Media with Gavin Ellis
Audio, Radio New Zealand
Christchurch may become the most documented earthquake in history; The Teachers Council; Newspaper readership and circulation.
Christchurch may become the most documented earthquake in history; The Teachers Council; Newspaper readership and circulation.
Transcript of Antony Crisp's earthquake story, captured by the UC QuakeBox project.
Transcript of Dan Daly's earthquake story, captured by the UC QuakeBox project.
Transcript of Laurie Hill's earthquake story, captured by the UC QuakeBox project.
Transcript of Greg Hynes's earthquake story, captured by the UC QuakeBox project.
Transcript of Tom's earthquake story, captured by the UC QuakeBox project.
Transcript of Martin Brown's earthquake story, captured by the UC QuakeBox project.
Transcript of Sharon Whillis's earthquake story, captured by the UC QuakeBox project.
Transcript of James David Bundy's earthquake story, captured by the UC QuakeBox project.
Transcript of Leonora (Lee) Bothma's earthquake story, captured by the UC QuakeBox project.
Transcript of Dianne Wilson's earthquake story, captured by the UC QuakeBox project.
A story submitted by Anonymous to the QuakeStories website.
Transcript of participant number AP2500's earthquake story, captured by the UC QuakeBox project.
Transcript of Jason Eager's earthquake story, captured by the UC QuakeBox project.
Transcript of Kirk Pflaum's earthquake story, captured by the UC QuakeBox project.
Transcript of Bev McCashin's earthquake story, captured by the UC QuakeBox project.
Transcript of Luke Herbert's earthquake story, captured by the UC QuakeBox project.
Transcript of Adrienne Hunter's earthquake story, captured by the UC QuakeBox project.
Transcript of participant number QB1602's earthquake story, captured by the UC QuakeBox project.
Transcript of Shaun's earthquake story, captured by the UC QuakeBox project.
Transcript of Pat Penrose's earthquake story, captured by the UC QuakeBox project.
Transcript of Pat Whittle's earthquake story, captured by the UC QuakeBox project.
Transcript of Anton Wartmann's earthquake story, captured by the UC QuakeBox project.
In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transi- tional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art and networks may play in the transitional city, and the practices of remembering, and reimagining space.
Transcript of Harry Kitkevics's earthquake story, captured by the UC QuakeBox project.
Transcript of Tish Hunter's earthquake story, captured by the UC QuakeBox project.
A story submitted by Lynne Ball to the QuakeStories website.
University of Canterbury geologist Mark Quigley has earned a reputation for being a great science communicator on the subject of earthquakes. But when he's not in the media spotlight, he's out and about around Canterbury building a picture of the region's tectonic history, and trying to understand what might happen in the future.
The "Lyttelton Harbour Review" newsletter for 25 February 2013, produced by the Lyttelton Harbour Information Centre.
The Civil Defense understanding of the role of radio in disaster tends to focus on its value in providing essential information during and after the event. However this role is compromised when a station’s premises are destroyed, or rendered inaccessible by official cordons. The Radio Quake study examines how radio stations in Christchurch managed to resume broadcasting in the aftermath of the earthquake of February 22, 2011. In New Zealand’s heavily networked and commercialised radio environment there is a significant disparity between networked and independent stations’ broadcast commitments and resourcing. All Christchurch radio broadcasters were forced to improvise new locations, complex technical workarounds, and responsive styles of broadcasting after the February 22 earthquake, but the need to restore, or maintain, a full on air presence after the earthquake, rested entirely on often financially tenuous, locally owned and staffed independent radio: student, Iwi, community access, and local commercial stations. This paper will explore the resourcefulness and resilience of broadcasters riding out the aftershocks in hotels, motels, bedrooms, and a horse truck, using digital technologies in new ways to reimagine the practice of radio in Christchurch.