Paul and Sam Corliss's Street Art Photograph (2015:03:21 12:37:07)

Images, UC QuakeStudies

A photograph of street art on Byron Street in Sydenham. The artworks were created by South Bound (left) and Leeya Jet (right) as part of the "From the Ground Up" art project.

Paul and Sam Corliss's Street Art Photograph (2015:03:22 02:46:50)

Images, UC QuakeStudies

A photograph of street art on Dyers Pass Road at the Bromley Silvan Salvage wood and demolition yard. The artwork shows a tree in front of blue waves. In the upper left corner are the words: "P.E.E.E.P Trust".

Paul and Sam Corliss's Street Art Photograph (2015:03:22 02:51:10)

Images, UC QuakeStudies

A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".

Paul and Sam Corliss's Street Art Photograph (2015:03:22 02:49:24)

Images, UC QuakeStudies

A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".

Paul and Sam Corliss's Street Art Photograph (2015:03:21 12:22:12)

Images, UC QuakeStudies

A photograph of street art on Fitzgerald Avenue, near the On Fitz cafe. On the left is a painting of a waxeye bird. Next to it is written "South bound". On the right is a painting of a blue-skinned figure. Next to the man is written "Li'l Elliot.

Paul and Sam Corliss's Street Art Photograph (2015:03:22 09:01:00)

Images, UC QuakeStudies

A photograph of street art between Brighton Mall and Hawke Street. The artwork shows a face with many patterns drawn on it. There are different characters drawn on either side of the face. On the left side, there is the Japanese character for "mother" and the letters DNB. On the right side of the face is the English word "love".

Paul and Sam Corliss's Street Art Photograph (2015:03:29 13:24:20)

Images, UC QuakeStudies

A photograph of street art. The artwork is on the wall surrounding Waltham Pool and faces towards Waltham Park. Written on the wall to the left of the artwork is, "Ironlak presents 'King of Kings' graffiti artwork competition, 24th Feb 2008. Thanks to the local community, Embassy Skate Store, Project Legit".

Paul and Sam Corliss's Street Art Photograph (2015:03:22 14:21:07)

Images, UC QuakeStudies

A photograph of artworks on the wall of a building between New Brighton Mall and Beresford Street. The artwork in the middle depicts a range of native birds. To the left, a section of another artwork shows a hei matau and a jester holding a sign that reads, "Nothing about us without us!". To the right there is a landscape with a message written over it.

Paul and Sam Corliss's Street Art Photograph (2015:03:22 14:21:07)

Images, UC QuakeStudies

A photograph of artworks on the wall of a building between New Brighton Mall and Beresford Street. The artwork in the middle depicts a range of native birds. To the left, a section of another artwork shows a hei matau and a jester holding a sign that reads, "Nothing about us without us!". To the right there is a landscape with a message written over it.

The Ruins of Eloquence

Research papers, Victoria University of Wellington

On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably.  This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch.  The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum.  This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch.  This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free.  This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.