A video of an interview with landscape architect Di Lucas, about her vision for the Christchurch rebuild. Lucas talks about the need to build light buildings by using light materials such as timber. The video is part of The Press's 'Christchurch, one year after February 22, 2011' series.
At 4.35 a.m. on the 4th of September 2010 Christchurch residents were shaken awake by a magnitude 7.1 earthquake, the largest earthquake to hit urban New Zealand for nearly 80 years. It was a large earthquake. On average the world only has 17 earthquakes a year larger than magnitude seven. Haiti’s earthquake in January 2010 was magnitude 7.1 and Chile’s earthquake in February was magnitude 8.8. Although it was a big quake, Christchurch was lucky. In Haiti’s earthquake over 230,000 people were killed and in Chile 40,000 homes were destroyed. Happily this was not the situation in Christchurch, however the earthquake has caused considerable damage. The challenge for the Landscape Architecture community is to contribute to the city’s reconstruction in ways that will not only fix the problems of housing, and the city’s urban, suburban and neighbourhood fabric but that will do so in ways that will help solve the landscape problems that dogged the city before the earthquake struck.
Earthquakes and other major disasters present communities and their authorities with an extraordinary challenge. While a lot can be done to prepare a city’s response in the event of a disaster, few cities are truly prepared for the initial impact, devastation, grief, and the seemingly formidable challenge of recovery. Many people find themselves overwhelmed with facing critical problems; ones which they have often never had experience with before. While the simple part is agreeing on a desired outcome for recovery, it appears the argument that exists between stakeholders is the conflicting ideas of How To effectively achieve the main objective. What I have identified as an important step toward collaborating on the How To of recovery is to identify the ways in which each discipline can most effectively contribute to the recovery. Landscape architecture is just one of the many disciplines (that should be) invovled in the How To of earthquake recovery. Canterbury has an incredible opportunity to set the benchmark for good practice in earthquake recovery. To make the most of this opportuntiy, it is critical that landscape architects are more effectively engaged in roles of recovery across a much broader spectrum of recovery activities. The overarching purpose of this research is to explore and provide insight to the current and potential of landscape architects in the earthquake recovery period in Canterbury, using international good practice as a benchmark. The research is aimed at stimulating and guiding landscape architects dealing with the earthquake recovery in Canterbury, while informing stakeholders: emergency managers, authorities, other disciplines and the wider community of themost effective role(s) for landscape architects in the recovery period.
The quality of public space is vital to livable cities. Yet livable cities also require empowered communities. This thesis asks: how is the landscape architect’s design expertise expressed as part of the public participation process, what are the key features of design expertise that lead to an effective design-based participation process and how does quality in the participation process relate to the quality of design outcomes? A theoretical framework is developed from which to clarify the relationship between decision-making processes in design and public participation. Insights from design theory are combined with the findings of key informant interviews with New Zealand and Northern Europe design experts, and with landscape architects, community and Council staff working in post-earthquake Ōtautahi/Christchurch, Aotearoa/New Zealand. Results of a case study of Albion Square in Ōhinehou/Lyttelton reveal that the designer’s interactions with the public play a critical role in shaping elegant design outcomes in public space design. Four key insights reveal that participatory design processes in New Zealand need to be reconsidered in order to enable landscape architects to work more closely with communities in mutual learning, rather than the currently limiting technical problem solving process. Institutional, professional and theoretical implications are drawn from the findings.
Memorial design in the West has been explored in depth (Stevens and Franck, 2016; Williams, 2007), and for landscape architects it presents opportunities and challenges. However, there is little in the English language literature about memorial design in China. How have Chinese designers responded to the commemorative settings of war and disaster? This study will adopt the method of case study to analyse two of the most representative memorials in China: Nanjing Massacre Memorial Hall (war) and Tangshan Earthquake Memorial Hall (disaster). Both landscapes have undergone three or four renovations and extensions in the last four decades, demonstrating the practical effects of the Chinese landscape theory. These examples of responses to trauma through memorial landscape interventions are testimonies to the witnesses, victims, abusers, ordinary people, youth and the place where the tragedy took place. This study will explore the reconstruction and expansion of the two memorials under the background of China's policies on memorial landscapes in different periods, as well as their functions of each stage. The research will examine how existing Chinese memorial theories exhibit unique responses at different times in response to the sadness and needs experienced by different users. Key Words:memorial landscape; memorial language; victims; descriptive; architecture; experence; disaster; memorial hall; landscape development; Chinese memorial; war.
The 48hr Design Challenge, run by the Christchurch City Council and held at Lincoln University, provided an opportunity for Council to gain inspiration from the design and architecture industry, while testing the draft Central City Plan currently being developed. The Challenge was a response to the recent earthquakes in Christchurch and brought together local and international talent. A total of 15 teams took part in the Challenge, with seven people in each including engineers, planners, urban designers, architects and landscape architects, as well as one student on each team. The four sites within the Red Zone included the Cathedral Square and BNZ Building; 160 Gloucester Street; the Orion NZ Building at 203 Gloucester Street; and 90 Armagh Street, including the Avon River and Victoria Square. The fifth site, which sits outside the Red Zone, is the former Christchurch Women’s Hospital at 885 Colombo Street. This is team SoLA's entry for 160 Gloucester Street.
One landscape colour digital photograph taken on 27 April 2011 showing damage to London Street and demolition work being undertaken on the Harbourlight Theatre. Photograph taken looking west from the intersection of London Street with Oxford Street and Sumner Road. Architect In Christchurch's Central Business District many of the high profile d...
One landscape colour digital photograph taken on 25 February 2011 showing damage to the Lyttelton Historical Museum on the corner of Gladstone Quay and Donald Street. The photograph shows bracing and safety fencing installed after the September 2010 earthquakes. Architect Closed after the September 2010 earthquakes, the Lyttelton Museum buildin...
One landscape colour digital photograph taken on 25 February 2011 showing earthquake damage to the Presbyterian Church of St John in Winchester Street Lyttelton. Photograph shows the main doors, roof and collapsed tower at southern end of church. Architect St John's Lyttelton was one of the oldest Presbyterian Churches in Canterbury. The New Ze...
One landscape colour digital photograph taken on 27 April 2011 showing the demolition of the Harbourlight Theatre on London Street. In the background of the photo the damage to headstones in the Roman Catholic and Dissenters sections of the cemetery on Reserve Terrace can be seen. Architect In Christchurch's Central Business District many of the...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the Presbyterian Church of St John in Winchester Street, Lyttelton. Photograph shows the collapsed roof and tower. The photograph is taken from the southeast corner of the church. Architect St John's Lyttelton was one of the oldest Presbyterian Churches in...
One landscape colour digital photograph taken on 25 February 2011 showing the damage to the former Anglican Vicarage on Ripon Street Lyttelton. Taken from the footpath. Architect The sense of loss felt when confronted with the collapse or demolition of an historic building is compounded when that building is also a home. While the community sees...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the Presbyterian Church of St John in Winchester Street, Lyttelton. Photograph shows the collapsed roof and tower. The photograph is taken from the southern side of the church. Architect The destructive force of the 14 June 2011 earthquakes on buildings in...
Wellington is located on a fault line which will inevitably, one day be impacted by a big earthquake. Due to where this fault line geographically sits, the central city and southern suburbs may be cut off from the rest of the region, effectively making these areas an ‘island’. This issue has absorbed a lot of attention, in particular at a large scale by many different fields: civil engineering, architecture, infrastructure planning & design, policymaking. Due to heightened awareness, and evolved school of practice, contemporary landscape architects deal with post-disaster design – Christchurch, NZ has seen this. A number of landscape architects work with nature, following increased application of ecological urbanism, and natural systems thinking, most notably at larger scales. To create parks that are designed to flood, or implement projects to protect shorelines. A form of resilience less often considered is how design for the small scale - people’s 1:1 relationship with their immediate context in exterior space - can be influential in forming a resilient response to the catastrophe of a major earthquake. This thesis intends to provide a response to address the shift of scales, as a paradigm for preparation and recovery. After a large-scale earthquake, state and civic policies and agencies may or subsequentially not go into action. The most important thinking and acting will be what happens in the minds, and the immediate needs, of each and every person; and how they act communally. This is considered in general social terms in state and civic education programmes of civil defence, for example, but much less considered in how the physical design of the actual spaces we inhabit day-to-day can educate us to be mentally prepared to help each other survive a catastrophe. Specifically, the identification of design of typologies can provide these educative functions. Typology inherently a physical form or manipulation of a generic and substantial prototype applicable in contexts is something that exists in the mind. Working with the physical and social appearance and experience of typologies can also/will change people’s minds. Socially, and economically driven, the community-building power of community gardening is well-proven and documented, and a noticeably large part of contemporary landscape architecture. The designs of this thesis will focus on community gardening specifically to form typologies of resilience preparation and response to disaster. The foundation will remain at the small scale of the local community. The specific question this thesis poses: Can we design local typologies in landscape architecture to integrate community gardens, with public space by preparing for and acting as recovery from a disaster?
One landscape colour digital photograph taken on 27 April 2011 showing damage to the Old Post Office Building on the corner of Norwich Quay and Oxford Street. The old Telegraph office located beside the Old Post Office and the Timeball Station are also visible. Architect As Lyttelton's first main street, Norwich Quay was the site of many early g...
One landscape colour digital photograph taken on 12 April 2011 showing the site of the Norton Buildings and Lyttelton Lounge on Oxford Street. Architect The buildings on this site were severely damaged and demolished within days of the 22 February 2011 earthquake. The larger of the two properties in this photograph was the site of the 1913 Norto...
One landscape colour digital photograph taken on 25 February 2011 showing earthquake damage to the Anglican Church of The Most Holy Trinity in Winchester Street Lyttelton. Photograph shows the bracing to the northern transept erected after the 4 September 2010 earthquake. Architect The earthquake damaged northern wall of the Anglican Church of t...
One landscape colour digital photograph taken on 14 July 2011 showing damage to the Lyttelton Historical Museum on the corner of Gladstone Quay and Donald Street. The photograph shows the safety fencing and containers installed after the 22 February 2011 earthquakes. Architect Closed after the September 2010 earthquakes, the Lyttelton Museum bu...
One landscape colour digital photograph taken on 16 June 2011 showing the site of the Timeball Station after its collapse. Part of the ground floor remains visible. Photograph taken from Oxford Street Overbridge. Architect The 13 June 2011 earthquakes caused the collapse of the already damaged Lyttelton Timeball Station. After the 22 February ...
One landscape colour digital photograph taken on 25 February 2011 showing earthquake damage to the Lyttelton Timeball Station. Also visible is damage to some of the houses in the foreground such as temporarily patched holes in roofs where chimneys have fallen. Architect The Lyttelton Timeball Station was completed in 1876. Its function was to p...
One landscape colour digital photograph taken on 12 April 2011 showing earthquake damage to the Anglican Church of The Most Holy Trinity in Winchester Street Lyttelton. The photograph shows the bracing to the north transept which was erected after the 4 September 2010 earthquake. Architect After the 22 February 2011 earthquake the Church of the ...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the Anglican Church of The Most Holy Trinity in Winchester Street, Lyttelton. Photograph shows collapsed roof of the nave and north transept. Photograph taken from the north side of the church. Architect The collapse of the Church of the Most Holy Trinity ...
One landscape colour digital photograph taken on 15 June 2011 showing earthquake damage to the Anglican Church of The Most Holy Trinity in Winchester Street, Lyttelton. Photograph shows collapsed roof of the nave and north transept. Photograph taken from the northwest corner of the church. Architect The collapse of the Church of the Most Holy Tr...
Millions of urban residents around the world in the coming century will experience severe landscape change – including increased frequencies of flooding due to intensifying storm events and impacts from sea level rise. For cities, collisions of environmental change with mismatched cultural systems present a major threat to infrastructure systems that support urban living. Landscape architects who address these issues express a need to realign infrastructure with underlying natural systems, criticizing the lack of social and environmental considerations in engineering works. Our ability to manage both society and the landscapes we live in to better adapt to unpredictable events and landscape changes is essential if we are to sustain the health and safety of our families, neighbourhoods, and wider community networks. When extreme events like earthquakes or flooding occur in developed areas, the feasibility of returning the land to pre-disturbance use can be questioned. In Christchurch for example, a large expanse of land (630 hectares) within the city was severely damaged by the earthquakes and judged too impractical to repair in the short term. The central government now owns the land and is currently in the process of demolishing the mostly residential houses that formed the predominant land use. Furthermore, cascading impacts from the earthquakes have resulted in a general land subsidence of .5m over much of eastern Christchurch, causing disruptive and damaging flooding. Yet, although disasters can cause severe social and environmental distress, they also hold great potential as a catalyst to increasing adaption. But how might landscape architecture be better positioned to respond to the potential for transformation after disaster? This research asks two core questions: what roles can the discipline of landscape architecture play in improving the resilience of communities so they become more able to adapt to change? And what imaginative concepts could be designed for alternative forms of residential development that better empower residents to understand and adapt the infrastructure that supports them? Through design-directed inquiry, the research found landscape architecture theory to be well positioned to contribute to goals of social-ecological systems resilience. The discipline of landscape architecture could become influential in resilience-oriented multi disciplinary collaborations, with our particular strengths lying in six key areas: the integration of ecological and social processes, improving social capital, engaging with temporality, design-led innovation potential, increasing diversity and our ability to work across multiple scales. Furthermore, several innovative ideas were developed, through a site-based design exploration located within the residential red zone, that attempt to challenge conventional modes of urban living – concepts such as time-based land use, understanding roads as urban waterways, and landscape design and management strategies that increase community participation and awareness of the temporality in landscapes.
The increase in urban population has required cities to rethink their strategies for minimising greenhouse gas impacts and adapting to climate change. While urban design and planning policy have been guided by principles such as walkability (to reduce the dependence on cars) and green infrastructure (to enhance the quality of open spaces to support conservation and human values), there have been conflicting views on what spatial strategies will best prepare cities for a challenging future. Researchers supporting compact cities based upon public Transit Oriented Development have claimed that walkability, higher density and mixed-uses make cities more sustainable (Owen, 2009) and that, while green spaces in cities are necessary, they are dull in comparison with shopfronts and street vendors (Speck, 2012, p 250). Other researchers claim that green infrastructure is fundamental to improving urban sustainability and attracting public space users with improved urban comfort, consequently encouraging walkability (Pitman and Ely, 2013). Landscape architects tend to assume that ‘the greener the better’; however, the efficiency of urban greenery in relation to urban comfort and urbanity depends on its density, distribution and the services provided. Green infrastructure can take many forms (from urban forests to street trees) and provide varied services (amended microclimate, aesthetics, ecology and so forth). In this paper, we evaluate the relevance of current policy in Christchurch regarding both best practice in green infrastructure and urban comfort (Tavares, 2015). We focus on the Christchurch Blueprint for rebuilding the central city, and critically examine the post-earthquake paths the city is following regarding its green and grey infrastructures and the resulting urban environment. We discuss the performance and appropriateness of the current Blueprint in post-earthquake Christchurch, particularly as it relates to the challenges that climate change is creating for cities worldwide.