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Images, eqnz.chch.2010

Detail of the Christchurch Anglicain Cathedral viewed from a path between the new Cashel Mall shopping area and Cathedral Square which was opened two weekends ago. This is the first time this section of the city has been open to the public since the 22 February 2011 earthquake. It will be closed off again after 11 December 2011 for the demolitio...

Research papers, University of Canterbury Library

Exploring women’s experiences of entering, working in, or leaving the Christchurch construction industry between 2010 and 2018 led to the creation of the theory of “deferential tailoring.” Deferential tailoring explains how women shape their responses to industry conditions as an intentional behavioural adjustment process. Most importantly, this theory provides insight into women’s unseen efforts to build positive workplace relationships, their capability to advance, and challenges to existing views of gender roles in this context. Research on women in construction focusses primarily on identifying and explaining barriers that impact on women’s entry, progression, and retention in the industry. There is an absence of process studies that explain the actions women take to manage industry conditions in business-as-usual, let alone post-disaster contexts. In the eight years following the 2010 Canterbury (New Zealand) earthquakes, rapid changes to the construction industry meant women had unprecedented access and new opportunities in this historically male-dominated domain. This setting provided a unique context within which to investigate how women respond to industry opportunities and challenges. The aim of this interpretive research was to construct a response theory, particular to women working in the Christchurch construction industry. Applying a constructivist grounded theory approach, theoretical sampling, coding and memo writing allowed for the collection and comparative analysis of 36 semi-structured interviews conducted with women working in a cross-section of industry occupations. Three inter- related categories were built: capitalising on opportunity, building capability and token tolerance, which together constitute the deferential tailoring process. Akin to building an invisible glass scaffold, women intentionally regulate their behaviours to successfully seize opportunities and manage social challenges. In building this scaffold, women draw heavily on personal values and positive, proactive attributes as a response to industry conditions. In contrast to previous research, which suggests that women conform to the male-dominated norms of the industry, the theory of deferential tailoring proposes that women are prepared to regulate their behaviour to address the gendered norms that impact on their work experiences. This research contributes towards an evolving body of knowledge that aims to understand how women’s entry into the construction industry, retention, and workplace relationships can be improved. By expanding the view of how women respond to industry conditions over time, this research has generated knowledge that addresses gaps in construction industry literature relating to the management of coping strategies, capitalising on opportunities, and building positive workplace relationships. Knowledge and concepts generated from this research could be integrated into recruitment and training programmes to enhance women’s professional development, shift perceptions of women’s work, and address cultural norms that impact on women’s retention in the construction industry.

Images, UC QuakeStudies

A digitally manipulated image of two stained glass windows. The photographer comments, "This is an abstract of the stained glass window of St Peter's Church in Christchurch, New Zealand. The church was seriously damaged in the Christchurch earthquake".

Images, UC QuakeStudies

A broken window at ground level has building rubble behind it, some of which has been pushed out through the broken glass. The photographer comments, "The alternate title is 'Under Pressure'. A bulldozer must have pushed earthquake debris up against the internal wall not realising there was a glass reinforced window at ground level".

Images, UC QuakeStudies

The glass facade to Christchurch Art Gallery and the sculpture "Reasons for Voyaging", a collaboration between Canterbury sculptor, Graham Bennett and architect, David Cole, outside the gallery. A building across the street is reflected on the glass.

Images, UC QuakeStudies

A digitally manipulated photograph looking through a broken window into a darkened room. Through windows opposite, an overgrown garden can be seen. The photographer comments, "This is a restaurant that was closed down and without any help the garden at the back has flourished".

Images, UC QuakeStudies

A photograph of the earthquake damage to a section of Robin Duff's house at 386 Oxford Terrace. The chimney has fallen off the roof and is now resting in the patio. Behind the chimney, one of the walls has a noticeable lean and the glass of one of the French doors is broken. The photographer comments, "The glass was broken by looters who entered the house and took bits that interested them".

Images, eqnz.chch.2010

A crane topples over on Victoria Street while taking glass up to some windows. No one was hurt and the glass never broke. Victoria Street was closed from 7:30am to later in the evening. This all happen on the Knox Plaza building site. Christchurch October 13, 2014 New Zealand.