A blog about the Family-owned and run bar in Poplar Lanes, Christchurch - home of live entertainment with bands and DJs, every Thursday to Saturday. Archived instances cover the Canterbury Earthquake when the bar had to close down due to damage.
A foosball table in the seating area outside Goodbye Blue Monday, a bar and music venue off Polar Lane.
Photograph captioned by BeckerFraserPhotos, "138-142 Lichfield Street (Poplar Street on the left)".
Photograph captioned by BeckerFraserPhotos, "Goodbye Blue Monday on Lichfield Street, off Poplar Street".
A tribute taped to a window of a house on Tasman Place. The tribute reads, "Our red zoned house. When we bought you years ago, you looked a bit tired and sad, but overall you weren't too bad. We spruced you up with paint and love and asked for a blessing from above. The years went by, family and friends celebrations under your roof, your 'veggie' garden gave us kai. We felt safe within your wall, then one dreadful September night, the shaking earth made you fall. You tried with all your groaning might to keep us from harm. Because you were strongly built we held onto the door, while a wave of terror buckled the floor and outside the garden flooded with silt. Now you are near the end, sunken walls and windows bend. We say goodbye today and let you go, Our spirit and heart feels low. You are more than just mortar and brick. For us you were a gift, a safe haven where we once lived".
Caption reads: "We have always been a hidden treasure in this city and it’s sad to say goodbye."
A page layout for the Zone Life feature, featuring an article titled, "Heartbreaking goodbyes in the residential red zone".
A card at Christ Church Cathedral reads, "Sad goodbye to the grand old lady of Christchurch. Wonderful memories, never forgotten."
A photograph of the exterior of Smash Palace. Scaffolding and plastic sheeting has been used to create walls around the site.
A photograph of the exterior of Smash Palace. Scaffolding and plastic sheeting has been used to create walls around the site.
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar, and tarpaulins provide a roof over a seating area.
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar.
A PDF copy of pages 198-199 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Smash Palace'. Photos: Irene Boles
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar.
Photograph captioned by BeckerFraserPhotos, "Looking north-east from Alice in Videoland. IRD Building in the centre distance".
Johnny Moore is the owner of the Goodbye Blue Monday bar in Christchurch, which has been closed since the 22 February earthquake. He talks to Kim about the turbulent times since then and his career in the hospitality industry.
A digger demolishing the former Ozone Hotel in New Brighton. The photographer comments, "The bulldozers are starting circling the Ozone in New Brighton, Christchurch. Taking bits of flesh from the mortally wounded building".
And just like that another year has passed us by. 2018 has been a year of changes here at Underground Overground. It’s with a very heavy heart we’ve said a few goodbyes to some tremendously talented archaeologists; Chelsea, Shana, Matt, … Continue reading →
Photograph captioned by Fairfax, "Four year old Kahu Guthrie, clutching his presents, waves goodbye to Santa (played by Peter Leitch, the Mad Butcher, as he leaves in the police helicopter from Motuihe Island where Kahu and 30 other disadvantaged earthquake victims from Christchurch spent the day courtesy of Westpac)".
Photograph captioned by Fairfax, "Four year old Kahu Guthrie, clutching his presents, waves goodbye to Santa (played by Peter Leitch, the Mad Butcher, as he leaves in the police helicopter from Motuihe Island where Kahu and 30 other disadvantaged earthquake victims from Christchurch spent the day courtesy of Westpac)".
Grief and solace in disasters. Finding Solace - Solace as an approach to the adjustments and transitions of grief ‘it is that which brings hope in the future in the face of despair’ (Klass, 1992). Understanding solace in a disaster situation - Disaster research on Western countries sees grief as complicated, solace difficult to achieve (as can’t do the usual things like say goodbye). Coping is through talking about the experiences and individual psychological counselling (Raphael, B. 2012). Disaster research on non-Western countries focuses on cultural characteristics as source of coping and solace (strong religious beliefs, strong communities etc., which naturally generate the social space to talk with others as a form of witnessing in which ‘comfort was sought and gained through the process of sharing experiences of suffering’(Kanayake et al., 2013). Coping (solace) is supposed to come through talking...