An initiative developed by the Christchurch City Council in which the community can share their ideas on a new vision for the future development of the central city following the Canterbury earthquakes.
Visual overview of ideas generated for the redevelopment of Christchurch following recent earthquakes, using the Magnetic South online discussion game.
A forum created by Jeremy McManus to discuss ideas for rebuilding Christchurch following the February 22, 2011 earthquake. Topics discussed include housing, transportation, and urban design.
The Rangiora Earthquake Express was the brain child of Brendan Malone and his mate Chris who, on Wednesday last week, came up with an idea to help the citizens of East Christchurch.
Some children in Christchurch still have quite serious post-earthquake anxiety issues - we hear what to look for and why professional help might be a good idea.
Summarises "Magnetic South," an online discussion about the long-term future of Christchurch in June 2011, with ideas about how the city might recover from the 2011 earthquake.
Provides news and information to residents of Canterbury after the 2010 and 2011 earthquakes. Includes ideas discussion page, blog, services directory, list of damaged suburbs, geological information including recent aftershocks, and photos.
The new Wellington Venues Limited CEO discusses her ideas for the events scene in the capital, plus the addition of a new Christchurch Artists exhibition in the St James Theatre, which will raise money for artists affected by the earthquake
In six small cameos Prime Minister John Key ponders over things economic and ends up dancing; he says 'I'm bereft of ideas for the economy gambling the lives of our troops in the Afghanistan mess I'm presiding over the biggest budget deficit in our history borrowing $300m a week to cushion our slide into oblivion Using lots of World Cup piffle to distract from the real issues Yet I'm still rating miles higher than Goff so how hopeless is he??? A little man in the last frame comments 'Spoiled for choice eh?' Context - New Zealand's rather dire economic situation made so much worse by the Christchurch earthquakes of 4 September 2010 and 22 February 2011, the consistently high poll rating of John Key and the series of disasters suffered by the Labour Party in the run up to the 2011 election in November. Quantity: 1 digital cartoon(s).
Photograph captioned by Fairfax, "Christchurch earthquake. The Shell service station at Southbrook out of fuel at 9am, and they have no idea of when more is coming. Cars are just driving through".
Topics - A magnitude 4.7 earthquake that rattled Wellington early this morning was the second to hit the capital in less than a week. Your ideas for economic measures to stimulate Christchurch's recovery continue to flow in.
Created to generate support for and develop the idea of the Christchurch CBD being rebuilt as the world's first elevated garden city, with rooftop gardens and open spaces connected by walkways and cycle paths.
Photograph captioned by Fairfax, "Prime Minister John Key visits CPIT. First-year design students embrace the idea of a high vis city. From left: Prime Minister John Key, first-year design students Ellen Gray and Rory Grant".
Christchurch City has to be rebuilt after the earthquakes of 4 September 2010 and 22 February 2011. People are being invited to contribute ideas about how to rebuild on a city council website. A group of people look at ideas on computers; a boy comments that 'this one looks just like the old city' and his father comments 'but built fifty miles up the road!' A woman looks at what appears to be pre European Maori pa site and says 'Hone Harawira wants something pre-European!' Another woman looks at a map of the middle of the South Island and says 'Rodney Hide doesn't care as long as Christchurch combines with Timaru and Westport!' Context - Former ACT leader Rodney Hide in his role as Minister for Local Government likes 'supercities' and Hone Harawira has left the Maori Party, fed up with the compromises he believes they have to make to suit their coalition agreement with the National government. He seems to prefer a city that will reflect simpler pre-European times. Colour and black and white versions available Quantity: 2 digital cartoon(s).
Text across the top of the cartoon reads 'always design in context' There is a globe, small in the context, with a little message reading 'you are here' pointing, perhaps, to New Zealand or even more specifically, Christchurch; the globe is being threatened from all sides by forces of nature represented by the hand of god reaching out of clouds. Context - the Christchurch earthquakes of 4 September 2010 and 22 February 2011 and the idea that buildings must be designed in the context of their environment - NZ being earthquake-prone. Perhaps also the idea of 'design in context' in a broader sense. Quantity: 1 digital cartoon(s).
Sixteen-year-old Sam Mackwell and his mates from St Thomas of Canterbury College have created a device that uses boiling water to charge cellphones, power a light and run a radio. They came up with the idea for the small generator after the first earthquake in Canterbury in September when electricity supplies were cut to much of the city. They call the device"The Lion"and hope to sell it in retail stores soon.
An elderly couple sit having afternoon tea and chatting about Prince William's visit to Christchurch after the February 22 earthquake. The woman expresses delight that 'Prince William took time out to visit Christchurch' and her husband comments that there is 'Not much talk about becoming a republic lately'. Context - The Christchurch earthquakes of 4 September 2010 and 22 February 2011 and Prince William's subsequent visit. Also discussion about New Zealand's becoming a republic; there is a Republican Movement who are promoting the idea of an elected head of state. Quantity: 1 digital cartoon(s).
This thesis investigates the relationship between the apocalyptic narrative and the postmodern novel. It explores and builds on Patricia Waugh‟s hypothesis in Practising Postmodernism: Reading Modernism (1992) which suggests that that the postmodern is characterised by an apocalyptic sense of crisis, and argues that there is in fact a strong relationship between the apocalyptic and the postmodern. It does so through an exploration of apocalyptic narratives and themes in five postmodern novels. It also draws on additional supporting material which includes literary and cultural theory and criticism, as well as historical theory. In using the novel as a medium through which to explore apocalyptic narratives, this thesis both assumes and affirms the novel‟s importance as a cultural artefact which reflects the concerns of the age in which it is written. I suggest that each of the novels discussed in this thesis demonstrates the close relationship between the apocalyptic and the postmodern through society‟s concern over the direction of history, the validity of meta-narratives, and other cultural phenomenon, such as war, the development of nuclear weaponry, and terrorism. Although the scope of this thesis is largely confined to the historical-cultural epoch known as postmodernity, it also draws on literature and cultural criticism from earlier periods so as to provide a more comprehensive framework for investigating apocalyptic ideas and their importance inside the postmodern novel. A number of modernist writers are therefore referred to or quoted throughout this thesis, as are other important thinkers from preceding periods whose ideas are especially pertinent. The present thesis was researched and written between March 2010 and August 2011 and is dedicated to all of those people who lost their lives in the apocalyptic events of the February 22nd Christchurch earthquake.
The title reads 'Shipping container shopping for Merivale?.. The cartoon shows a row of shops that have been created from containers. An oil slick seeps from one of them. Someone in 'Chez Merivale' says 'Nice idea darling. But did they have to use the Rena's containers?' Context: Refers to the container ship 'Rena' which is grounded on the Astrolabe Reef off the Bay of Plenty and threatens to become a disaster of huge proportions as oil spews into the sea. Modified shipping containers have been put in place in the suburb of Merivale to replace broken shops. Quantity: 1 digital cartoon(s).
The title reads 'Satellite to plunge to earth "People should see quite a show." A 'NASA' satellite heads towards New Zealand; someone inside says 'Beep! Beep! Christchurch CBD here we come! Woo-hoo!' Context: A great deal of the CBD (Central Business District) in Christchurch is being demolished, considered to dangerous or too expensive to restore. A defunct 6.5 ton NASA satellite falls to earth this week... 26 pieces, with a combined mass of 500kg will survive the fiery re-entry and hurtle towards us. NASA doesn't have much idea of where it will land so it may demolish some of Christchurch. Quantity: 1 digital cartoon(s).
Text reads 'Could the wrecking ball be used on structures outside Christchurch?' The cartoon shows Minister for the Reconstruction of Christchurch Gerry Brownlee as the wrecking ball on a crane; he says 'let the fun begin'. To one side is a large house crowded with people which represents 'the welfare state' and is surrounded by a barrier on which are printed the words 'Fiscal emergency'. Context - Gerry Brownlee is seen by many as rather too quick to demolish heritage buildings in his rush to rebuild Christchurch. The wrecking ball idea also suggests that the National government is likely to wreck the welfare state in its efforts to sort out economic problems. Quantity: 1 digital cartoon(s).
Text below the image reads 'More silence?..' Prime Minister John Key and the Governor General Sir Anand Satyanand and several 'hangers-on' almost suffer coronaries when an official suggests in discussions about 'cost-saving ideas' that 'One of the National Projects we could "reprioritise" in the wake of the earthquake is to axe any Kiwi VIP attendance at the royal wedding'. Context - The PM and Governor General are thought to be on the list for invitations to the wedding of Prince William and Kate Middleton but after the catastrophic Christchurch earthquake of 22 February 2011, which is going to cost the country billions, a wag wonders whether they should go. Quantity: 1 digital cartoon(s).
Earthquakes and other major disasters present communities and their authorities with an extraordinary challenge. While a lot can be done to prepare a city’s response in the event of a disaster, few cities are truly prepared for the initial impact, devastation, grief, and the seemingly formidable challenge of recovery. Many people find themselves overwhelmed with facing critical problems; ones which they have often never had experience with before. While the simple part is agreeing on a desired outcome for recovery, it appears the argument that exists between stakeholders is the conflicting ideas of How To effectively achieve the main objective. What I have identified as an important step toward collaborating on the How To of recovery is to identify the ways in which each discipline can most effectively contribute to the recovery. Landscape architecture is just one of the many disciplines (that should be) invovled in the How To of earthquake recovery. Canterbury has an incredible opportunity to set the benchmark for good practice in earthquake recovery. To make the most of this opportuntiy, it is critical that landscape architects are more effectively engaged in roles of recovery across a much broader spectrum of recovery activities. The overarching purpose of this research is to explore and provide insight to the current and potential of landscape architects in the earthquake recovery period in Canterbury, using international good practice as a benchmark. The research is aimed at stimulating and guiding landscape architects dealing with the earthquake recovery in Canterbury, while informing stakeholders: emergency managers, authorities, other disciplines and the wider community of themost effective role(s) for landscape architects in the recovery period.
An often overlooked aspect of urban housing development is the composition of the space between buildings; the streetscape. The pressures of suppressing suburban sprawl have seen housing developments respond by increasing residential density within more centralised city sites. Medium-density housing typologies are often used as urban infill in response to the challenge of accommodating an increasing population. A by-product of these renewed areas is the creation of new open space which serves as the fundamental public space for sociability to develop in communities. Street space should emphasise this public expression by encouraging social exchange and interaction. As a result, a neighbourhood owes its liveliness (or lack thereof) to its streets. The issue of density when applied to the urban housing landscape encompasses two major components: the occupancy of both the private realms, constituting the residential built form, and the public spaces that adjoins them, the streets. STREETSCAPE: dialogues of street + house. Continual transition between the realms of public and private (building and street space) enact active edges, giving way to public stimulation; the opportunity for experiencing other people. The advent of seeing and hearing other people in connection with daily comings and goings encourages social events to evolve, enhancing the notion of neighbourly conduct. Within New Zealand, and specifically in Christchurch as considered here, the compositions of current streetscapes lack the demeanor to really encourage and facilitate the idea of neighbourly interaction and public expression. Here lies the potential for new street design to significantly heighten the interplay of human activity. In response, this research project operates under the notion that the street spaces of urban residential areas are largely underutilised. This lack is particularly evident in the street. Street design should strive to produce spaces which stimulate the public life of residents. There exists a need to reassert eminence of the street as a space for vibrant neighbourhood life. This thesis employs design as a tool for researching and will involve using numerous concept generators to trigger the production of multiple scenarios. These scenarios are to explore the ways in which the streetscapes within medium-density urban communities could respond in the event of (re) development.