
The centennial pool demolition is under way. On a walk around the city to catch up on events happening June 18, 2014 Christchurch New Zealand. Swimsuits have been hung on the fence around the Centennial Pool by campaigners against the complex's demolition. The Armagh St facility is being pulled down to make way for the new Margaret Mahy Fami...
Looking across several properties to a yet to demolished (or possibly removed) house on Seabreeze Close, Pacific Park, Bexley.
A photograph of a tag on the side of a building on Ferry Road. The tag reads, "Move". Another tag is visible to the left.
A photograph of street art above the Hereford Street entrance of the YMCA. The photographer believes that the artworks were created by (from left to right) Sofles, Paulie, and Quench/Drapl.
A video clip of two large-scale, temporary installations titled Upload (left) and Equilibrium (right). The installations were created by students from The University of Auckland, for CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A video clip of two large-scale, temporary installations titled Aurora (front) and Synthesis (back, left). The installations were created by students from Unitec and CPIT, for CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of members of Crack'd for Christchurch setting up refreshments for the launch of the Green Room on Colombo Street.Crack'd for Christchurch comments, "From left: Sharon Wilson and Marie Hudson."
A photograph of members of Crack'd for Christchurch setting up refreshments for the launch of the Green Room on Colombo Street.Crack'd for Christchurch comments, "From left: Jenny Cooper and Marie Hudson."
A video clip of two large-scale, temporary installations titled Aurora (front) and Synthesis (back, left). The installations were created by students from Unitec and CPIT, for CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of members of Crack'd for Christchurch setting up refreshments for the launch of the Green Room on Colombo Street.Crack'd for Christchurch comments, "From left: Jenny Cooper, Sharon Wilson, and Marie Hudson."
A photograph of members of Crack'd for Christchurch in the crowd during the launch of the Green Room on Colombo Street.Crack'd for Christchurch comments, "From left: Alan Campbell, Shirley Walden, Helen Campbell, and Kathryn Innes."
A photograph of a mural on the side of Embassy on Colombo Street. The web address, "www.wongi.co.nz", has been incorporated on the left. The photographer that the mural was created by Wongi "Freak" Wilson, Ikarus, and Yikes.
A photograph looking east along Oxford Terrace from outside the former site of Donna Allfrey's house. Allfrey's house was demolished after her land was zoned Red. The sites of many other demolished houses can be seen to the left.
A photograph of a temporary installations titled GlowCity (left) and ING (right), which were created by students from Unitec. The installations were part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
Flowers left under the Peace Bell at the Christchurch Botanic Gardens in commemoration of the anniversary of the 22 February 2011 earthquake. File reference: CCL-2014-02-22-22February2014 DSC_1215.JPG Photo taken by Valerie Livingstone. From the collection of Christchurch City Libraries.
Flowers left under the Peace Bell at the Christchurch Botanic Gardens in commemoration of the anniversary of the 22 February 2011 earthquake. File reference: CCL-2014-02-22-22February2014 DSC_1214.JPG Photo taken by Valerie Livingstone. From the collection of Christchurch City Libraries.
A photograph of the former sites of several houses on Bangor Street. The houses were demolished after the land was zoned Red. A stake has been placed in the ground to the left. A message written on the stake reads, "412 Oxford Terrace waste water". Grass has begun to grow in the empty sites.
Scavenger Hunt 101 - SH 8 (abandoned building or ruin) The ruins/remains of what was the third highest building in Christchurch, pre earthquakes, the Price Waterhouse Coopers building in Armagh Street. At 76.3 metres ( 21 floors) the demolition has left the basement (now flooded) and these supports. Just one of many photos from Christchurch ...
Low tide on the Avon River at New Brighton/Bexley. Note the original bank and the rock wall slipage on right. The white additions were added in March and April 2011 to protect the properties behind from flooding. Ultimately this area was "red zoned" with all houses removed or to be removed and the ground left till a rehabilitation method can ...
Christchurch's historic Theatre Royal will reopen for business in November, with bookings about to open for the first show, the Royal New Zealand Ballet season of "A Christmas Carol" The 106-year old theatre has been closed for almost four years because of earthquake damage in the 2010 and 2011 earthquakes. The $40million rebuild and restoration project will be completed over the next five months and on 17 November 2014, the 'Grand Old Lady' of New Zealand theatre will reopen her doors for performances. With so few venues for performance left in the city, including the Town Hall out of commission indefinitely, the rebuild of the Theatre Royal is very good news for Christchurch audiences Chief executive Neil Cox explains the process of getting oldest Edwardian theatre in the country back in use and mounting the large scale theatrical productions it has been famous for.
The Catholic Cathedral is classified as a category 1 listed heritage building constructed largely of unreinforced stone masonry, and was significantly damaged in the recent Canterbury earthquakes of 2010 and 2011. In the 2010 event the building presented slight to moderta damage, meanwhile in the 2011 one experienced ground shaking in excess of its capacity leading to block failures and partial collapse of parts of the building, which left the building standing but still posing a significant hazard. In this paper we discuss the approach to develop the earthquake analysis of the building by 3D numerical simulations, and the results are compared/calibrated with the observed damage of the 2010 earthquake. Very accurate records were obtained during both earthquakes due to a record station located least than 80 m of distance from the building and used in the simulations. Moreover it is included in the model the soil structure interaction because it was observed that the ground and foundation played an important role on the seismic behavior of the structure. A very good agreement was found between the real observed damage and the nonlinear dynamic simulations described trough inelastic deformation (cracking) and building´s performance.
Urban Ensembles explores the way in which landscape and architecture can be employed together within the design of a steep, urban site. Lyttelton is a small port town on the border of Christchurch, settled in the foothills of a harbour formed by a major volcanic eruption. This rugged setting, with steeply sloping urban terrain, presents an interesting challenge when designing an urban development. The site was badly damaged in a series of earthquakes in 2010-2011, and many of the town’s oldest buildings, heritage structures dating back to the colonial settlement era, were destroyed. This has left a void in the heart of Lyttelton, and caused the loss of much of the tourism business that the town relies upon for its income. This thesis takes a methodological approach to the design of landscape architecture on such a challenging site. A range of techniques are explored, drawing from both landscape and architecture to explore the roles that each discipline plays in the design of urban spaces. The frequent imbalance between disciplines is addressed both through the literature review and design method, as this landscape architecture thesis draws on architectural design as a tool for generating spaces which fall somewhere in between the two ideals of interior and exterior. The final design proposal is an alternative rebuild plan for the central business area to the south of London St, and also addresses the relationships between that site and the surrounding context, both urban and environmental. The aim of this design is to create a series of interconnected spaces which have a strong relationship to the surrounding harbour setting, and also to facilitate development of the pedestrian spaces throughout the block and encouraging the development of activity at the street level, through the interface between buildings and landscape.