A video montage of Canterbury Tales, a carnivalesque procession through the central city, led by Free Theatre Christchurch. The film depicts the construction and set up, through to the main public events. It also includes interviews with Peter Faulkenberg (Canterbury Tales and Free Theatre Christchurch Artistic Director) and George Parker (Canterbury Tales and Free Theatre Christchurch Producer).
A copy of the program for the screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.
A copy of the poster used to advertise screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.
A video of interpretive dances filmed at various locations in the Christchurch Botanic Gardens, featuring Matt Grant and Elizabeth Guthrey.
A trailer video for Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces', which was screened as part of the Body Festival 2014.
This thesis is a theoretical exploration of ‘remembrance’ and its production in the interactions between people/s and the landscape. This exploration takes place in the broad context of post earthquake Christchurch with a focus on public spaces along the Ōtākaro – Avon river corridor. Memory is universal to human beings, yet memories are subjective and culturally organized and produced - the relationship between memory and place therefore operates at individual and collective levels. Design responses that facilitate opportunities to create new memories, and also acknowledge the remembered past of human – landscape relationships are critical for social cohesion and wellbeing. I draw on insights from a range of theoretical sources, including critical interpretive methodologies, to validate subjective individual and group responses to memory and place. Such approaches also allowed me, as the researcher, considerable freedom to apply memory theory through film to illustrate ways we can re-member ourselves to our landscapes. The Ōtākaro-Avon river provided the site through and in which film strategies for remembrance are explored. Foregrounding differences in Māori and settler cultural orientations to memory and landscape, has highlighted the need for landscape design to consider remembrance - those cognitive and unseen dimensions that intertwine people and place. I argue it is our task to make space for such diverse relationships, and to ensure these stories and memories, embodied in landscape can be read through generations. I do not prescribe methods or strategies; rather I have sought to encourage thinking and debate and to suggest approaches through which the possibilities for remembrance may be enhanced.
Gaylene Preston has been making feature films and documentaries with a distinctive NZ flavour for over 30 years. Her latest venture is an epic six part drama series called Hope and Wire, which she produced and directed. Set in Christchurch in the aftermath of the devastating earthquakes, Hope and Wire is a fictionalised mix of characters - families that fly apart, others that come together - and what happens to a city that loses it's centre in an instant.
A photograph of members of the public examining Crack'd for Christchurch's armchair mosaic. The armchair and ottoman artworks have just been unveiled during the launch of the Green Room garden on Colombo Street. In the foreground are several members of Crack'd for Christchurch. A camera operator from One News is also filming the event.
A photograph of a TVNZ camera operator filming the members of Crack'd for Christchurch during the launch of the Green Room garden. The members have gathered around their armchair and ottoman artwork. The armchair and ottoman are covered in white sheets and tied with a blue bow. They will be unveiled for the first time during the launch.Crack'd for Christchurch comments, "The whole team together."
A photograph of Sarah Campagnolo, Project Co-ordinator for Greening the Rubble, speaking at the opening of the Green Room garden. In the background, members of Crack'd for Christchurch have gathered around their armchair and ottoman artworks. The artworks are wrapped in white sheets and tied with a bow. They will be unveiled for the first time during the launch. To the right, a camera operator from One News is filming the speech.