A video of journalist Charlie Gates introducing the 2014 World Buskers Festival. Gates visits former festival venues in the Christchurch central city and the new performance venues for the 2014 festival, to show how the city has changed since the 2010 and 2011 earthquakes.
A PDF copy of pages 94-95 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Buskers Festival Relocation Around the Events Village'. Photo with permission: Buskers Festival
An entry from Roz Johnson's blog for 22 December 2013 entitled, "Rise Festival Big Walls Artists".
A video of busker John Higby performing his Yo Yo Guy routine in Cathedral Square. The performance was part of a special World Buskers Festival show for workers in the Christchurch central city Red Zone.
A crowd watches buskers performing outside Ballantynes during the World Buskers Festival.
A busker in the Re:Start mall during the World Buskers Festival.
A crowd watches a busker perform outside Ballantynes during the World Buskers Festival.
A crowd watches a busker perform outside Ballantynes during the World Buskers Festival.
A crowd watches a busker perform outside Ballantynes during the World Buskers Festival.
A photograph of posters on a bollard. The photograph is captioned by Paul Corliss, "Tuam Street and High Street shops, CBD. By Alice's".
A crowd watching a busker perform in the Re:Start mall during the World World Buskers Festival.
A crowd watching a busker perform in the Re:Start mall during the World World Buskers Festival.
An entry from Ruth Gardner's Blog for 21 December 2013 entitled, "Bold and Beguiling".
An entry from Ruth Gardner's Blog for 13 December 2013 entitled, "Mysterious Mural".
Bike stands in Re:Start in the shape of fern fronds. In the background, a crowd watches a busker perform during the World World Buskers Festival.
A PDF copy of pages 244-245 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Arts Circus'. Renders: Pivnice
A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A PDF copy of pages 36-37 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Ko Taku Kupu, Ko Tau/My Word is Yours'. Page 36 photograph of writers at CPIT: Tate Tiata. Remaining photographs: Earl Tutty.
A PDF copy of pages 50-51 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'LUXCITY'. Photographs: Bridget Anderson and Douglas Horrell
A video about the Christchurch Pops Choir which is performing at the Christchurch Arts Festival. The video includes interviews with artistic director Luke Di Somma and president Lee Harris. Di Somma and Harris talk about starting the choir after the 2010 and 2011 Canterbury earthquakes, and singing pop music. The video also includes footage of the choir singing as part of a flash mob at the Christchurch International Airport.
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
Lincoln University was commissioned by the Avon-Otakaro Network (AvON) to estimate the value of the benefits of a ‘recreation reserve’ or ‘river park’ in the Avon River Residential Red Zone (ARRRZ). This research has demonstrated significant public desire and support for the development of a recreation reserve in the Avon River Residential Red Zone. Support is strongest for a unique natural environment with native fauna and flora, healthy wetlands and rivers, and recreational opportunities that align with this vision, such as walking, cycling and water-based sporting and leisure activities. The research also showed support for a reserve that promotes and enables community interaction and wellbeing, and is evident in respondents’ desires for community gardens, regular festivals and markets, and the physical linking of the CBD with eastern suburbs through a green corridor. There is less support for children’s playgrounds, sports fields or open grassed areas, all of which could be considered as more typical of an urban park development. Benefits (willing to pay) to Christchurch residents (excluding tourists) of a recreation reserve could be as high as $35 million each year. Savings to public health costs could be as high as $50.3 million each year. The incorporation or restoration of various ecosystems services, including water quality improvements, flood mitigation and storm water management could yield a further $8.8 million ($19, 600) per hectare/year at 450 ha). Combined annual benefits of a recreational reserve in the ARRRZ are approximately $94.1 million per annum but this figure does not include potentially significant benefits from, for example, tourism, property equity gains in areas adjacent to the reserve, or the effects of economic rejuvenation in the East. Although we were not able to provide costing estimates for park attributes, this study does make available the value of benefits, which can be used as a guide to the scope of expenditure on development of each park attribute.