Container Love: shipping container decorated with knitted and crocheted squares. Sumner, Christchurch. File reference: CCL-2012-05-12-Around-Sumner-May-2012 DSC_034.JPG From the collection of Christchurch City Libraries.
Container Love: shipping container decorated with knitted and crocheted squares. Sumner, Christchurch. File reference: CCL-2012-05-12-Around-Sumner-May-2012 DSC_025.JPG From the collection of Christchurch City Libraries.
Container Love: shipping container decorated with knitted and crocheted squares. Sumner, Christchurch. File reference: CCL-2012-05-12-Around-Sumner-May-2012 DSC_022.JPG From the collection of Christchurch City Libraries.
Container Love: shipping container decorated with knitted and crocheted squares. Sumner, Christchurch. File reference: CCL-2012-05-12-Around-Sumner-May-2012 DSC_023.JPG From the collection of Christchurch City Libraries.
Container Love: shipping container decorated with knitted and crocheted squares. Sumner, Christchurch. File reference: CCL-2012-05-12-Around-Sumner-May-2012 DSC_026.JPG From the collection of Christchurch City Libraries.
Container Love: shipping container decorated with knitted and crocheted squares. Sumner, Christchurch. File reference: CCL-2012-05-12-Around-Sumner-May-2012 DSC_031.JPG From the collection of Christchurch City Libraries.
Container Love: shipping container decorated with knitted and crocheted squares. Sumner, Christchurch. File reference: CCL-2012-05-12-Around-Sumner-May-2012 DSC_028.JPG From the collection of Christchurch City Libraries.
Container Love: shipping container decorated with knitted and crocheted squares. Sumner, Christchurch. File reference: CCL-2012-05-12-Around-Sumner-May-2012 DSC_032.JPG From the collection of Christchurch City Libraries.
There is strong consensus in the civil defence and emergency management literature that public participation is essential for a 'good' recovery. However, there is a paucity of research detailing how this community-led planning should be carried out in the real world. There are few processes or timelines for communities to follow when wanting to plan for themselves, nor is there a great deal of advice for communities who want to plan for their own recovery. In short, despite this consensus that community involvement is desireable, there is very little information available as to the nature of this involvement or how communities might facilitate this. It is simply assumed that communities are willing and able to participate in the recovery process and that recovery authorities will welcome, encourage, and enable this participation. This is not always the case, and the result is that community groups can be left feeling lost and ineffective when trying to plan for their own recovery. In attempting to address this gap, my study contributes to a better understanding of community involvement in recovery planning, based on research with on particular a community group (SPRIG), who has undertaken their own form of community-led planning in a post-disaster environment. Through group observations and in-depth interviews with members of SPRIG, I was able to identify various roles for such groups in the post-disaster recovery process. My research also contributes to an enhanced understanding of the process a community group might follow to implement their own form of post-disaster recovery planning, with the main point being that any planning should be done side by side with local authorities. Finally, I discovered that a community group will face organisational, community and institutional challenges when trying to plan for their area; however, despite these challenges, opportunities exist, such as the chance to build a better future.
A photograph of a heart-shaped bag created by Jane Quigley. The bag is hanging from a post in the NG Gallery car park.
A photograph of a section of a mural on the corner of Byron Street and Colombo Street. The section depicts an older man saying, "That's the thing about unconditional love!" A younger man is also partially visible.
A video about the restoration of New Regent Street. The restoration is hoped to be completed in time for the Christmas shopping season. The project is being led by Edward Leeson of Naylor Love, who is also managing the restoration of the Isaac Theatre Royal next door.
A poster with the words love on the fence just down from the empty site where the CTV building was.
A photograph of a section of a mural on the corner of Byron Street and Colombo Street. The section contains a palm tree. A horse is also partially visible. On the left there is the message, "Occupy love and light right here and now. We'll all meet up on Equality Street anyhow. Love light power." Below the message are a variety of hearts in red, white, and different shades of pink.
A sign outside the PGC Building from "Just a Passer-by" with a poem for those who lost loved ones in the collapsed building.
A sign outside the PGC Building from "Just a Passer-by" with a poem for those who lost loved ones in the collapsed building.
Street art seen across a vacant and overgrown demolition site. On the wall are the words 'LOVE' and a girl holding a small plant.
A photograph captioned by BeckerFraserPhotos, "ChristChurch Cathedral. An inscription in the grounds reads 'Let these stones speak of a love that endures for ever'".
Detail of street art, reading 'Life is a challenge, meet it. Life is a dream, realise it. Life is a game, play it. Life is love, share it'.
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Love Man", and is on the east side of the Victoria Mansions building.
A video of a press conference about the implosion of Radio Network House on Worcester Street. The video includes statements by Peter LockHart, Bill Johnson, and Warwick Isaacs.
A photograph of a colourful crocheted cover for a shipping container. It has various patterns including a heart, a variety of flowers, and the words "Joe & Nat", "Mt Pleasant", and "love from Tauranga". A Nissan Caravan is parked next to the container.
Members of the public view the damaged tower of Christ Church Cathedral. Bracing has been placed on the front wall to the right to limit further damage. In the centre of the crowd stands a wire cage filled with stones. After the earthquake, love notes to Christchurch were written on the stones.
A group of bleary-eyed people is admiring a work of abstract art that is framed by what appears to be marijuana. The artwork is signed 'Cera'. Refers to ongoing zoning plans for quake-stricken Christchurch. Quantity: 1 digital cartoon(s).
A photograph of a colorful crocheted cover for a shipping container. It has various patterns including a black swan, a four leaf clover, the New Zealand flag, some heart patterns, a white house, a pair of pears, a variety of flowers, and the words "Joe & Nat", "Mt Pleasant", and "love from Tauranga".
A laminated sign for the 2011 Festival of Flowers attached to a wooden planter. The plants in the planter are dry and dead. The photographer comments, "The theme for the 2011 Festival of Flowers was 'burst! of water'. The Christchurch February earthquake came and water and sand called liquefaction burst out of the ground all around the area. Ironically the plants for the festival were left unattended in the cordoned off red zone and they would have loved a little burst of water".