, Matt Grant, Elizabeth Guthrey, Laura and Claudia. The piece incorporates the public memorial art installation '185 Chairs' by Peter Majendie, on the corner of Madras Street and Cashel Street.
To address the provocation provided by the editors I wish to reflect upon the ongoing civic and artistic responses to the earthquakes in Christchurch, New Zealand, 2010-11, in which 185 people lost their lives (largely due to poor engineering and construction practices). Whilst the example is very different in character from that of efforts to memorialize July 22, 2011, I wish to use the case to briefly respond to the issue of temporality as raised by Jacques Rancière in his critique of the ‘endless work of mourning’ produced by testimonial art. The orientation of this mourning, he argues, is always backward-looking, characterized by, ‘a reversal of the flow of time: the time turned towards an end to be accomplished – progress, emancipation or the Other – is replaced by that turned towards the catastrophe behind us.’ How might memorial practices divide their gaze between remembered pasts and possible futures? AM - Accepted Manuscript