A photograph captioned by BeckerFraserPhotos, "The new temporary city i-SITE visitor centre in the Botanic Gardens, Rolleston Avenue".
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
The Peacock Foutain in the Botanic Gardens, in the background is the Christchurch I-Site which has reopened in a potacom.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), displayed in a Gap Filler site Sydenham.
An elaborate graffiti tag sprayed on a wall beside a demolition site on Tuam Street. A collection of abandoned objects lie on the site. The photographer comments, "Graffiti spotted in the Christchurch earthquake red zone. What I liked was the odd mixture of bits and bobs around it".
A photograph of Wayne Youle's mural 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012). The photograph is captioned by BeckerFraserPhotos, "Art installation at an empty site on Colombo Street, Sydenham".
The Botanic Gardens, in the background is part of the Peacock Fountain, Christchurch I-site in a portacom on the left and the Art Centre. In the foreground is a wheelbarrow with some gardening equipment.
Demolition site and street art on a wall on Colombo Street, Sydenham. The work on the left is a Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), a shadow-board mural which depicts things lost during the earthquake.
A digitally manipulated image of the damaged statue of Scott which was removed from its original site beside Worcester Boulevard for safekeeping. The photographer comments, "During the February 2011 earthquake in Christchurch, New Zealand the statue of Robert Falcon Scott broke across the ankles and most of the statue came crashing to the ground. To commemorate a 100 years of association with Antarctica Christchurch council has laid out for viewing the statue in a prostrate position. I was lucky to encounter the statue before it was put into its glass display enclosure".
This paper provides an overview of the salient aspects of the dense array of ground motions observed in the 4 September 2010 Darfield and 22 February 2011 Christchurch earthquakes. Particular attention is given to inferred physical reasons for the observed ground motions, which include: (i) source features such as forward directivity effects; (ii) The effects of the Canterbury Plains sedimentary basin on basin-generated surface waves, and waveguide effects through the region; and (iii) the importance of local site response as evidenced by observations of large long period amplification and liquefaction. The significance of vertical ground motion intensity is also examined.
Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.