A graphic describing guidelines for foundation design.
A graphic showing a proposed design for the Triangle Centre site.
A graphic giving details of the Breathe - New Urban Village design competition.
A graphic showing the design of a proposed swimming pool for New Brighton.
A graphic promoting a poll asking for opinions on a proposed stadium design.
A graphic promoting a poll asking for opinions on a proposed stadium design.
A graphic giving information about Boffa Miskell, the firm leading the design of the central Christchurch rebuild.
Photograph captioned by Fairfax, "Quake symbol: Jenny Marsh holds up the design by graphic artist Susan Bocock of Kaiapoi's twisted swing bridge".
Over the past two blog posts we’ve been looking at a large assemblage of labelled bottles found under a house in Akaroa. Today on the blog we’re going to take a step back and look at how the bottles travelled … Continue reading →
A PDF copy of pages 108-109 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Silver Bulletin'. Photo: Matthew Galloway
This exhibition, eight years in the planning, had the misfortune to open one week before the 22 February 2011 Christchurch earthquake; the exhibition was immediately taken down and never went up again – the Christchurch Art Gallery has still not reopened. Although in my book Fantastica: The World of Leo Bensemann (NRO1) I covered the whole of Bensemann’s career, in the exhibition I took responsibility for the paintings (portraits and landscapes) , while Dr. Noel Waite (University of Otago) looked after Bensemann’s graphic work, book design and printing. This was the most extensive exhibition of Bensemann’s work ever mounted and together with Fantastica will compel a major reassessment of his place in New Zealand culture. Art New Zealand wrote of it: ‘The exhibition (including more than 100 items) is significant in bringing together what has in the past appeared disparate and unrelated; here Bensemann's entire oeuvre - the output of a painter, illustrator, calligrapher, typographer, designer and publisher is given equal billing. Although this exhibition is an important re-assessment and valuable for a new generation unfamiliar with his work, a national touring show would have precipitated an even greater awareness’.